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Livestreaming a Performance to Camera: Lavender Man
Video

Livestreaming a Performance to Camera: Lavender Man

An online conversation between two artists Tania El Khoury and Mohamad Ali “Dali” Agrebi

Saturday 24 October 2020
United Kingdom
Livestreaming a Conversation: There is (No) Time
Video

Livestreaming a Conversation: There is (No) Time

With Performing Borders Live 2020 residency recipient and led by Adelaide Bannerman (Never Done)

Sunday 25 October 2020
United Kingdom
Livestreaming a Performance: RE:seeding, in correspondence Performance to Camera by Jade Montserrat
Video

Livestreaming a Performance: RE:seeding, in correspondence Performance to Camera by Jade Montserrat

A new performance to camera suggesting that there is a connection between ourselves and the earth

Wednesday 23 October 2020
London, United Kingdom
green tinted performer stills
Livestreaming a Conversation: There is (No) Time
Video

Livestreaming a Conversation: There is (No) Time

With Performing Borders Live 2020 residency recipient and led by Adelaide Bannerman (Never Done)

Sunday 25 October 2020
United Kingdom

performingbordersLIVE20 and Live Art Development Agency present conversation: There is (No) Time livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Sunday 25 October 2020 at 10:30 a.m. EDT (New York, UTC -4) / 2:30 p.m. GMT (London, UTC +0) / 15:30 CET (UTC +1).

man looking out over body of water
Livestreaming a Performance to Camera: Lavender Man
Video

Livestreaming a Performance to Camera: Lavender Man

An online conversation between two artists Tania El Khoury and Mohamad Ali “Dali” Agrebi

Saturday 24 October 2020
United Kingdom

performingbordersLIVE20 and Live Art Development Agency present Lavender Man, a performance to camera, livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Saturday 24 October 2020 at 1:30 p.m. EDT (New York, UTC-4) / 6:30 p.m. BST (London, UTC+1) / 19:30 CEST (UTC+2).

child drawing on a wall
Livestreaming a Performance: RE:seeding, in correspondence Performance to Camera by Jade Montserrat
Video

Livestreaming a Performance: RE:seeding, in correspondence Performance to Camera by Jade Montserrat

A new performance to camera suggesting that there is a connection between ourselves and the earth

Wednesday 23 October 2020
London, United Kingdom

performingbordersLIVE20 and Live Art Development Agency present a performance of RE:seeding, in correspondence Performance to Camera by Jade Montserrat livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Wednesday 23 October 2020 at 2 p.m. EDT (New York, UTC-4) / 7 p.m. BST (London, UTC+1) / 20:00 CEST (UTC+2).

swirling octopus tentacles.
Catalysing Change Through Artful Agitation: Part I: Be Ill-Disciplined
Video

Catalysing Change Through Artful Agitation: Part I: Be Ill-Disciplined

A performative lecture and Q&A with Kai Syng Tan

Saturday 19 September 2020
United Kingdom

performingbordersLIVE20 and Contact presented Catalysing Change Through Artful Agitation: Part I: Be Ill-Disciplined livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Saturday 19 September 2020 at 6:30 a.m. PDT (San Francisco, UTC-7) / 9:30 a.m. EDT (New York, UTC-4) / 2:30 p.m. BST (London, UTC+1).

photo of man walking through trees
A performance of Fuglen, der (The Bird, There)
Video

A performance of Fuglen, der (The Bird, There)

A new story about queer sexuality and re-traumatisation of the queer body by the COVID-19 pandemic, by award-winning film maker and live artist Lasse Lau

Friday 18 September 2020
United Kingdom

performingbordersLIVE20 and Warehouse9 presented a performance of Fuglen, der (The Bird, There), new work by Danish filmmaker and artist Lasse Lau livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Friday 18 September 2020 at 2 p.m. EDT (New York, UTC-4) / 7 p.m. BST (London, UTC+1) / 20:00 CEST (UTC+2).

Glod in red, a silhouette of a person with their arm raised.
Revenge by Laura Uribe and Juan Carlos Saavedra
Video

Revenge by Laura Uribe and Juan Carlos Saavedra

A viewing of the documentary play, followed by a discussion with the creators about micro vs macro political theatre

Monday 14 September 2020
International

Glod: Political Theatre as a Civil Right presented Revenge by Laura Uribe and Juan Carlos Saavedra livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 14 September 2020 at 10 a.m. PDT (San Francisco, UTC -7) / 1 p.m. EDT (New York, UTC -4) / 6 p.m. BST (London, UTC +1) / 8 p.m. EEST (Cluj, UTC +3).

Glod in red, a silhouette of a person with their arm raised.
A Discussion on Peace by Piece by Nabil Sawalha
Video

A Discussion on Peace by Piece by Nabil Sawalha

Part of BÉZNĂ Theatre's GLOD: Political Theatre as a Civil Right series

Monday 17 August 2020
International

Glod: Political Theatre as a Civil Right presented Peace by Piece by Nabil Sawalha livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 17 August 2020 at 10 a.m. PDT (San Francisco, UTC -7) / 1 p.m. EDT (New York, UTC -4) / 6 p.m. BST (London, UTC +1) / 8 p.m. EEST (Cluj, UTC +3).

Glod in red, a silhouette of a person with their arm raised.
A discussion about Common Wealth's I Have Met the Enemy (and the enemy is us)
Video

A discussion about Common Wealth's I Have Met the Enemy (and the enemy is us)

Part of BÉZNĂ Theatre's GLOD: Political Theatre as a Civil Right series

Monday 3 August 2020
International

Glod: Political Theatre as a Civil Right presented a discussion about Common Wealth's I Have Met the Enemy (and the enemy is us) livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 3 August 2020 at 10 a.m. PDT (San Francisco, UTC -7) / 1 p.m. EDT (New York, UTC -4) / 6 p.m. BST (London, UTC +1) / 8 p.m. EEST (Cluj, UTC +3).

Glod in red, a silhouette of a person with their arm raised.
BÉZNĂ Theatre’s ILLEGALISED
Video

BÉZNĂ Theatre’s ILLEGALISED

An international, multi-lingual production exposing the dehumanising effects of the British State’s anti-immigration policies on migrants and those seeking asylum in the UK.

Monday 6 July 2020
International

Glod: Political Theatre as a Civil Right presented a performance of BÉZNĂ Theatre’s ILLEGALISED livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Monday 6 July 2020 at 10 a.m. PDT (San Francisco, UTC-7) / 1 p.m. EDT (New York, UTC-4) / 6 p.m. BST (London, UTC+1) / 8 p.m. EEST (Cluj, UTC+3).

a person seated at a desk with multiple screens
At Home and in Lockdown with Belarus Free Theatre
Essay

At Home and in Lockdown with Belarus Free Theatre

The Show Goes On

30 June 2020

verity healey examines how Belarus Free Theatre is making work during COVID-19 and dives in to their latest show, A School for Fools.

youtube screenshot
End Meeting For All
Essay

End Meeting For All

Zoom Theatre, Launched

25 June 2020

Barbara Fuchs reflects on Forced Entertainment’s three-part Zoom show, End Meeting For All.

two actors onstage
Who’s Afraid of Sor Juana Inés de la Cruz?
Essay

Who’s Afraid of Sor Juana Inés de la Cruz?

Transatlantic Performances of Los empeños de una casa (The House of Desires)

11 May 2020

Esther Fernández discusses how the emerging field of transnational studies is illuminating when it comes to early modern Hispanic theatre and uses productions of Sor Juana’s The House of Desires to dive into the topic.

circus performers on stage
Contemporary Circus
Video

Contemporary Circus

at the Martin E. Segal Theatre Center

Monday 28 October 2019
New York City

The Martin E. Segal Theatre Center presented a talk on contemporary circus livestreaming on the global, commons-based peer-produced HowlRound TV network on Monday 28 October 2019 at 1 p.m. PDT (San Francisco, UTC-7) / 3 p.m. CDT (Chicago, UTC-5) / 4 p.m. EDT (New York, UTC-4).

a group of actors onstage
Audiences, Parasites, and Personal Revelations
Essay

Audiences, Parasites, and Personal Revelations

Perspectives on Criticism and Playwriting

20 October 2019

Playwright/critic Ava Wong Davies talks to critic Maddy Costa and plawright Alice Birch about who reviews are for, responses to criticism, self-censorship, and more.

screenshot
Migrating Our Skills as Cultural Workers
Essay

Migrating Our Skills as Cultural Workers

16 October 2019

Cultural organizer and producer Joon Lynn Goh speaks with Janna Graham, a research-based practitioner, curator, and lecturer, about connecting cultural work with political organizing.

bucharest international theater platform number 6 logo.
Performances and Conversations from The Bucharest International Theater Platform #6: My Revolution
Video

Performances and Conversations from The Bucharest International Theater Platform #6: My Revolution

HUOOOOO!!! by Auăleu, An tan tina by Nicoleta Lefter, and a conversation with Gob Squad

Friday 11 October & Sunday 13 October 2019
Bucharest, Romania

The Bucharest International Theater Platform #6: My Revolution presented a performance of HUOOOOO!!! by Auăleu, a performance of An tan tina by Nicoleta Lefter, and a conversation with Gob Squad livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 11 October and Sunday 13 October 2019.

two headshots
The Only Thing Black Writers Really Have is Their Relationships
Essay

The Only Thing Black Writers Really Have is Their Relationships

9 October 2019

Producer Tobi Kyeremateng and poet/writer Roger Robinson talk about Black writers in the UK, creative citizenship, activism in the arts, and more.

two actors onstage
The Factory of the Future
Essay

The Factory of the Future

A Collaborative Project for Imagining Otherwise

30 September 2019

Zoë Svendsen discusses working with fellow theatremakers to build and present imagined realities of London and Oslo in post-capitalist and post-fossil-fuel cultures.

two actors onstage
Gravity and Responsibility in Film, TV, and Choreography
Essay

Gravity and Responsibility in Film, TV, and Choreography

25 September 2019

Choreographer Malik Nashad Sharpe and film & TV director Liza Johnson talk gravity, abstraction and risk, ethics, and more.

three actors onstage
You Must Kick Up a Fuss
Essay

You Must Kick Up a Fuss

24 September 2019

Black British writers Matilda Ibini and Oladipo (Dipo) Agboluaje talk about choosing to study theatre at school, crowdfunding, Afrofuturism, and more.

a person with a large bean bag over their head standing alone in the desert
Bring the Conversation
Essay

Bring the Conversation

On Twitter, What We Leave Behind, and Processing Trauma

23 September 2019

Demi Nandhra and Rajni Shah talk about their performance practices, social media, mental health, ego, and more.

a person sitting in a bathrobe eating breakfast cereal
Radical Disruptions
Essay

Radical Disruptions

How Intergenerational Exchange Builds Community

22 September 2019
five actors onstage
Unmanly Grief
Essay

Unmanly Grief

Performing A Trans Hamlet

10 September 2019

Aley O’Mara reflects on Daniel Winder’s Hamlet and speaks to the lead—trans actor Jenet Le Lacheur—about the titular character in this production being nonbinary and transfeminine.

The World Reads Jan Kochanowski poster
The World Reads Jan Kochanowski from New York, Athens, Warsaw, London, Madrid, Los Angeles
Video

The World Reads Jan Kochanowski from New York, Athens, Warsaw, London, Madrid, Los Angeles

A project of Adam Mickiewicz Institute, Zbigniew Raszewski Theatre Institute, and Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw, Poland

Sunday 30 June 2019
International

The World Reads Jan Kochanowski from New York, Athens, Warsaw, London, Madrid, and Los Angeles on the global, commons-based peer-produced HowlRound TV network on Sunday 30 June.

close up of an actor playing the cello
The Search for Truth in Putin’s Russia
Essay

The Search for Truth in Putin’s Russia

How Teatr.doc’s “Civil Theatre” Is Exposing Injustice

4 June 2019

verity healey looks at Teatr.doc’s latest show, Torture, and the vital need for “truth-telling” theatre.