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Organizational Models

There are many different kinds of theatre organizations, and content in this section explores the diversity of models. Dive in with essays on shared leadership and restructuring a company as a worker’s cooperative.

The Latest

Essay
Pink Fang: Inheriting a Legacy, Building a Future, Connecting Islands
by Mei Ann Teo, Jane Jung, Sara Zatz
9 March 2026
Essay
How to Fill a Clown Car (Lessons from Julia Proctor’s Clown Gym)
by Michael Amendola
17 February 2026
Video
Threads of Legacy: Legacy Leaders
CAATA Conversations
Monday 2 March 2026
United States
Essay
9 February 2011

In this installment of the series From Scarcity to Abundance: Capturing the Moment for the New Work Sector, Meiyin Wang hypothesizes on the future of theatre and the impact it can have on the world.

Four actors perform in a play, they wear mostly ripped clothing
Essay
30 January 2011

Playwright Lisa D'Amour considers the inherent differences between big institutions and grassroots theatres, and the possibilities that could arise were the two to collaborate.

Three people lean against a wall on a city street.
Essay
9 March 2026

The leadership team of Pink Fang reflects on the company’s renaming and new directions at the end of a three-year transition period that began with the retirement of Ping Chong and Bruce Allardice.  

Legacy Leaders event poster for 2 March 2026 at 6 p.m. Eastern
Video

CAATA Conversations

Monday 2 March 2026
United States

A conversation honoring the Consortium of Asian American Theaters and Artists (CAATA)’s origin story and evolution. 

A group of people make expressive faces onstage.
Essay
17 February 2026

Clown Gym applies the openness and responsiveness of clowning to its organizational structure. In this instructional guide, Michael Amendola explores Julia Proctor’s efforts to build a brave, inclusive, and joyful performance community. 

Groups of attendant's notes lie scattered over a table.
Series

Under the Radar Symposium 2024

This series combines content from and about the 2024 Under the Radar Symposium, produced by the Under the Radar Festival and ArkType in partnership with the International Producing Commons (IPC), Creative and Independent Producer Alliance (CIPA), and HowlRound Theatre Commons. 

A designer works on the floor
Series

Latinx Theatre Commons Designer and Director Colaboratorio

The Latinx Theatre Commons Designer and Director Colaboratorio was a five-day series of learning opportunities in Portland, Oregon designed to encourage authentic creative expressions and collaboration between Latinx designers and directors. The Latinx Theatre Commons brought together thirty-seven artists from around the United States to work together with the shared goals of fostering alternative communication models for production teams and challenging the typical director-driven model. This series of essays reflects on the learnings from Colaboratorio, the challenges that arose, and the meaningful ways in which the participants engaged with each other. We hope this encourages others to engage in these conversations, write about them, and continue pushing our field forward.

A man in a suit and mask standing with his hands in the air with a banner behind his head.
Series

Latinx Theatre Leaders at the Forefront

If history is made by those who write it, then the Latinx Theatre Leaders at the Forefront series serves as a historical intervention by adding to the limited existing documentation of Latinx theatre leaders.This series convenes Latinx theatre leaders to amplify their experiences in a field that has ignored their existence and failed to provide enough resources to build the infrastructure necessary for success. In an effort to continue legacy and leadership cultivation, these interviews pair established theatremakers with new and future leaders, creating intergenerational conversations that model horizontal mentorship and learning. Join us to share in these leaders’ hope for future generations and to learn how they have mobilized that hope by creating community and producing work that centers Latinx stories.

A group of people posing for a photograph
Series

Playwrights In Dialogue 

Conversations from the National Playwright Residency Program

In-depth conversations between playwrights in the National Playwright Residency Program. 

Series

Entrepreneurial Mindset Series by Seth Lepore

Series

Theatre DIY Don’ts by

In this series, Ricky Young-Howze shares his experience of starting his own not-for-profit theatre company and offers advice.

Essay

A Call for Action

19 September 2015

Seth Lepore challenges the field to think radically differently about our current paradigm.

Essay

An Interview with Andy Field of Forest Fringe

10 September 2015

Patty Gone interviews Andy Field, co-director of Forest Fringe in Edinburgh, Scotland. 

Series

Radical Hospitality

Reflections on Mixed Blood Theatre's Radical Hospitality policy of providing low-cost access to all audience members.

Series

Not-for-profit Boards

A three-part series on not-for-profit boards.

Series

Techne

Gwydion Suilebhan discusses the impact of technology on theatre.

Series

A Big Eyed Fish 

Column exploring the junction of ensemble theatre and audience.

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