Jacob S. Porter writes about his experience directing Darling at Emerson College, and how the idea of treating every employee like a volunteer changed his perceiption of what it is to be a producer.
How Do Young Writers Forge Their Artistic Identities?
28 November 2012
Kimberly MacCormack writes about the idea that young playwrights don't just have something to say – they have the ability to speak to experiences they've yet to have through the art of voyeurism.
As theatre artists, there are tools to analyze scripts, evaluate the quality of a show, and more. Finding how to define success is more so a personal journey and based on the person's values.
Alex Ates reflects on the creation of The Shakespearean Jazz Show, and how Emerson College provided the perfect opportunity for his brainchild to grow.
Nick Medvescek introduces HowlRound to the Emerson theatre ecosystem, and explores just what makes the student theatre scene at Emerson so unique and challenging.
Rob Orchard reflects on his professional career at the Yale Repertory Theatre and the American Repertory Theatre, leading to his new position and excitment for Emerson's Office of the Arts.
President Lee Pelton welcomes The Commons to Emerson College!
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Series are collections of content curated around a specific theme. HowlRound works with curators to develop topical pieces meant to spotlight current events and happenings within the commons.