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Playwright Residencies

Having a playwright-in-residence at a theatre or other organization can have huge benefits for the writer, the organization, and the community. Much of the content in this section is about or generated by participants in the National Playwright Residency Program, which HowlRound administers in partnership with the Andrew W. Mellon Foundation. Don’t miss this series of conversations between playwrights in the program discussing what they’ve learned from being embedded within a theatre company.

The Latest

Video
A Haunting in the Chest
A Conversation About Southeast Asian Stories on the American Stage
Thursday 13 March 2025
Philadelphia, Pennsylvania
Video
Telling the Unheard
Lao, Hmong, and Ojibwe Playwrights on Centering Their Communities
Tuesday 18 February 2025
Saint Paul, Minnesota
Essay
Ancestor Stories and Community Care in Virginia Grise’s Rasgos Asiaticos
by Alexandria Ramos
15 January 2025
Essay

a Playwriting Class

3 May 2017

Lauren Gunderson continues her series of videos asking "Why theatre?" In this class, she addresses active characters in plays, and dramatic structure.

Essay

a Playwriting Class

13 April 2017

Lauren Gunderson shares a video of her teaching a playwriting class on dialogue and asks the question: why theatre?

Essay

Musings on Playwriting in the Age of Trump

1 April 2017

Kirsten Greenidge reflects on the playwright's relationship to this unruly moment of cultural shift and what happens to one’s work when the world around us is changing so rapidly?  

Essay
25 March 2017

Ralph B. Peña offers advice to those looking to diversify their theatre companies and productions.

Essay
16 March 2017

Aditi Kapil reflects on her experience having and raising children as a freelance artist, and how residencies can alleviate certain challenges.

Essay

Lessons from Carlos Murillo’s Residency at Adventure Stage

13 March 2017

Adventure Stage Artistic Director Tom Arvetis and Playwright in Residency Carlos Murillo discuss how Carlos’ perspective has affected the company’s goals and operations.

Video
Saturday 4 March 2017
Portland, OR, United States

The Oregon Shakespeare Festival presented “The Past is Always Present: Luis Alfaro as a Citizen Artist”, a Festival Noon Conversation with Tiffany Ana López livestreamed on the global, commons-based HowlRound TV network at howlround.tv Saturday 4 March at 12 p.m. PST (Portland) / 2 p.m. CST (Chicago) / 3 p.m. EST (New York).

Essay

How the San Francisco Bay Area Affects the Playwrights who Live There

13 December 2016

Peter Nachtrieb talks to nine other Bay Area-based playwrights about their connection to where they live.

Essay
10 November 2016

Dramaturg Maria Patrice Amon interviews Playwright Herbert Sigüenza about his comic influences, and Manifest Destinitis, his adaptation of Molière’s The Imaginary Invalid.

Essay

Rachel Bonds

21 October 2016

Rachel Bonds writes about her residency at Ars Nova.

Essay

Chisa Hutchinson

21 October 2016

Chisa Hutchinson writes about her residency at Second Stage.

Essay

Paola Lázaro

21 October 2016

Paola Lázaro writes about her residency at The Atlantic.

Essay

Jenny Rachel Weiner

21 October 2016

Jenny Rachel Weiner writes about her residency at Roundabout Theatre Company.

Essay

Caroline V. McGraw

21 October 2016

Caroline V. McGraw writes about her residency at Page 73.

Essay

Jaclyn Backhaus

21 October 2016

Jaclyn Backhaus writes about her residency at Clubbed Thumb.

Essay

Laying the Groundwork for a Residency

19 October 2016

Playwright Carlos Murillo writes about how he and Adventure Stage Artistic Director Tom Arvetis created an original play for and about the young people of Chicago’s West Town neighborhood.

Video
Sunday 16 October 2016
Boston, MA, United States

Huntington Theatre Company in Boston presented a panel conversation about Mike Lew's Tiger Style! with Ma-Yi Writers Lab members livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Sunday 16 October at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles). Follow @HowlRoundTV on Twitter and share your thoughts with #howlround.

Essay

Breaking Open Marcus Gardley’s The House That Will Not Stand through Public Programs and Community Partnerships

16 October 2016

Isaac Gomez, Director of New Play Development at Victory Gardens, shares the engagement programs around their production of Marcus Gardley’s The House That Will Not Stand.

Video
Friday 14 October 2016
Boston, MA, United States

Emerson College presented the panel discussion The Crisis in Casting for Stage and Media livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 14 October at 12 p.m. PDT (Los Angeles)/ 1 p.m. MDT (Denver)/ 2 p.m. CDT (New Orleans)/ 3 p.m. EDT (Boston).

Video
Sunday 9 October 2016
Ashland, OR, United States

The Oregon Shakespeare Festival presented an Oregon Humanities Think and Drink conversation between Pulitzer Prize–winning author and journalist Héctor Tobar and OSF playwright-in-residence Luis Alfaro livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 9 October at 10:30 a.m. PDT (Portland) / 1:30 p.m. EDT (New York). In Twitter, follow @HowlRoundTV and use #howlround.

Essay

Why Lauren Gunderson? Why Marin Theatre Company?

13 August 2016

Jasson Minadakis, Artistic Director of Marin Theatre Company in Mill Valley, California and playwright-in-residence Lauren Gunderson discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Essay

Why Taylor Mac? Why HERE Arts Center?

10 August 2016

Kristin Marting, Artistic Director of HERE in New York City and playwright-in-residence Taylor Mac discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Essay

Why Rehana Lew Mirza and Mike Lew? Why Ma-Yi Theater Company?

30 July 2016

Ralph Peña, Producing Artistic Director of Ma-Yi Theater Company in New York City and playwrights-in-residence Rehana Lew Mirza and Mike Lew discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Essay

Why Kirsten Greenidge? Why Company One Theatre?

30 July 2016

Shawn LaCount, Artistic Director of Company One Theatre in Boston and playwright-in-residence Kirsten Greenidge discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Essay

Why Herbert Siguenza? Why San Diego Repertory Theatre?

30 July 2016

Sam Woodhouse, Artistic Director of San Diego Repertory Theatre and playwright-in-residence Herbert Siguenza discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

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