Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.
After directing Larissa FastHorse’s The Thanksgiving Play at her midwestern college, Indigenous theatremaker Sierra Rosetta traveled to New York to see the same play on Broadway. She discusses the way this milestone production—which made FastHorse the first known Native American woman playwright on Broadway—and her own work push for a future in which Native theatremakers’ presence on professional stages is standard, not novel.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.
Maia Novi’s testimonial play Invasive Species tells the story of one Argentinean immigrant’s experience constructing her sense of self in the United States in the face of the limitations on her identity that she encounters in her new home. Sebastián Eddowes-Vargas, a Peruvian living in the United States, reviews the production with an eye toward the way that Invasive Species embraces complexity, humanity, power imbalances, and even humor.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version brings the program to your home via Zoom sessions and HowlRound livestreams.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.
Portrait of a Parent-Child Relationship of a Czechoslovakian Refugee Who Fled During the 1968 Prague Spring
Thursday 15 June 2023
New York City
In The Astronaut, a father receives a visit from his son. Complications in their relationship quickly become clear: the son, who wears a full astronaut suit, never replies to his father. The Astronaut is a touching variation on a one-man show, with the father speaking a series of monologues to his silent son.
Theatremaker Eric Swartz sits down with Rosalba Rolón, co-founder and artistic director of Pregones/PRTT, to discuss ensemble-based theatre, mentorship across generations, and their work to sembrar una semilla—to plant a seed and work to make it grow.
Reuniting for the first ever revival of Evelyn Brown: (A Diary), Scenic Designer Donald Eastman, Costume Designer Gabriel Berry and Stage Manager Peter Littlefield discuss their long time collaboration with Fornés
Wednesday 7 June 2023
New York City
Dramaturg Gwendolyn Alker engages in a post-show conversation with Donald Eastman and Gabriel Berry—two members of María Irene Fornés’s design team—about the various shows they designed for Fornés, as well as their current work on the first-ever revival of Evelyn Brown (A Diary). Peter Littlefield, the stage manager for the original 1980 production, will also join.
Celebrating the Latest Segal Center Publication as Part of the Rehearsal for Truth Festival 2023
Friday 2 June 2023
United States
Dorota Masłowska is a Polish writer, playwright, and journalist and the recipient of the prestigious Polityka Prize for her debut novel Wojna polsko-ruska pod flagą biało-czerwoną (Snow White and Russian Red, Grove Atlantic), published when she was just nineteen years old. The book garnered massive critical acclaim in Poland. Since then, she has written several novels and plays and has become a celebrated literary figure in Poland.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.
An Evening to Discuss Findings, Resources, and Questions that Arose from the Research of the Student Anti-Racism Committee
Thursday 18 May 2023
New York City
Join us for an evening with the PhD students from the theatre department and others at the GC CUNY to share, reflect, and discuss findings, resources, and questions that arose in three years of research during the time of COVID for the student anti-racism committee. Topics will include theory and pedagogy, history and practices, plays, anti-racism trainings, CUNY resources, and outside organizations and resources.
An Evening Remembering the Late Professor of Theatre, Author, and Translator Marion Peter Holt
Monday 15 May 2023
New York City
Join us for an evening remembering the late professor of theatre, author, and translator Marion Peter Holt, professor emeritus (theatre, Graduate Center, and Spanish, College of Staten Island). Marion helped to spread knowledge of Catalan and Spanish drama throughout the United States and the world.
Documentary Screening With Tony Torn and Original Members of the Cast (NY)
Thursday 11 May 2023
New York City
Join us for a screening of Reza Abdoh’s extraordinary site-specific work Father was a Peculiar Man,an adaptation of Dostoyevsky’s The Brothers Karamazov staged in New York City’s Meatpacking District in the summer of 1990. Produced by Anne Hamburger’s En Garde Arts, Father was a Peculiar Man showed how brilliantly Reza applied his specific site-based approach that he developed in Los Angeles to New York City’s urban infrastructure.
Navigating the Space Between Representation and Participation
Thursday 4 May 2023
New York City
Join us for a Zoom talk with author and curator Florian Malzacher to discuss the upcoming Segal Center publication The Art of Assembly: Political Theatre Today. The Art of Assembly surveys theatre today to demonstrate its political potential in both form and content.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.
Joined by Jean Passanante and Patricia McGregor and moderated by Frank Hentschker
Thursday 27 April 2023
New York
Join us for an evening celebrating the work of Linda Chapman and James C. Nicola at the legendary New York Theatre Workshop. In their thirty-four-year run, Linda and James, at the 199-seat East Village theatre, gave birth to hundreds of important theatre works including Tony-winning best musicals Rent, Once, and Hadestown,as well as What the Constitution Means to Me and Slave Play.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.
The New Role Theatre and Performance Can and Should Play in the New Age of the Anthropocene
Thursday 20 April 2023
New York City
Join us for a Whole Earth Conversation with Andreas Weber (Germany) about the new role theatre and performance can and should play in the new age of the Anthropocene, a geological era shaped by humans rather than by nature. We ask how the significant symbolic, imaginary, and real space of theatre can help artists and audiences realize that a contemporary theatre and performance practice can no longer just represents interhuman conflicts.
Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.
The New Role Theatre and Performance Can and Should Play in the New Age of the Anthropocene
Friday 14 April 2023
New York City
Join us for a Whole Earth Conversation with Frédérique Aït-Touati (France) about the new role theatre and performance can and should play in the new age of the Anthropocene, a geological era shaped by humans rather than by nature. We ask how the significant symbolic, imaginary, and real space of theatre can help artists and audiences realize that a contemporary theatre and performance practice can no longer just represents interhuman conflicts.
The New Role Theatre and Performance Can and Should Play in the New Age of the Anthropocene
Monday 10 April 2023
New York City
Join us for a Whole Earth Conversation with Thomas Oberender (Germany) about the new role theatre and performance can and should play in the new age of the Anthropocene, a geological era shaped by humans rather than by nature. We ask how the significant symbolic, imaginary, and real space of theatre can help artists and audiences realize that a contemporary theatre and performance practice can no longer just represents interhuman conflicts.
