Miami Dade College Live Arts presented La Medea—a Greek Tragedy Reimagined as a Latin-Disco Variety Show—by Yara Travieso livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv Thursday 25 October, Friday 26 October, and Saturday 27 October 2018 at 8 p.m. EDT (New York) / 7 p.m. CDT (Chicago) / 5 p.m. PDT (Los Angeles).
Euripides’ myth of the wild foreign woman who vengefully murders her own children is shattered in this genre-bending musical and dance theater piece. La Medea is an original work of Miami’s own Yara Travieso, graduate of MDC’s New World School of the Arts and recipient of a YoungArts Award. Employing Latin American magical-realism, mythology and monumental objects, Travieso’s work lives in the intersection of films, performances and immersive installations that embrace a multiplicity of cultural lenses.
As a live simulcast and feature film that is directed, performed, shot, and edited in real time, La Medea creates a high-stakes vulnerability for cast, crew and audiences alike. Performers and camera operators play the characters, while studio audiences act as the Greek chorus. The plot centers around the story’s protagonist in a TV tell-all special and it employs a wild mash-up of genres and storytelling tropes, shifting seamlessly between dance and music, talk show and telenovela, scripted on-camera action and unscripted behind-the-scenes plot twists.
The multidimensional dismantling of Medea’s original narrative challenges the idea of a “dangerous,” “hysterical,” foreign woman—instead revealing an infinite woman that rejects the limited gaze imposed on her. Staring former Bill T. Jones dancer Shayla Vie-Jenkins, with music and libretto by composer Sam Crawford and set design by Miami local artist Brookhart Jonquil.
This marks the Miami debut and the first run since its premiere at Bric Arts/ PS 122’s COIL Festival. It is anchor to and representative of MDC Live Arts’ 18/19 season, which is dedicated to and representing strong women, immigrants and innovators.
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