Israel

Playwright Renée Darline Roden talks about her travels to Israel and Palestine to gain inspiration for a new play and encountering what Chimamanda Ngozi Adichie calls “the danger of a single story.”

MJ Kaufman writes about the decision not to see To the End of the Land ​at Lincoln Center. 

Jamil Khoury writes about curating a series of six staged readings about the Israeli-Palestinian conflict, and that power of theatre to speak to controversial issues.

Abraham Benson-Goldberg discusses Khan Theatre’s production of Philoctetes, examining the intersections of young soldiers, heroism, war, and politics.

Abraham Benson-Goldberg writes about how theatres can be better at attracting young audiences, based on his experiences in Seattle, WA and Tel Aviv, Israel.

Patricia Davis on Mosaic Theatre's US premiere in Washington, D.C. of I Shall Not Hate, based on the life of Palestinian doctor Izzeldin Abuelaish.

In this installment of the Disability in Theatre series, Kevin Becerra interviews Adina Tal, Founder and Artisitc Director of  Nalaga’at Center in Tel Aviv, on her production of Not by Bread Alone.