Digital media and technology are ever-evolving, and so is their relationship to theatre. In this section, you can learn about how theatremakers are incorporating media and tech into their art-making and career-building, as well as read New Crit pieces about work created to be shared online. Two interesting series to explore for a sense of how quickly the conversations change are Gwydion Suilebhan’s Techne—essays written in 2013 and 2014—and Performing the Internet, curated by Kate Bergstrom in January 2021. Check out content from the 2019 Digital + Performance Convening for a multifaceted look at this topic!
In the third episode of PUHA podcast, co-hosts Zsófi and Bíborka talk to the interdisciplinary collective Hollow, the experimental scenographer Eszter Kálmán, and dancer-choreographer Beatrix Simkó. Together, they discuss how their work features across different media and mixes visual and digital art with performativity. Get ready for a journey across household noise choreographies, moving bodies in Vienna’s Leopold Museum, underground queer communities in Tbilisi, and stories of friendship and pregnancy in performance art!
Seeing Double: Double Consciousness as a Black Theatre Practitioner
14 July 2022
Ekemini Ekpo applies W.E.B. Dubois’ concept of “double consciousness” to the experience of performing Blackness for a predominantly white audience that may or may not be interested in disturbing the primacy of their own lived experience.
How to Produce a Podcast Series: A Beginner-Friendly Guide to the Art of Podcasting
7 June 2022
Tatiana Hernandez-Mitchell, a podcast consultant for HowlRound, offers a guide to the technical side of producing podcasts. This guide focuses on equipment, software, and best practices.
Hosted by Nordic Culture Point in Helsinki, Finland and On the Move
Wednesday 25 May 2022
Helsinki, Finland
Cultural Mobility Forum 2022 hosted by Nordic Culture Point in Helsinki, Finland and On the Move livestreamed on the global, commons-based peer produced HowlRound TV network Wednesday 25 May 2022 at 07:00 BST (London, UTC +1) / 08:00 CEST (Brussels, UTC +2) / 09:00 EEST (Helsinki, UTC +3) / 14:00 SGT (Singapore, UTC +8) / 16:00 AEST (Sydney, UTC +10).
Artistic identities can be complicated, and many theatremakers work equally within two or more disciplines simultaneously. The most interesting work is rarely created in a vacuum. These multidisciplinary artists create diverse projects in all senses of the word, broadening our idea of what theatre can and should be. Today, two such multihyphenate artists, Denmo Ibrahim and Sarah Fahmy, converse about their multiple identities, how they reconcile and manage their myriad expertise, and the role of multihyphenate artists in today’s theatre landscape.
Bringing artists, activists, and technologists together to explore our role in reshaping the future
Wednesday 16 March - Friday 25 March 2022
United States
CultureHub presented Re-Fest 2022 livestreaming on the commons-based peer produced HowlRound TV network from Wednesday 16 March to Friday 25 March 2022.
Performance and Workshop by Theatre in Quarantine (TiQ)
Symposium: Performing Arts in the Digital Age: Interactions and New Directions
Friday 11 March and Saturday 12 March 2022
College Park, Maryland, USA
University of Maryland's Maya Brin Institute for New Performance presented a performance and workshop by Theatre in Quarantine (TiQ) (Joshua William Gelb and Katie Rose McLaughlin) as part of the symposium Performing Arts in the Digital Age: Interactions and New Directions. Livestreaming on the commons-based peer produced HowlRound TV network Friday 11 March and Saturday 12 March 2022.
#DeafWoke is a Virtual Consciousness-raising, Engaging Online Talk Show, Led by Black and Native American Deaf Host Mr. Antoine Hunter PurpleFireCrow
Tuesday 15 February 2022
United States
Antoine Hunter presented #DeafWoke with Erin Phillips AKA DM3 livestreaming on the commons-based, peer-produced HowlRound TV network at howlround.tv Tuesday 15 February 2022 at 5 p.m. PST (San Francisco, UTC -8) / 7 p.m. CST (Chicago, UTC -6) / 8 p.m. EST (New York, UTC -5).
Ezra Brain reflects on the unique process of creating and performing the new work Our Childhood Sucked and shares what the theatre community can learn from creating digital “non-theatre.”
The Future Is Now: Conversations with Cannupa Hanska Luger and Qondiswa James
8 November 2021
In these episodes of The Future Is Now, CEC Artslink invites cultural worker Qondiswa James and mixed media artist Cannupa Hanska Luger, two of Artslink’s Future Fellows, to discuss their artistic work, practices, and visions for the future.
A Multi-Locational Live Concert which Features Performances from Seoul, New York City, and Los Angeles
Friday 5 November 2021
United States
La MaMa and CultureHub presented Electric Gugak livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 5 November 2021 at 6 p.m. PDT (San Francisco, UTC -7) / 8 p.m. CDT (Chicago, UTC -5) / 9 p.m. EDT (New York, UTC -4) / 10 a.m. KST (Seoul, UTC +9).
Through Raga, Polyphonic Overtone Singing, Experimental Music, Improvisational Flights of Fancy, and Spoken Word, Neel Murgai Creates a Psychedelic Universe of Sight and Sound
Thursday 21 October and Friday 22 October 2021
United States
La MaMa and CultureHub present Waves of Gravity livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Thursday 21 October and Friday 22 October 2021 at 5 p.m. PDT (San Francisco, UTC -7) / 7 p.m. CDT (Chicago, UTC -5) / 8 p.m. EDT (New York, UTC -4).
When Ricky and Dana Young-Howze began reviewing digital theatre productions early in the COVID-19 pandemic, they weren’t expecting to build a tight-knit, global community. They share their journey into the digital theatre scene and reflect on what it has taught them.
Yura Sapi sits down with Iyvon E., artistic director of The Parsnip Ship, a podcast play company that amplifies bold artists for audiences who crave accessible stories and storytellers.
Open Channels: The Journey Begins/Canales Abiertos: La jornada comienza
29 July 2021
Fátima De La Caridad Patterson Patterson, Mathew Schwarzman, and Carolina Caballero share their experience of creating Open Channels, an event where artists from thirteen countries gathered digitally to talk about Caribbean popular theatre.
Fátima De La Caridad Patterson Patterson, Mathew Schwarzman, y Carolina Caballero comparten sus experiencias creando Open Channels (Canales Abiertos), un evento donde artistas de trece países compartieron digitalmente para hablar del Teatro Popular Caribeño.
In this episode of Building Our Own Tables, host Yura Sapi discusses Seda Iranian Theatre Ensemble, the first Iranian theatre company in Seattle, with co-founder Parmida Ziaei.
Centering around the theme Solidarity: Digital Strategies for Creative Resilience
Thursday 1 July to Saturday 3 July 2021
Belgrade, Serbia
CultureHub presented the CultureHub Belgrade Convening livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv from Thursday 1 July to Saturday 3 July 2021.
Tilos az abadság - F* Ree Artists / New Year's Eve Revue
GHOST HOURS OF FREE ART livestreaming from the glorious halls of the Hungarian Metal Workers' Union in Budapest
Thursday 24 June 2021
Hungary
TV Free Europe presented Tilos az abadság - F* Ree Artists / New Year's Eve Revue livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Thursday 24 June 2021 at 1 p.m. EDT (New York, UTC -4) / 6 p.m. BST (London, UTC+1) / 19:00 CET (Budapest, UTC +2).
Jacob Juntunen shares how the MFA playwriting program at Southern Illinois University in Carbondale adapted their new play festival for the online world and how open-access software and streaming platforms helped students at the rural school transcend geography.
