Pluralism is inherent in community partnerships, whether hyperlocal or national. As the One Nation/One Project team built public arts partnerships in eighteen sites across the country, they sought pluralistic strategies to respond to a question of growing importance: What future is possible at the intersection of our increasing diversity and diminishing cohesion? And how do we reach it?
#DeafWoke is a Virtual Consciousness-raising, Engaging Online Talk Show, Led by Black and Native American Deaf Host Mr. Antoine Hunter PurpleFireCrow
Thursday 2 December 2021
United States
Antoine Hunter presented #DeafWoke with Jermaine Williams livestreaming on the commons-based, peer-produced HowlRound TV network at howlround.tv Thursday 2 December 2021 at 4 p.m. PST (San Francisco, UTC -8) / 6 p.m. CDT (Chicago, UTC -6) / 7 p.m. EDT (New York, UTC -5).
Ashley Teague, in partnership with Carlos Sirah, Arielle Julia Brown, Mauricio Tafur Salgado, and Yazmany Arboleda, talk about their eight-year durational, grassroots engagement with the Black community of the Arkansas Delta, Remember2019.
Developing Artistic Ambition as Playwrights in Residence
27 November 2019
Rehana Lew Mirza and Melinda Lopez talk being playwrights as well as actors and teachers, critiquing their own work, their individual work processes, and more.
Melisa Pereyra talks about how suffering goes hand in hand with being a woman of color actor, how trauma is held in the body, and how audiences react when stories lack grief.
What South Carolina Taught Me About Radical Theatermaking
5 September 2014
Over my time in Spartanburg, I learned firsthand that South Carolina is not a homogenous place. There are all kinds of people in South Carolina, people with voices and powerful stories. A lot of those stories are invisible because of the cultural and political climate that surrounds them. That doesn’t mean they aren’t there—but it means that to those living outside of the state, they don’t exist.
This week on Parenting & Playwriting, Catherine Trieschmann does not offer advice... but, rather, offers up some ideas on the very many ways to handle pregnancy as a theatre artist.
Catherine Treischmann's Parenting & Playwriting series continues with a question about new play development: when you're offered out-of-town production and development oppurtunities, what do you do when you're the primary caregiver to small children?
