United Kingdom

The Latest

“You can’t do revolution on your own”: Lara Parmiani on the Migrant Woman Experience in British Theatre
Essay
“You can’t do revolution on your own”: Lara Parmiani on the Migrant Woman Experience in British Theatre
by verity healey, Lara Parmiani
19 July 2021
SEGAL TALKS with Fergus Linehan (Scotland)
Video
SEGAL TALKS with Fergus Linehan (Scotland)
Join us for a conversation about curating, producing and presenting theatre and performance in the Time of Corona
Wednesday 2 June 2021
Scotland
Puppets in Space
Essay
Puppets in Space
Dramaturgical Thinking and the Mosaic Scale for Puppetry
by Emily LeQuesne
9 April 2021
Lara Parmiani wearing a black top and holding out a banana in front her like a gun.
“You can’t do revolution on your own”: Lara Parmiani on the Migrant Woman Experience in British Theatre
Essay

“You can’t do revolution on your own”: Lara Parmiani on the Migrant Woman Experience in British Theatre

19 July 2021

verity healey sits down with Italy-born, UK-based theatremaker Lara Parmiani to talk about the migrant woman experience in Britain and its representation, or lack thereof, on British stages.

portrait of fergus linehan in a suit.
SEGAL TALKS with Fergus Linehan (Scotland)
Video

SEGAL TALKS with Fergus Linehan (Scotland)

Join us for a conversation about curating, producing and presenting theatre and performance in the Time of Corona

Wednesday 2 June 2021
Scotland

The Martin E. Segal Theatre Center presented SEGAL TALKS with Fergus Linehan (Scotland) livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Wednesday 2 June 2021 at 9 a.m. PDT (San Francisco, UTC -7) / 11 a.m. CDT (Chicago, UTC -5) / 12 p.m. EDT (New York, UTC -4).

Puppet is standing behind a desk made to scale with tiny lamp and white phone. Newspaper clippings compose the backdrop.
Puppets in Space
Essay

Puppets in Space

Dramaturgical Thinking and the Mosaic Scale for Puppetry

9 April 2021

Emily LeQuesne discusses space as it relates to puppetry and shares a practical, five-step dramaturgy system for puppet theatre, which she developed, called the Mosaic Scale.

Glod: Political Theatre as a Civil Right event poster.
CRIME: A response to Crime and Punishment by Feodor Dostoievsky
Video

CRIME: A response to Crime and Punishment by Feodor Dostoievsky

Performance followed by a panel discussion

Monday 5 April 2021
Romania

Glod: Political Theatre as a Civil Right presented CRIME: A response to Crime and Punishment by Feodor Dostoievsky livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 5 April 2021 at 10 a.m. PDT (San Francisco, UTC -7) / 1 p.m. EDT (New York, UTC -4) / 6 p.m. BST (London, UTC +1) / 20:00 EEST (Cluj, UTC +3).

Glod: Political Theatre as a Civil Right event poster.
Corp Urban by Giuvlipen
Video

Corp Urban by Giuvlipen

Performance followed by a panel discussion

Monday 22 March 2021
United Kingdom

Glod: Political Theatre as a Civil Right presented Corp Urban by Giuvlipen livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 22 March at 11 a.m. PDT (San Francisco, UTC -7) / 2 p.m. EDT (New York, UTC -4) / 6 p.m. GMT (London, UTC +0) / 20:00 EET (Cluj, UTC +2).

Glod: Political Theatre as a Civil Right event poster.
GLOD: Political Theatre as Womxn's Right
Video

GLOD: Political Theatre as Womxn's Right

Performance followed by a panel discussion

Monday 8 March 2021
United Kingdom

BÉZNĂ Theatre presented GLOD: Political Theatre as Womxn's Right livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 8 March at 10 a.m. PST (San Francisco, UTC -8) / 1 p.m. EST (New York, UTC -5) / 6 p.m. GMT (London, UTC +0) / 8 p.m. EEST (Cluj, UTC +2).

two actors onstage
The Perpetual Crises Engulfing British Theatre
Essay

The Perpetual Crises Engulfing British Theatre

An Interview with Migrant Theatre Director Alex Istudor

8 March 2021

verity healey speaks with Alex Istudor, the Romanian-born director who lives and works in the UK, about the challenges of migrant theatremakers, different attitudes towards creating shows between the UK and continental Europe, and more.

Glod: Political Theatre as a Civil Right event poster.
A performance of The Sitaraha (The Stars) by Monirah Hashemi
Video

A performance of The Sitaraha (The Stars) by Monirah Hashemi

Performance followed by a panel discussion

Monday 22 February 2021
United Kingdom

Glod: Political Theatre as a Civil Right presented The Sitaraha (The Stars) by Monirah Hashemi livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 22 February at 10 a.m. PST (San Francisco, UTC -8) / 1 p.m. EST (New York, UTC -54) / 6 p.m. GMT (London, UTC +0) / 8 p.m. EET (Cluj, UTC +2).

Glod: Political Theatre as a Civil Right event poster.
Chris Thorpe reads extracts of his work
Video

Chris Thorpe reads extracts of his work

Performance followed by a panel discussion

Monday 8 February 2021
United Kingdom

Glod: Political Theatre as a Civil Right presented Chris Thorpe reading extracts of his work livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 8 February at 10 a.m. PST (San Francisco, UTC -8) / 1 p.m. EST (New York, UTC -54) / 6 p.m. GMT (London, UTC +0) / 8 p.m. EET (Cluj, UTC +2).

Glod: Political Theatre as a Civil Right event poster.
Freedom Theatre’s Return to Palestine
Video

Freedom Theatre’s Return to Palestine

Performance followed by a panel discussion

Monday 25 January 2021
United Kingdom

Glod: Political Theatre as a Civil Right presented Freedom Theatre’s Return to Palestine livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 25 January at 10 a.m. PST (San Francisco, UTC -8) / 1 p.m. EST (New York, UTC -54) / 6 p.m. GMT (London, UTC +0) / 8 p.m. EET (Cluj, UTC +2).

nicolas kent and carol martin
Segal Talks with Nicolas Kent (United Kingdom)
Video

Segal Talks with Nicolas Kent (United Kingdom)

Join us for a conversation about curating, producing and presenting theatre and performance in the Time of Corona

Friday 13 November 2020
United Kingdom

The Martin E. Segal Theatre Center presented SEGAL TALKS with Nicolas Kent (United Kingdom) livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Friday 13 November 2020 at 9 a.m. PST (San Francisco, UTC -8) / 11 a.m. CST (Chicago, UTC -6) / 12 p.m. EST (New York, UTC -5) / 17:00 GMT (London, UTC +01) / 18:00 CET (Berlin, UTC +1).

a clown kissing a clear riot shield
Antiauthoritarian Clowning
Essay

Antiauthoritarian Clowning

A Tactical Review

12 November 2020

L.M. Bogad shares the story of the beginnings of Clandestine Insurgent Rebel Clown Army, several tenets of “clownfrontational” tactics, examples of rebel clowning in a different contexts, and more.

green tinted performer stills
There is (No) Time
Video

There is (No) Time

With Performing Borders Live 2020 residency recipient and led by Adelaide Bannerman (Never Done)

Sunday 25 October 2020
United Kingdom

performingbordersLIVE20 and Live Art Development Agency presented a conversation: There is (No) Time livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Sunday 25 October 2020 at 10:30 a.m. EDT (New York, UTC -4) / 2:30 p.m. GMT (London, UTC +0) / 15:30 CET (UTC +1).

man looking out over body of water
A Performance to Camera: Lavender Man
Video

A Performance to Camera: Lavender Man

An online conversation between two artists Tania El Khoury and Mohamad Ali “Dali” Agrebi

Saturday 24 October 2020
United Kingdom

performingbordersLIVE20 and Live Art Development Agency presented Lavender Man, a performance to camera, livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Saturday 24 October 2020 at 1:30 p.m. EDT (New York, UTC-4) / 6:30 p.m. BST (London, UTC+1) / 19:30 CEST (UTC+2).

child drawing on a wall
RE:seeding, in correspondence Performance to Camera by Jade Montserrat
Video

RE:seeding, in correspondence Performance to Camera by Jade Montserrat

A new performance to camera suggesting that there is a connection between ourselves and the earth

Friday 23 October 2020
London, United Kingdom

performingbordersLIVE20 and Live Art Development Agency presented a performance of RE:seeding, in correspondence Performance to Camera by Jade Montserrat livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Friday 23 October 2020 at 2 p.m. EDT (New York, UTC-4) / 7 p.m. BST (London, UTC+1) / 20:00 CEST (UTC+2).

Roma Heroes Festival poster.
Artists Conversations from the 4th Roma Heroes International Theater Festival
Video

Artists Conversations from the 4th Roma Heroes International Theater Festival

Several of this year's festival artists discussing their work in Roma theatre.

Monday 19 October 2020
Budapest, Hungary

Independent Theater Hungary presented a conversation with several of the 4th Roma Heroes International Theater Festival artists livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv Monday 19 October at 11:30 a.m. PDT (Los Angeles, UTC -7) / 2:30 p.m. EDT (New York, UTC -4) / 19:30 BST (London, UTC +1) / 20:30 CEST (Budapest, UTC +2) / 21:30 EEST (Bucharest, UTC +3).

swirling octopus tentacles.
Catalysing Change Through Artful Agitation: Part I: Be Ill-Disciplined
Video

Catalysing Change Through Artful Agitation: Part I: Be Ill-Disciplined

A performative lecture and Q&A with Kai Syng Tan

Saturday 19 September 2020
United Kingdom

performingbordersLIVE20 and Contact presented Catalysing Change Through Artful Agitation: Part I: Be Ill-Disciplined livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Saturday 19 September 2020 at 6:30 a.m. PDT (San Francisco, UTC-7) / 9:30 a.m. EDT (New York, UTC-4) / 2:30 p.m. BST (London, UTC+1).

photo of man walking through trees
A performance of Fuglen, der (The Bird, There)
Video

A performance of Fuglen, der (The Bird, There)

A new story about queer sexuality and re-traumatisation of the queer body by the COVID-19 pandemic, by award-winning film maker and live artist Lasse Lau

Friday 18 September 2020
United Kingdom

performingbordersLIVE20 and Warehouse9 presented a performance of Fuglen, der (The Bird, There), new work by Danish filmmaker and artist Lasse Lau livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Friday 18 September 2020 at 2 p.m. EDT (New York, UTC-4) / 7 p.m. BST (London, UTC+1) / 20:00 CEST (UTC+2).

Glod in red, a silhouette of a person with their arm raised.
Revenge by Laura Uribe and Juan Carlos Saavedra
Video

Revenge by Laura Uribe and Juan Carlos Saavedra

A viewing of the documentary play, followed by a discussion with the creators about micro vs macro political theatre

Monday 14 September 2020
International

Glod: Political Theatre as a Civil Right presented Revenge by Laura Uribe and Juan Carlos Saavedra livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 14 September 2020 at 10 a.m. PDT (San Francisco, UTC -7) / 1 p.m. EDT (New York, UTC -4) / 6 p.m. BST (London, UTC +1) / 8 p.m. EEST (Cluj, UTC +3).

Glod in red, a silhouette of a person with their arm raised.
A Discussion on Peace by Piece by Nabil Sawalha
Video

A Discussion on Peace by Piece by Nabil Sawalha

Part of BÉZNĂ Theatre's GLOD: Political Theatre as a Civil Right series

Monday 17 August 2020
International

Glod: Political Theatre as a Civil Right presented Peace by Piece by Nabil Sawalha livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 17 August 2020 at 10 a.m. PDT (San Francisco, UTC -7) / 1 p.m. EDT (New York, UTC -4) / 6 p.m. BST (London, UTC +1) / 8 p.m. EEST (Cluj, UTC +3).

Glod in red, a silhouette of a person with their arm raised.
A discussion about Common Wealth's I Have Met the Enemy (and the enemy is us)
Video

A discussion about Common Wealth's I Have Met the Enemy (and the enemy is us)

Part of BÉZNĂ Theatre's GLOD: Political Theatre as a Civil Right series

Monday 3 August 2020
International

Glod: Political Theatre as a Civil Right presented a discussion about Common Wealth's I Have Met the Enemy (and the enemy is us) livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 3 August 2020 at 10 a.m. PDT (San Francisco, UTC -7) / 1 p.m. EDT (New York, UTC -4) / 6 p.m. BST (London, UTC +1) / 8 p.m. EEST (Cluj, UTC +3).

Glod in red, a silhouette of a person with their arm raised.
BÉZNĂ Theatre’s ILLEGALISED
Video

BÉZNĂ Theatre’s ILLEGALISED

An international, multi-lingual production exposing the dehumanising effects of the British State’s anti-immigration policies on migrants and those seeking asylum in the UK.

Monday 6 July 2020
International

Glod: Political Theatre as a Civil Right presented a performance of BÉZNĂ Theatre’s ILLEGALISED livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 6 July 2020 at 10 a.m. PDT (San Francisco, UTC-7) / 1 p.m. EDT (New York, UTC-4) / 6 p.m. BST (London, UTC+1) / 8 p.m. EEST (Cluj, UTC+3).

a person seated at a desk with multiple screens
At Home and in Lockdown with Belarus Free Theatre
Essay

At Home and in Lockdown with Belarus Free Theatre

The Show Goes On

30 June 2020

verity healey examines how Belarus Free Theatre is making work during COVID-19 and dives in to their latest show, A School for Fools.

youtube screenshot
End Meeting For All
Essay

End Meeting For All

Zoom Theatre, Launched

25 June 2020

Barbara Fuchs reflects on Forced Entertainment’s three-part Zoom show, End Meeting For All.

two actors onstage
Who’s Afraid of Sor Juana Inés de la Cruz?
Essay

Who’s Afraid of Sor Juana Inés de la Cruz?

Transatlantic Performances of Los empeños de una casa (The House of Desires)

11 May 2020

Esther Fernández discusses how the emerging field of transnational studies is illuminating when it comes to early modern Hispanic theatre and uses productions of Sor Juana’s The House of Desires to dive into the topic.