Award-winning actor and monologuist Eric Bogosian discusses how a monologue is created: from conceptualization, to free-form vocal improv, to writing, and performance.
The VORTEX in Austin, Texas presented Terminus by Gabriel Jason Dean—livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on at Friday 29 January at 6 p.m. PST (Vancouver) / 8 p.m. CST (Austin) / 9 p.m. EST (New York). Use Twitter hashtag #howlround and direct comments @VORTEXonManor.
Lauren Alexander interviews twins Shirley and Aaron Sertosky about their experience working together in Theater J’s production of Stars of David: Story to Song.
In this episode, Matthew Gray discusses the lack of diversity during awards season, and interviews Rachel Keller, co-star of Holidaysburg and Fargo: Season Two, about her journey.
In the second part of Matt's interview with Pig Pen Theatre Co., he speaks with Matt, Curtis, and Ben. They discuss how to avoid cynicism for the business, speaking a common language with your collaborators, and Jerome Bettis.
Ali Stroker is currently starring in Deaf West’s acclaimed Broadway production of Spring Awakening. She is the first leading actor in a wheelchair on Broadway. She’s part-trailblazer, part-advocate, part-instigator and all artist.
Today is the first part of a two part interview with three members of the PigPen Theatre Co. (Ryan Melia, Arya Shahi and Dan Weschler). We discuss actual Rat Kings, the ‘tiering’ of Drama Schools and finding your own identity in the actor training process.
Matthew Gray interviews performer Kristolyn Lloyd about choosing ethics and principles over panic when building your career, the importance of shaping your own education, and developing new work.
Actor Gardiner Comfort discusses his experiences as a performer and audience member with Tourette Syndrome, and how it has inspired aspects of his solo show The Elephant in Every Room I Enter.
Finding Humanity in Alchemy of Desire/Dead Man’s Blues
7 November 2015
Emerson College student Andrew Siañez-De La O writes about RareWork’s Theatre Company’s production of Caridad Svich’s Alchemy of Desire/Dead Man’s Blues.
Today I talk with Kara Lindsay, currently playing Glinda in Wicked on Broadway. We talk Broadway dreams, audition nightmares and coming to terms with the ebbs and flow of the business.
Gretchen Egolf and I talk about the cultural differences between the business in the USA and the UK, the difference between acting for cameras and acting onstage and nursing an ongoing displeasure of auditioning…
