verity healey examines how Belarus Free Theatre is making work during COVID-19 and dives in to their latest show, A School for Fools.

Barbara Fuchs reflects on Forced Entertainment’s three-part Zoom show, End Meeting For All.

Esther Fernández discusses how the emerging field of transnational studies is illuminating when it comes to early modern Hispanic theatre and uses productions of Sor Juana’s The House of Desires to dive into the topic.

Cultural organizer and producer Joon Lynn Goh speaks with Janna Graham, a research-based practitioner, curator, and lecturer, about connecting cultural work with political organizing.

Producer Tobi Kyeremateng and poet/writer Roger Robinson talk about Black writers in the UK, creative citizenship, activism in the arts, and more.

Zoë Svendsen discusses working with fellow theatremakers to build and present imagined realities of London and Oslo in post-capitalist and post-fossil-fuel cultures.

Choreographer Malik Nashad Sharpe and film & TV director Liza Johnson talk gravity, abstraction and risk, ethics, and more.

Black British writers Matilda Ibini and Oladipo (Dipo) Agboluaje talk about choosing to study theatre at school, crowdfunding, Afrofuturism, and more.

Demi Nandhra and Rajni Shah talk about their performance practices, social media, mental health, ego, and more.

Aley O’Mara reflects on Daniel Winder’s Hamlet and speaks to the lead—trans actor Jenet Le Lacheur—about the titular character in this production being nonbinary and transfeminine.

verity healey looks at Teatr.doc’s latest show, Torture, and the vital need for “truth-telling” theatre.

Lucy Latham talks about the work London-based organization Julie’s Bicycle is doing in encouraging the creative community to act on climate change and environmental sustainability.

Nan van Houte expresses a desire for funding bodies to take their responsibility and support cultural democracy without compromising the existing subsidies for the arts.

Lyn Gardner, theatre critic for the Guardian, looks at how several British theatre companies are redefining their mission and expanding in ways to be of greater benefit to their communities.

Theatremaker Callie Nestleroth discusses devising a show for a library space and shares the process she developed when approaching new site-specific projects.

Artistic directors Hana Sharif and Kwame Kwei-Armah discuss transitions in leadership in the US and UK and how they've helped define success in their respective institutions.