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Playwright Residencies

Having a playwright-in-residence at a theatre or other organization can have huge benefits for the writer, the organization, and the community. Much of the content in this section is about or generated by participants in the National Playwright Residency Program, which HowlRound administers in partnership with the Andrew W. Mellon Foundation. Don’t miss this series of conversations between playwrights in the program discussing what they’ve learned from being embedded within a theatre company.

The Latest

What Is the African Diaspora?
Video
What Is the African Diaspora?
A Conversation About Afro-Atlantic Culture with Playwright Zainabu Jallo and Africana Scholar Maboula Soumahoro
Sunday 15 October 2023
Minneapolis, MN
A Cypher Among Theatremakers from the Laotian Diaspora
Essay
A Cypher Among Theatremakers from the Laotian Diaspora
by Saymoukda Vongsay, Ova Saopeng, Samson Syharath, Kaysone Syonesa, Lidet Viravong
7 September 2023
On Collaborative Evolution with Friendship at its Core
Essay
On Collaborative Evolution with Friendship at its Core
by Carlyle Brown, Noël Raymond
21 August 2023
Festival Noon Conversation with Tiffany Ana López: “The Past is Always Present: Luis Alfaro as a Citizen Artist”
Video

Festival Noon Conversation with Tiffany Ana López: “The Past is Always Present: Luis Alfaro as a Citizen Artist”

Saturday 4 March 2017
Portland, OR, United States

The Oregon Shakespeare Festival presented “The Past is Always Present: Luis Alfaro as a Citizen Artist”, a Festival Noon Conversation with Tiffany Ana López livestreamed on the global, commons-based HowlRound TV network at howlround.tv Saturday 4 March at 12 p.m. PST (Portland) / 2 p.m. CST (Chicago) / 3 p.m. EST (New York).

Longtime Drifters
Essay

Longtime Drifters

How the San Francisco Bay Area Affects the Playwrights who Live There

13 December 2016

Peter Nachtrieb talks to nine other Bay Area-based playwrights about their connection to where they live.

Interview with Herbert Sigüenza
Essay

Interview with Herbert Sigüenza

10 November 2016

Dramaturg Maria Patrice Amon interviews Playwright Herbert Sigüenza about his comic influences, and Manifest Destinitis, his adaptation of Molière’s The Imaginary Invalid.

Tow Foundation Playwright-in-Residence
Essay

Tow Foundation Playwright-in-Residence

Chisa Hutchinson

21 October 2016

Chisa Hutchinson writes about her residency at Second Stage.

Tow Foundation Playwright-in-Residence
Essay

Tow Foundation Playwright-in-Residence

Paola Lázaro

21 October 2016

Paola Lázaro writes about her residency at The Atlantic.

Tow Foundation Playwright-in-Residence
Essay

Tow Foundation Playwright-in-Residence

Jenny Rachel Weiner

21 October 2016

Jenny Rachel Weiner writes about her residency at Roundabout Theatre Company.

Tow Foundation Playwright-in-Residence
Essay

Tow Foundation Playwright-in-Residence

Caroline V. McGraw

21 October 2016

Caroline V. McGraw writes about her residency at Page 73.

Tow Foundation Playwright-in-Residence
Essay

Tow Foundation Playwright-in-Residence

Jaclyn Backhaus

21 October 2016

Jaclyn Backhaus writes about her residency at Clubbed Thumb.

Tow Foundation Playwright-in-Residence
Essay

Tow Foundation Playwright-in-Residence

Rachel Bonds

21 October 2016

Rachel Bonds writes about her residency at Ars Nova.

Making Augusta and Noble
Essay

Making Augusta and Noble

Laying the Groundwork for a Residency

19 October 2016

Playwright Carlos Murillo writes about how he and Adventure Stage Artistic Director Tom Arvetis created an original play for and about the young people of Chicago’s West Town neighborhood.

Conversation about Mike Lew's Tiger Style! with Ma-Yi Writers Lab Members at Huntington Theatre Company
Video

Conversation about Mike Lew's Tiger Style! with Ma-Yi Writers Lab Members at Huntington Theatre Company

Sunday 16 October 2016
Boston, MA, United States

Huntington Theatre Company in Boston presented a panel conversation about Mike Lew's Tiger Style! with Ma-Yi Writers Lab members livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv Sunday 16 October at 9 p.m. EDT (New York) / 8 p.m. CDT (Chicago) / 6 p.m. PDT (Los Angeles). Follow @HowlRoundTV on Twitter and share your thoughts with #howlround.

In Our House
Essay

In Our House

Breaking Open Marcus Gardley’s The House That Will Not Stand through Public Programs and Community Partnerships

16 October 2016

Isaac Gomez, Director of New Play Development at Victory Gardens, shares the engagement programs around their production of Marcus Gardley’s The House That Will Not Stand.

The Crisis in Casting for Stage and Media Panel at Emerson College
Video

The Crisis in Casting for Stage and Media Panel at Emerson College

Friday 14 October 2016
Boston, MA, United States

Emerson College presented the panel discussion The Crisis in Casting for Stage and Media livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 14 October at 12 p.m. PDT (Los Angeles)/ 1 p.m. MDT (Denver)/ 2 p.m. CDT (New Orleans)/ 3 p.m. EDT (Boston).

A Think and Drink Conversation with Héctor Tobar and Luis Alfaro
Video

A Think and Drink Conversation with Héctor Tobar and Luis Alfaro

Sunday 9 October 2016
Ashland, OR, United States

The Oregon Shakespeare Festival presented an Oregon Humanities Think and Drink conversation between Pulitzer Prize–winning author and journalist Héctor Tobar and OSF playwright-in-residence Luis Alfaro livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 9 October at 10:30 a.m. PDT (Portland) / 1:30 p.m. EDT (New York). In Twitter, follow @HowlRoundTV and use #howlround.

Playwright Residency
Essay

Playwright Residency

Why Lauren Gunderson? Why Marin Theatre Company?

13 August 2016

Jasson Minadakis, Artistic Director of Marin Theatre Company in Mill Valley, California and playwright-in-residence Lauren Gunderson discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Playwright Residency
Essay

Playwright Residency

Why Taylor Mac? Why HERE Arts Center?

10 August 2016

Kristin Marting, Artistic Director of HERE in New York City and playwright-in-residence Taylor Mac discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Playwright Residency
Essay

Playwright Residency

Why Kirsten Greenidge? Why Company One Theatre?

30 July 2016

Shawn LaCount, Artistic Director of Company One Theatre in Boston and playwright-in-residence Kirsten Greenidge discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Playwright Residency
Essay

Playwright Residency

Why Herbert Siguenza? Why San Diego Repertory Theatre?

30 July 2016

Sam Woodhouse, Artistic Director of San Diego Repertory Theatre and playwright-in-residence Herbert Siguenza discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Playwright Residency
Essay

Playwright Residency

Why Vera Starbard? Why Perseverance Theatre?

30 July 2016

Art Rotch, Executive Artistic Director of Perseverance Theatre and playwright-in-residence Vera Starbard discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Playwright Residency
Essay

Playwright Residency

Why Madeleine George? Why Two River Theater?

30 July 2016

John Dias, Artistic Director of Two River Theater in Red Bank, New Jersey and playwright-in-residence Madeleine George discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Playwright Residency
Essay

Playwright Residency

Why Rehana Lew Mirza and Mike Lew? Why Ma-Yi Theater Company?

30 July 2016

Ralph Peña, Producing Artistic Director of Ma-Yi Theater Company in New York City and playwrights-in-residence Rehana Lew Mirza and Mike Lew discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Imagining the Audience: a talk by playwright Kira Obolensky at Ten Thousand Things
Video

Imagining the Audience: a talk by playwright Kira Obolensky at Ten Thousand Things

Friday 29 July 2016
Boston, MA, United States

As part of Andrew W. Mellon Foundation’s National Playwright Residency Program convening hosted in Boston at HowlRound, Ten Thousand Things playwright-in-residence Kira Obolensky talked about how her work with this award-winning theatre in Minneapolis has changed for her how she thinks about the audience. Livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 29 July at 1:30 p.m. EDT (New York) / 12:30 p.m. CDT (Chicago) / 10:30 a.m. PDT (Los Angeles). Share your thoughts with #howlround in Twitter.

Playwright Residency
Essay

Playwright Residency

Why Christina Ham? Why Pillsbury House Theatre?

29 July 2016

Faye Price and Noël Raymond, Co-Artistic Directors of Pillsbury House Theatre in Minneapolis, Minnesota and playwright-in-residence Christina Ham discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Playwright Residency
Essay

Playwright Residency

Why Carlos Murillo? Why Adventure Stage?

29 July 2016

Tom Arvetis, Producing Artistic Director of Adventure Stage in Chicago and playwright-in-residence Carlos Murillo discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.

Interview with playwright Carlos Murillo on The Javier Plays
Essay

Interview with playwright Carlos Murillo on The Javier Plays

29 July 2016

Sarah Matusek talks to Playwright Carlos Murillo about his trilogy the Javier Plays, inspired by the life and work of the late Javier C.