Having a playwright-in-residence at a theatre or other organization can have huge benefits for the writer, the organization, and the community. Much of the content in this section is about or generated by participants in the National Playwright Residency Program, which HowlRound administers in partnership with the Andrew W. Mellon Foundation. Don’t miss this series of conversations between playwrights in the program discussing what they’ve learned from being embedded within a theatre company.
The Latest
Video
A Haunting in the Chest
A Conversation About Southeast Asian Stories on the American Stage
Thursday 13 March 2025
Philadelphia, Pennsylvania
Video
Telling the Unheard
Lao, Hmong, and Ojibwe Playwrights on Centering Their Communities
Tuesday 18 February 2025
Saint Paul, Minnesota
Essay
Ancestor Stories and Community Care in Virginia Grise’s Rasgos Asiaticos
As part of Andrew W. Mellon Foundation’s National Playwright Residency Program convening hosted in Boston at HowlRound, Ten Thousand Things playwright-in-residence Kira Obolensky talked about how her work with this award-winning theatre in Minneapolis has changed for her how she thinks about the audience. Livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 29 July at 1:30 p.m. EDT (New York) / 12:30 p.m. CDT (Chicago) / 10:30 a.m. PDT (Los Angeles). Share your thoughts with #howlround in Twitter.
Faye Price and Noël Raymond, Co-Artistic Directors of Pillsbury House Theatre in Minneapolis, Minnesota and playwright-in-residence Christina Ham discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.
Tom Arvetis, Producing Artistic Director of Adventure Stage in Chicago and playwright-in-residence Carlos Murillo discuss their participation in the Andrew W. Mellon Foundation’s National Playwright Residency Program.
How being a Playwright In Residence affected the World Premiere of My Latest Play (I think.)
22 June 2016
Playwright Peter Sinn Nachtrieb reflects on the production process of his play A House Tour of the Infamous Porter Family Mansion with Tour Guide Weston Ludlow Londonderry.
FaultLine Theater in San Francisco presented the world premiere of Stegosaurus (Or) Three Cheers for Climate Change, an absurd dark comedy by Andrew Saito, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 2 April at 4:30 p.m. PDT (San Francisco) / 6:30 p.m. CDT (Chicago) / 7:30 p.m. EDT (New York) / 23:30 GMT. Follow @howlroundtv in Twitter for updates.
The following video is a sneak peek behind the scenes rehearsal video and includes footage from workshop presentations that took place in November 2014.
Kevin Moriarty expresses why Will Power is the ideal voice and ambassador for Dallas Theater Center and Power gives his own reasons for why his work is at home in Dallas.
Artistic Director Lisa Steindler and Peter Nachtrieb discuss what drew them to this artistic collaboration and why Z Space is the perfect fit for them.
Part interview, part photo essay, part play excerpts, Rebecca Stevens goes in-depth with playwright Marcus Gardley on his two recent productions at Victory Gardens Theater in Chicago, Illinois.