Dialogue, Diversity, and Quality—A Report From the Sibiu International Theatre Festival
1 July 2014
Mark Jackson reports on the "format and the values" he witnessed in Romania at the Sibiu International Theatre Festival, which is the third largest theater festival in the world.
But what interested me in that scene, besides the actual incredible fact that in a Romanian city somebody had decided to build, in 2011, a wall between “white people” and “gypsies,” was the current Romanian political discourse. And I was interested in whom I was addressing too. I realized that I was speaking, just like the current political discourse, to a middle-class of which I was a part.
This series presents perspectives on contemporary theater in Romania. It is curated by Iulia Popovici, who recently concluded a month long ArtsLink residency at HowlRound.
Sibiu International Theatre Festival creates a dialogue from the performances of different cultures. It brings up the questions of how artists perceive and what that means within our work.
Theater management in Romania – A Mandatory Professionalization
10 December 2013
The fall of communism in 1989 ledway to the democratisation of art. Ioana Tamas gives the breakdown of how arts management had to be developed to make this transition successful.
Writing about a national theater as far away from the United States as the Romanian one means, in the end, performing exoticism—playing the monkey for the zoo visitors that do expect a monkey. Because, in the end, it’s not about the theater—a specific economic and aesthetic system designed to produce and share artistic work—it’s about how a society, in this case Romanian society, is perceived at an international level.
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Series are collections of content curated around a specific theme. HowlRound works with curators to develop topical pieces meant to spotlight current events and happenings within the commons.