Directing

In the spirit of decentering directors as the sole owners of a production’s concept, Daphnie Sicre proposes a two-day pre-production gathering, or dalliance, for the creative team. The format of this dalliance is inspired by her group’s work at the Latinx Theatre Commons Designer and Director Colaboratorio.

Megan Lummus shares her experience as the first openly autistic director to direct a professional production of The Curious Incident of the Dog in the Night-Time. She explores why it is important to have autistic artists taking the lead on sharing autistic stories, and what theatremakers can do to make sure productions are accessible. 

Latinx theatremakers Jorge Piña and Christin Eve Cato sit down for a conversation about their paths through the theatre field and their advice for future generations looking to sustain this work while caring for themselves and each other.

Dan Kpodoh’s The Struggle dramatizes governmental and corporate exploitation in the oil-rich Niger Delta by telling the story of a group of militants who sought liberation but became corrupted by financial interests. Eseovwe Emakunu, a Nigerian theatre professional, interviews Kpodoh about the play’s function as protest theatre against political oppression.

Amelia Parenteau sits down with Sarah Cameron Sunde, who has translated and directed six of Jon Fosse’s plays, to mark the occasion of Fosse being awarded the 2023 Nobel Prize in Literature. Their conversation pays tribute to Sarah and Jon’s longstanding creative relationship, examines the plays’ Norwegian context as it is translated internationally, and uplifts the need for American audiences to see more dramatic work in translation.

Carl(os) Roa and Rula(s) A. Muñoz share a multi-vocal, non-linear account of their group’s work at the Latinx Theatre Commons (LTC) Designer and Director Colaboratorio. Through both text and images, they document their group’s explorations of non-hierarchical generative process, as well as the challenges they faced.

Dolissa Medina details her group’s expansive design process at the Latinx Theatre Commons Designer and Director Colaboratorio. Engaging with a variety of spaces and art forms opened the group’s creative floodgates, allowing them to reach new perspectives on their work and their ways of relating to one another.

Mateo Hernandez acknowledges collaboration and artmaking as two distinct processes that inform each other in the theatrical process, an observation rooted in their group’s experience of intentionally reexamining the collaborative process at the Latinx Theatre Commons Director and Designer Colaboratorio.

The Latinx Theatre Commons Designer and Director Colaboratorio gathered dozens of Latinx theatremakers to approach collaboration from a place of inquiry, play, and exploration. Carla Della Gatta writes about this event as an alternate story of what is happening—and what could be happening—in US theatre right now.

Keelin Sanz discusses the development of WOMI, which she created to explore the healing capacity of art. By rooting WOMI in the work of choreographer Anna Halprin and memoirist Sarah Ramey, Sanz crafted a performance that worked to a mend the relationship between body and sense of self for those with chronic illnesses.

After directing Larissa FastHorse’s The Thanksgiving Play at her midwestern college, Indigenous theatremaker Sierra Rosetta traveled to New York to see the same play on Broadway. She discusses the way this milestone production—which made FastHorse the first known Native American woman playwright on Broadway—and her own work push for a future in which Native theatremakers’ presence on professional stages is standard, not novel.

The Latinx Theatre Commons announces the cohort of six directors, twenty-four designers, and seven scholars/documentarians selected for the Designer and Director Colaboratorio in Portland, Oregon this summer.

Alex Ates honors his mentor, the late director Maureen Shea, by sharing learnings from his time with her.

Director Vitaly Kogut is one of many displaced Russian men spending this winter in Batumi, Georgia. Daniel Mesta interviews him about his work, in which uses theatre to communicate the complexities of the Russian soul while enduring censorship and cancellation.