As I reflect on the six years that I have been in residence at the Alliance Theatre in Atlanta, Georgia through the National Playwright Residency Program (NPRP), there are two conversations with Artistic Director Susan V. Booth that stand out in my mind.
NPRP is an innovative national initiative funded by the Andrew W. Mellon that initially placed fourteen playwrights at fourteen theatres for three-year residencies. When I became a part of the first group of playwrights, there was no way I could have predicted the profound and wholly unexpected way that the residency would affect my writing life. Sure, I was looking forward to getting off the road and putting down deeper artistic roots in the city I’ve called home since 1969. Sure, I was looking forward to exploring long term collaborations with other artists. Sure, I was looking forward to seeing more of my plays on the Alliance stages. I even welcomed the opportunity to interact with others at the senior staff level and to learn more about the mysterious nexus where art and commerce and community must find a common language to make any progress at all.
That was the shape of what was more or less known to me as I began my first cohort. And all of that happened. I found my place at a theatre that felt like it could really be my artistic home. I met and collaborated with visionary directors, wonderful designers, and the kind of amazing actors who inhabit a playwright’s dreams. And I learned enough about that mysterious nexus to realize that art and community are the things at the heart of my life and work and that commerce was best left to those who understand and embrace the challenge of it better than I ever will.
… art and commerce and community must find a common language to make any progress at all.
Because of all this, by the time the exchanges I mentioned above occurred, Susan and I had already established the necessity for absolute honesty and complete candor about matters of race in general and race in Atlanta specifically. We had promised to tell each other the truth and trust ourselves to find, within that truth, common ground and common purpose. Without that mutual commitment, there would be the ever-present danger of overlooking things or withholding things or generally behaving in ways that emphasize politeness over truthfulness. This is usually not helpful in getting to the heart of the matter. Which was exactly the place that both of us wanted to explore. In addition to continuing to write my plays and explore the work I was doing with the Alliance education department, I self-defined my role to be having continuing conversations with Susan about matters of race and class and gender and whatever subjects we wanted to examine as we collaborated on making sure our institution reached as wide as audience as possible. An audience that looked like our city looks, diverse in every possible way. It was a shared goal and one we both took seriously.
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