Larissa FastHorse explores the issues she deals with as a Native playwright, from finding an agent to what happens when she has to un-Native American a character.
Offthe Rails, which was produced at OSF in October, shows how Native plays can include depictions or descriptions of Native history as an element of lived experience, not as the entirety of the play’s purpose.
Playwright Mary Kathryn Nagle kicks off Native Voices Week, “Instead of Redface,” with a personal story about how she came to playwriting from law school and the imperative to tell Native stories.