Video Archive

This year, we end the festival with a journey across the water as a special WE WILL DREAM delegation joins the 2025 International Black Theatre Summit in Accra, Ghana, deepening connections between Black theatremakers from across the diaspora.

This event deepens our understanding of how the lived experiences of disabled and Deaf artists are redefining the landscape of the performing arts.

In this session we take a look at password managers and virtual private networks (VPNs) with both free and paid options, talk about email masking, discuss some more in-depth habit shifts, and look at security for higher-risk situations. 

Cultural policy, art councils, funding bodies, and other alliances are critical to an art manager's functions. This episode examines the role of cultural policy in Africa.

In 2025, who is genuinely prepared to pursue an artistic career in the face of such profound uncertainties? How do digital development, mobility justice issues, climate concerns, and international world uncertainties influence their appetite to embrace an international pathway?

In this session, we start with a conversation about why we do this before jumping into the easiest and free-est steps you can take.

How do we understand sponsorship, fundraising, and corporate partnerships within the art and creative space in Africa?

Leaders of the festival scene discuss how they program, curate, design, and produce New York's iconic and important festivals. Come learn more about how to get your work produced!

What are the peculiarities of doing arts administration in Africa, and how might potential administrators prepare for such a role? 

The Segal Center welcomed Professor Joseph Roach to discuss the new edition of Jonas Barish's 1981 text The Antitheatrical Prejudice and the impact it has had on theatre and performance studies.