For the last few years, professor Catherine Coray has been helping create collaboration opportunities for theatre artists in Arab countries and the Americas. Arab Voices: Stories of Palestine is the most recent iteration, and has taken place in New York, Abu Dhabi, and Beirut.

Dominick DeGaetano reflects on Hyung Seok Jeon’s A Held Posture, which last performed at Theaterlab in New York City in January 2018.

James Wyrwicz reflects on how two shows, Say Something Bunny! and Margarete, use found audio and video recordings as the basis for storytelling.

Yan Chen talks with poet, performer, and playwright Kit Yan about the intersections of genre and intersections of identity in his work.

Peterson Toscano describes his solo show Everything is Connected, which tackles religion, LGBTQ issues, privilege, and climate change.

Dragon Lady, written and performed by Sara Porkalob, brings bring race, female stories, and intersectionality into the American theatre conversation.

Brett Aresco looks at personal comedy theatre and recent shows by Neal Brennan and Mike Birbiglia.

Minnesota’s favorite storyteller: Kevin Kling.

Cherry Lou Sy looks at the one-woman show Mary Speaks written and performed by Angela Polite, about using Mary, the mother of Jesus, as a vehicle to explore black grief.

Allison Raynor interviews Anthony Atamanuik, a Donald Trump impersonator who critiques both the president and audiences in his latest solo piece.

Erik Nikander discusses Yaroslava Pulinovich's Russian play Natasha's Dream, presented in New Repertory Theatre in Massachusetts.

Sound designer Victoria Deiorio reflects on her experience of Complicite’s The Encounter and its ingenious use of sound. 

Jonathan Mandell reviews Anna Deavere Smith’s latest solo performance piece, which presents seventeen real-life characters to establish a connection between school failure, the prison system, and police killings.

Paul Adolphsen on the 2016 National Arts Festival in Grahamstown, South Africa.

Trevor Boffone on Josh Inocéncio’s solo show, Purple Eyes, presented in special collaboration with ProyectoTeatro in Austin, Texas. 

Haydee Canovas on Carlos-Manuel’s Joto!: Confessions of a Mexican Outcast, directed by Jimmy A. Noriega, in Wooster, Ohio.

Amy Schwabauer on Death of a Man by Jairo Cuesta in Akron, Ohio.

Actress/Playwright Romana Soutus shares her process and experience performing her solo show Hyena.

Corey Ruzicano interviews performance artist Diana Oh, the first in a series of interviews with artists and the battles they chose to fight.

Playwright Josh Inocéncio shares his experience self-producing and touring his autobiographical solo show Purple Eyes.

Canadian theatre-artist Col Cseke considers how an artistic community seeks comfort following the tragic death of Michael Green, co-founder of One Yellow Rabbit.

Patricia Davis on Mosaic Theatre's US premiere in Washington, D.C. of I Shall Not Hate, based on the life of Palestinian doctor Izzeldin Abuelaish.

Award-winning actor and monologuist Eric Bogosian discusses how a monologue is created: from conceptualization, to free-form vocal improv, to writing, and performance.

José Torres-Tama writes about the development of Aliens, Immigrants & Other Evildoers, a sci-fi Latino noir performance about the Latino immigration experience.