Playwright Abraham Johnson reflects on the 2018 Lambda Emerging LGBTQ Voices Retreat, and the importance of supporting emerging Queer playwrights.

Georgia-based theatremaker Corey Bradberry reflects on lessons learned after creating an immersive murder mystery play in a four-story historical theatre, and muses on how large institutions sharing resources with smaller companies can lead to new and innovative creative partnerships.

Play recommendations from playwright Pearl Cleage for contextualizing the current anger felt by many Americans.

Playwright Pearl Cleage discusses growing up in a politically active family, the challenges faced by actors and directors of color, and the need for truth in theatre.

Artistic Director Susan Booth and Resident Playwright Pearl Cleage discuss their working relationship at the Alliance.

Monciella Elder, director of Past Prime Players, answers some common questions about Senior Theatre.

Anne Towns shares an overview of the Alliance Theatre Collision Project. 

This season, Atlanta’s Alliance Theatre will present a twentieth anniversary production of "Blues for an Alabama Sky" by playwright in residence Pearl Cleage. The Alliance premiered the play during their 1995 season.

Pearl Cleage writes about color-conscious casting in productions of A Christmas Carol, and the importance of representation during the holidays and beyond.

The day after the opening, I get an email from a lawyer friend who says: “Okay, Pearl, you’re the expert. Explain the second act of that play we saw last night.” I sigh and put on the coffee. My hands hover over the keys. I’m not sure what to say or how to say it. Not sure where to find the intersection of honest critique, institutional loyalty and sisterhood solidarity, I plunge in, hoping for the best.

Pear Clearge talks about the complexity of her residency at The Alliance as it brings together the subject of ingenuity/institution and context of location.

Andrew Alexander offers tools for appreciating the art and value of live performance while reflecting on gloATL's 2013 public art project, Liquid Culture.

Andrew Alexander looks at Atlanta-based theatre company Saiah, which took on the challenge of making a sea and whale come alive for audiences in their adaptation of Herman Melville's Moby-Dick.