Acting & Performance

Leanne Linsky writes about the process of writing and performing her own one-woman show.

Micheline Auger reports about her project, Write Out Front, which places playwrights in the Drama Book Store's window for a mini "residency."

Phil Soltanoff writes about SITSTANDWALKLIEDOWN, and how performance art can make us think about how we live, work, and occupy public space.

Kashif Jerome Powell on the legacy of Dewy “Pigmeat” Markham on the Black Performance work in the Durham, North Carolina theater scene, its influcence on the work of local theatermaker Mike Wiely, and the continuation of said conversation in the current Black performace scene in Durham.

Actor-Producer Bridgit Antoinette Evans in conversation with Ty Jones, Producing Artistic Director of the Classical Theatre of Harlem.

Barry Martin writes about the importance of slowing down – and how the speed of a show can enhance or betray its script.

Natsu Onoda Power writes about the role of coincidence and fate in her career, and how the "choices" we make in our artistic journeys are hardly a matter of choice at all.

Erika Chong Shuch, a dancer, choreographer, director and theater maker dishes on the seeds of her passion for performance, her creative process, and her experiences collaborating with other artists.

Taylor Mac discusses actor professionalism, and trusting rather than auditioning them.

Playwright Cory Hinkle interviews Steve Epp to discuss his process devising performances which are often rooted in an exploration of history.

Susan Miller speaks on the collision of the playwright's personal and the public, and the beauty found in performing these stories themselves.