The VORTEX in Austin, Texas presented Hunger by local playwright and poet Ebony Stewart livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Thursday 8 December at 9 p.m. EDT (New York) / 8 p.m. CDT (Austin) / 6 p.m. PDT (San Francisco) / 02:00 Friday, December 9 GMT (London).
Jess Barbagallo and Chris Giarmo discuss design questions for Jess’s play My Old Man (and Other Stories) and the recently increased interest in trans artists.
Matt Błażejewski discusses the Me Too Monologues and its impact as a community-based theatre project that spreads awareness of mental health issues to college students.
Bootleg Theater presented the World Premiere of Marissa Chibas' The Second Woman livestreamed on the global, commons-based peer-produced HowlRound TV at howlround.tv Sunday 13 November at 5:00 p.m. EST (New York) / 2:00 p.m. PST (Los Angeles) / 4:00 p.m. CST (Chicago) / 10:00 p.m. GMT/UTC (London).
Playwrights Theatre Centre, Heart of the City Festival, Hua Foundation and DTES Neighbourhood House in Vancouver presented the Sharing Theatre, Sharing Culture conversation livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Thursday 3 November at 6:30 p.m. PDT (Vancouver) / 8:30 p.m. CDT (Austin) / 9:30 p.m. EDT (New York) / Friday 4 November at 01:30 GMT-UTC (London). Share your thoughts in Twitter with #howlround, and follow @HowlRoundTV for updates.
Sizwe Banzi Is Dead and the Legacy of Anti-Apartheid Theatre
24 October 2016
Michael Lueger talks with Dr. Gibson Cima of Georgetown University about Sizwe BanziIs Dead, it’s collaborators, and it’s lasting impact on South African political theatre.
Ethos and The VORTEX in Austin, Texas presented Atlantis: A Puppet Opera—a mythic tale of powerful warring religious zealots who are obsessed with world domination and non-renewable energy, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Friday 16 September at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles). Share your thoughts on Twitter and Instagram with #howlround.
Tracey Houston and Rob Langford, founders of Montréal company Waterworks, describe their experience working on the play Aftermath by Andrea Dworkin. Immediately following is a reflection by Helena Levitt who performed in Aftermath.
Artistic Director Kimmothy Cole discusses gender fluidity and advocates the need for creating more opportunities transgender, gender-queer, androgynous, and other non-binary actors.
