Philanthropy and Funding

Jackson Cooper calls on fundraising professionals to reinterrogate their institutions’ relationships with wealth and value to forge more equitable development practices.

Glenn Davis, co-artistic director of Steppenwolf Theatre Company, sits down with Ken-Matt Martin, artistic director of Victory Gardens Theater, to talk about shifting relationships with donors, the concept of term limits for leadership, the joys of returning to rehearsal rooms, and their shared experiences as Black men at the helm of Chicago theatres.

Regina Victor, artistic director of Slideshow Theatre Company, and Kaiser Ahmed, artistic director of Jackalope Theatre Company, discuss the joys and challenges of stepping into their Chicago-based positions as theatres across the United States recalibrate their programming.

In this entry of Devising Our Future, Aly Perry asks, “How might we position and design theatre as an essential space for healing, pleasure, and connection through an intertwining and interdependent realm of the senses?

Alix Rosenfeld offers suggestions for nonprofits seeking to move out of a scarcity mindset, embrace a spirit of abundance, and build pathways to a more ethical and equitable ecosystem.

Alexis Frasz and Holly Sidford of Helicon Collaborative share their findings from the most recent assessment of the National Playwright Residency Program.

Annalisa Dias and Ronee Penoi, on behalf of Groundwater Arts, argue that there cannot be a just arts sector within an unjust world, and that contrary to what people think, arts workers do have the means and the agency to make change. What is needed is a new narrative.

Ralph Peña argues that private foundations play a vital role in sustaining nonprofit theatres in the United States and these funders must better recognize the value of, and make significant investments in, smaller, community-focused BIPOC organizations.

Michelle Yemayá notes that while Colombian theatre artists have found ways to face the unexpected changes this year, artists are still struggling to stay afloat. She talks about how she has adapted her practice under the circumstances and shares the stories of three other artists living and working as artists in Colombia right now. / Michelle Yemayá ha notado que, si bien los artistas del teatro colombiano han encontrado formas de enfrentar los cambios inesperados de este año, la lucha por mantenerse a flote es constante. Habla sobre cómo ha adaptado su práctica a las circunstancias y comparte las historias de otras tres personas que en este momento viven y trabajan como artistas en Colombia.