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Playwright Residencies

Having a playwright-in-residence at a theatre or other organization can have huge benefits for the writer, the organization, and the community. Much of the content in this section is about or generated by participants in the National Playwright Residency Program, which HowlRound administers in partnership with the Andrew W. Mellon Foundation. Don’t miss this series of conversations between playwrights in the program discussing what they’ve learned from being embedded within a theatre company.

The Latest

What Is the African Diaspora?
Video
What Is the African Diaspora?
A Conversation About Afro-Atlantic Culture with Playwright Zainabu Jallo and Africana Scholar Maboula Soumahoro
Sunday 15 October 2023
Minneapolis, MN
A Cypher Among Theatremakers from the Laotian Diaspora
Essay
A Cypher Among Theatremakers from the Laotian Diaspora
by Saymoukda Vongsay, Ova Saopeng, Samson Syharath, Kaysone Syonesa, Lidet Viravong
7 September 2023
On Collaborative Evolution with Friendship at its Core
Essay
On Collaborative Evolution with Friendship at its Core
by Carlyle Brown, Noël Raymond
21 August 2023
Rage in Context
Essay

Rage in Context

23 July 2016

Play recommendations from playwright Pearl Cleage for contextualizing the current anger felt by many Americans.

Responding to the World Around You
Essay

Responding to the World Around You

An interview with playwright Nathan Louis Jackson

20 July 2016

Marissa Wolf, Director of New Works at Kansas City Rep, talks with playwright in residence Nathan Louis Jackson.

The Benefits of Not Being a Guest
Essay

The Benefits of Not Being a Guest

How being a Playwright In Residence affected the World Premiere of My Latest Play (I think.)

22 June 2016

Playwright Peter Sinn Nachtrieb reflects on the production process of his play A House Tour of the Infamous Porter Family Mansion with Tour Guide Weston Ludlow Londonderry.

Performance of Stegosaurus (Or) Three Cheers for Climate Change by Andrew Saito
Video

Performance of Stegosaurus (Or) Three Cheers for Climate Change by Andrew Saito

Saturday 2 April 2016
San Francisco, CA, United States

FaultLine Theater in San Francisco presented the world premiere of Stegosaurus (Or) Three Cheers for Climate Change, an absurd dark comedy by Andrew Saito, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 2 April at 4:30 p.m. PDT (San Francisco) / 6:30 p.m. CDT (Chicago) / 7:30 p.m. EDT (New York) / 23:30 GMT. Follow @howlroundtv in Twitter for updates. 

Reflections on a Residency
Essay

Reflections on a Residency

Julie Marie Myatt at South Coast Rep

25 March 2016

Joel Veenstra discusses the impact of Julie Marie Myatt’s recently-completed residency at South Coast Repertory.

Behind-The-Scenes Rehearsal Video for Will Power's Stagger Lee
Essay

Behind-The-Scenes Rehearsal Video for Will Power's Stagger Lee

16 March 2016

The following video is a sneak peek behind the scenes rehearsal video and includes footage from workshop presentations that took place in November 2014.

fall springs logo
Fall Springs
Essay

Fall Springs

A Musical Disaster

16 March 2016

Listen to a demo of Playwright Peter Sinn Nachtrieb's new musical.

Why Andrew Saito, Why Cutting Ball Theater?
Essay

Why Andrew Saito, Why Cutting Ball Theater?

15 March 2016

Artistic Director Rob Melrose speaks on what drew him to Andrew Saito's work.

Why Robert O'Hara, Why Woolly Mammoth?
Essay

Why Robert O'Hara, Why Woolly Mammoth?

15 March 2016

Miriam Weisfeld and Robert O'Hara express the mutual benefits of their collaboration through the Playwright Residency.

Why Melinda Lopez, Why Huntington?
Essay

Why Melinda Lopez, Why Huntington?

15 March 2016

Artistic Directer Peter DuBois and Melinda Lopez express why their partnership has been both so natural and so successful.

Why Dan LeFranc, Why Playwrights Horizons?
Essay

Why Dan LeFranc, Why Playwrights Horizons?

15 March 2016

Tim Sanford and Dan LeFranc discuss their origins as artistic collaborators and their reasons for sharing work.

Why Pearl Cleage, Why Alliance Theatre?
Essay

Why Pearl Cleage, Why Alliance Theatre?

15 March 2016

Artistic Director Susan Booth and Resident Playwright Pearl Cleage discuss their working relationship at the Alliance.

Why Kira Obolensky, Why Ten Thousand Things?
Essay

Why Kira Obolensky, Why Ten Thousand Things?

15 March 2016

Michelle Hensley and Kira Obolensky discuss their shared joy in collaborating at Ten Thousand Things.

Why Peter Nachtrieb, Why ZSpace?
Essay

Why Peter Nachtrieb, Why ZSpace?

15 March 2016

Artistic Director Lisa Steindler and Peter Nachtrieb discuss what drew them to this artistic collaboration and why Z Space is the perfect fit for them.

Why Luis Alfaro, Why Oregon Shakespeare Festival?
Essay

Why Luis Alfaro, Why Oregon Shakespeare Festival?

15 March 2016

Bill Rauch and Luis Alfaro talk about their connection to each other's work and the Oregon Shakespeare Festival.

Why Will Power, Why Dallas Theater Center?
Essay

Why Will Power, Why Dallas Theater Center?

15 March 2016

Kevin Moriarty expresses why Will Power is the ideal voice and ambassador for Dallas Theater Center and Power gives his own reasons for why his work is at home in Dallas.

Marcus Gardley on An Issue of Blood and The Gospel of Lovingkindness
Essay

Marcus Gardley on An Issue of Blood and The Gospel of Lovingkindness

11 November 2015

Part interview, part photo essay, part play excerpts, Rebecca Stevens goes in-depth with playwright Marcus Gardley on his two recent productions at Victory Gardens Theater in Chicago, Illinois. 

Where Possibility Abounds
Essay

Where Possibility Abounds

a 20th Anniversary Conversation with the 1995 Cohort of Jerome Fellows

3 November 2015

Jeremy Cohen interviews a group of playwrights about their time at the Playwright's Center. 

The Constant Gardener
Essay

The Constant Gardener

Melinda Lopez Reflects on Her Mellon Residency and Repotting

12 October 2015

Commons Producer Miranda Craigwell interviews Melinda Lopez about her experience as Playwright-in Residence at Huntington Theatre Company. 

History Is Not Just For The British
Essay

History Is Not Just For The British

6 October 2015

Playwright Rehana Lew Mirza argues that those who defend producing The Mikado using yellowface on the basis of its “historical significance” are supporting centuries of imperialism and oppression.

The Orchestrated Collisions of Jim Houghton
Essay

The Orchestrated Collisions of Jim Houghton

19 September 2015

Fran Kumin in conversation with Signature Theatre’s outgoing artistic director, Jim Houghton.

Considering The Audience
Essay

Considering The Audience

Writing for Diverse Audiences

6 September 2015

Hayley Finn interviews playwright Kira Obolensky about her work with and residency at Ten Thousand Things in Minneapolis.

Playwrights, Rewrites, Multiple Productions
Essay

Playwrights, Rewrites, Multiple Productions

Peter Sinn Nachtrieb

27 June 2015

Laura Brueckner interviews Peter Sinn Nachtrieb about the development of The Totalitarians.

Two Residents, One Play
Essay

Two Residents, One Play

Peter Sinn Nachtrieb on writing and Robert O'Hara on directing The Totalitarians at Woolly Mammoth Theatre Company

27 June 2015

Ronee Penoi sits down with Peter Sinn Nachtrieb and Robert O’Hara to discuss their process working on The Totalitarians Woolly Mammoth last year.

Application Live for the Next Round of the National Playwright Residency Program
Essay

Application Live for the Next Round of the National Playwright Residency Program

26 June 2015

The Andrew W. Mellon Foundation application for the National Playwright Residency Program is now live.