Livestreamed on this page on Tuesday 27 October 2020 at 6 p.m. PDT (Vancouver, UTC-7) / 8 p.m. CDT (Chicago, UTC-5) / 9 p.m. EDT (Toronto, UTC-4) / Thursday 21 May 10:00 KST (Seoul, UTC+9) / 13:00 NZST (Auckland, UTC+12).
Add to Calendar
culturecapital:online LUKE REECE vs DANI FECKO
Two players compete online for sweet art money in culturecapital, the arts economy trading card game
The fourth round of culturecapital:online LUKE REECE vs DANI FECKO livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 27 October 2020 at 6 p.m. PDT (Vancouver, UTC-7) / 8 p.m. CDT (Chicago, UTC-5) / 9 p.m. EDT (Toronto, UTC-4) / Thursday 21 May 10:00 KST (Seoul, UTC+9) / 13:00 NZST (Auckland, UTC+12).
culturecapital is a live art project that takes the form of a collectible card game and living archive. The project is constructed from two sets of data: (1) hundreds of interviews with artists about their experiences making performance in Canada and (2) five years worth of municipal, provincial, and federal public funding data on performing arts companies. Using this information, the game strives to create a context in which players can question, understand, and celebrate how value is determined, shifted, and produced within theatre, dance, and live arts in Canada. No prior knowledge of art or games is required.
In July 2020, culturecapital was awarded funding from the Canada Council for the Arts’ Digital Originals fund to create a series of online matches. In the spirit of the game, it only seems right that much of that funding should be allocated through competition. The game’s creators, Milton Lim and Patrick Blenkarn, have invited artists from Vancouver (BC), Calgary (AB), and Toronto (ON) to play. The winner of each match takes home $500 CAD of sweet art money.
How to Play: Adopting the role of stewards of the arts, players summon Companies, roll a die for government Grants, use those Grants to realize Projects, and then use those Projects to compete for Communities. Strategy cards are played to change the tide of the competition and whoever has the most Communities at the end, wins. Depending on how the cards are played, satire can be front and centre. But at other times, the cards dealt can offer a genuine window into the complexities of the relationship that artists have with public funding, being socially relevant, and navigating a rapidly changing landscape of ethics, politics, and economics within the arts.
For more information about the game or to order your own deck, click here.
To read Milton and Patrick’s recent article for HowlRound, “Shuffling Performance Discourse,” click here.
About the Artists: Milton Lim and Patrick Blenkarn are artists based in Vancouver, BC. Together, their collaborations constitute a framework for investigating labour and value, for utilizing game mechanics in performance, and for exploring alternative contexts of discourse. They are the co-founding archivists of videocan.ca and faculty members at the New Performance School.
About HowlRound TV
HowlRound TV is a global, commons-based peer produced, open access livestreaming and video archive project stewarded by the nonprofit HowlRound. HowlRound TV is a free and shared resource for live conversations and performances relevant to the world's performing arts and cultural fields. Its mission is to break geographic isolation, promote resource sharing, and to develop our knowledge commons collectively. Participate in a community of peer organizations revolutionizing the flow of information, knowledge, and access in our field by becoming a producer and co-producing with us. Learn more by going to our participate page. For any other queries, email [email protected], or call Vijay Mathew at +1 917.686.3185 Signal/WhatsApp. View the video archive of past events.
The article is just the start of the conversation—we want to know what you think about this subject, too! HowlRound is a space for knowledge-sharing, and we welcome spirited, thoughtful, and on-topic dialogue. Find our full comments policy here