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Book Launch: Different Models, One Goal: Doing Theatre, Democracy, and Social Justice
Video
Book Launch: Different Models, One Goal: Doing Theatre, Democracy, and Social Justice
Socially-Engaged Theatre Through the Lens of Tor Iorapuu's Community-Driven Theatre
Friday 18 November 2022
Nigeria and Canada
Bringing Trouble: An Account of a Travelling Bicycle Puppet Show
Essay
Bringing Trouble: An Account of a Travelling Bicycle Puppet Show
by Ian McFarlane, Laura Stinson
25 January 2022
Five Protocols of Theatrical Indigeneity
Essay
Five Protocols of Theatrical Indigeneity
An Audio Essay and Sound-Ceremony for Reciprocal Action
by Lisa C. Ravensbergen
2 July 2021
Poster for Book Launch event.
Book Launch: Different Models, One Goal: Doing Theatre, Democracy, and Social Justice
Centre for Socially Engaged Theatre logo.
Centre for Socially Engaged Theatre (C-SET)
Video

Book Launch: Different Models, One Goal: Doing Theatre, Democracy, and Social Justice

Socially-Engaged Theatre Through the Lens of Tor Iorapuu's Community-Driven Theatre

Friday 18 November 2022
Nigeria and Canada

The Centre for Socially Engaged Theatre (C-SET), in collaboration with Theatre Emissary International and the University of Jos, Nigeria, presented the online book launch of Different Models, One Goal: Doing Theatre, Democracy, and Social Justice edited by Adediran Ademiju-Bepo, Hussaini U. Tsaku, Awuawuer Tijime Justine, Shadrach Teryila Ukuma, and Bem Alfred Abugh livestreaming on the global, commons-based, peer-produced HowlRound TV network on Friday 18 November 2022 at 9 a.m. CST (Chicago, UTC -6) / 10 a.m. EST (New York, UTC -5) / 3 p.m. GMT (London, UTC +0) / 16:00 CET (Berlin, UTC +1) / 4 p.m. WAT (Lagos, UTC +1).

Several people sitting in a field watching a puppet show.
Bringing Trouble: An Account of a Travelling Bicycle Puppet Show
Essay

Bringing Trouble: An Account of a Travelling Bicycle Puppet Show

25 January 2022

In 2021, Ian McFarlane and Laura Stinson of North Barn Theatre launched into a bicycle tour that brought a puppet circus to rural communities across Nova Scotia. They discuss the creation and performance of their show, which joyously embraced troublemaking as a path to activism.

Figure with bulbs of fire
Five Protocols of Theatrical Indigeneity
Essay

Five Protocols of Theatrical Indigeneity

An Audio Essay and Sound-Ceremony for Reciprocal Action

2 July 2021

Lisa Cooke Ravensbergen shares how new story bundles can “disrupt the noise of colonialism” through what she calls protocols of theatrical Indigeneity.

text LEVEL UP
Level Up: The Dramaturgy of Digital Performance and Design
Associated Designers of Canada
woman in park looking at cell phone
Toasterlab
Video

Level Up: The Dramaturgy of Digital Performance and Design

Engaging in meaningful conversations on digital tools in live performance

Monday 18 January - Saturday 13 February 2021
Canada

Associated Designers of Canada and ToasterLab presented the symposium Level Up: The Dramaturgy of Digital Performance and Design livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv from Monday 18 January to Saturday 13 February 2021.

two people posing for a photo seated in front a marbled grey background
Knowing It’s Time to Go / Savoir quand partir
Essay

Knowing It’s Time to Go / Savoir quand partir

A Conversation on Passing the Torch of Artistic Leadership / Discussion sur le passage du flambeau de la direction artistique  

4 February 2021

David Dower and Martin Faucher discuss leaving their leadership positions at Boston’s ArtsEmerson and Montreal’s Festival TransAmériques, respectively; the balance between artistic responsibility and activist responsibility as artistic leaders; passing the torch to the next generation; and more. / David Dower, directeur artistique du ArtsEmerson de Boston, et Martin Faucher, codirecteur général et directeur artistique du Festival TransAmériques de Montréal, discutent de leur départ respectif, de l’équilibre entre la responsabilité artistique et la responsabilité militante en tant que directeur artistique, du passage du flambeau à la prochaine génération, et plus.

Uncovering
anARC Theatre
Kingston Circus Arts
Video

Uncovering

A work-in-progress video collaboration featuring artists connected to Kingston, Ontario

Wednesday 16 December 2020
Canada

anARC Theatre and the Circus Kingston Collective presented a work-in-progress performance of Uncovering livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Wednesday 16 December 2020 at 3 p.m. PST (Vancouver, UTC -8) / 5 p.m. CST (Winnipeg, UTC -6) / 6 p.m. EST (Toronto, UTC -5).

Segal Talks with Samuel Buggeln
Segal_Centre_Logo
Segal
Center
Video

Segal Talks with Samuel Buggeln

Join us for a conversation about curating, producing and presenting theatre and performance in the Time of Corona

Wednesday 2 December 2020
United States

The Martin E. Segal Theatre Center presented SEGAL TALKS with Samuel Buggeln livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Wednesday 2 December 2020 at 9 a.m. PST (San Francisco, UTC -8) / 11 a.m. CST (Chicago, UTC -6) / 12 p.m. EST (New York, UTC -5) / 17:00 GMT (London, UTC +01) / 18:00 CET (Berlin, UTC +1).

blue background with yellow culturecapital:online text
culturecapital:online LUKE REECE vs DANI FECKO
playing card with text culturecapital
culturecapital
Video

culturecapital:online LUKE REECE vs DANI FECKO

Two players compete online for sweet art money in culturecapital, the arts economy trading card game

Tuesday 27 October 2020
Canada

The fourth round of culturecapital:online LUKE REECE vs DANI FECKO livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 27 October 2020 at 6 p.m. PDT (Vancouver, UTC-7) / 8 p.m. CDT (Chicago, UTC-5) / 9 p.m. EDT (Toronto, UTC-4) / Thursday 21 May 10:00 KST (Seoul, UTC+9) / 13:00 NZST (Auckland, UTC+12).

digital rendering of city street with white text PERFORMANCE XR 2020
Performance and XR 2020 (PXR2020) Symposium
woman in park looking at cell phone
Toasterlab
Canada Council for the Arts
red backgroung with white text S T
Single Thread Theatre
black background with white point text electric company theatre
Electric Company Theatre
Video

Performance and XR 2020 (PXR2020) Symposium

A Virtual Reality Symposium for Canadian artists and XR technologists, exploring creation and performance in XR

Friday 2 October to Saturday 10 October
Canada

Toasterlab presented the symposium Performance and XR 2020 (PXR2020) livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv from Friday 2 October to Saturday 10 October 2020.

blue background with yellow culturecapital:online text
culturecapital:online JENNA RODGERS vs MADDIE BAUTISTA
playing card with text culturecapital
culturecapital
Video

culturecapital:online JENNA RODGERS vs MADDIE BAUTISTA

Two players compete online for sweet art money in culturecapital, the arts economy trading card game

Wednesday 30 September 2020
Canada

The third round of culturecapital:online JENNA RODGERS vs MADDIE BAUTISTA livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Wednesday 30 September 2020 at 6 p.m. PDT (Vancouver, UTC-7) / 8 p.m. CDT (Chicago, UTC-5) / 9 p.m. EDT (Toronto, UTC-4) / Thursday 21 May 10:00 KST (Seoul, UTC+9) / 13:00 NZST (Auckland, UTC+12).

blue background with yellow culturecapital:online text
culturecapital:online MARK HOPKINS vs RALPH ESCAMILLAN
playing card with text culturecapital
culturecapital
Video

culturecapital:online MARK HOPKINS vs RALPH ESCAMILLAN

Two players compete online for sweet art money in culturecapital, the arts economy trading card game

Wednesday 2 September 2020
Canada

The second round of culturecapital:online MARK HOPKINS vs RALPH ESCAMILLAN livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Wednesday 2 September 2020 at 6 p.m. PDT (Vancouver, UTC-7) / 8 p.m. CDT (Chicago, UTC-5) / 9 p.m. EDT (Toronto, UTC-4) / Thursday 21 May 10:00 KST (Seoul, UTC+9) / 13:00 NZST (Auckland, UTC+12).

an actor onstage
This Is How We Cripped It
Essay

This Is How We Cripped It

12 August 2020

Debbie Patterson talks about the barriers faced by artists with disabilities and how creative teams can “crip” the work—embracing the disruptions created by disability to open up previously unimagined possibilities.

[A photo of Lavie. She wears a black beret and turtle neck and red long traditional Maori earrings.]
Anti-Oppression in the Performing Arts LAB with Lavie Williams
Kingston Circus Arts
anARC Theatre
Video

Anti-Oppression in the Performing Arts LAB with Lavie Williams

A two hour learning session guiding performers to consider how whiteness, tokenization, appropriation and allyship manifest in their arts practices

Thursday 9 July 2020
Kingston, Ontario

Kingston Circus Arts and anARC Theatre presented Anti-Oppression in the Performing Arts LAB with Lavie Williams livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Thursday 9 July 2020 at 8 a.m. PDT (San Francisco, UTC-7) / 10 a.m. CDT (Chicago, UTC-5) / 11 a.m. EDT (Kingston, UTC-4).

segal theatre center logo
SEGAL TALKS: Émilie Monnet and Greg Hill
Segal_Centre_Logo
Segal
Center
Video

SEGAL TALKS: Émilie Monnet and Greg Hill

An update on the situation for theatre artists in Canada

Tuesday 7 July 2020
Canada

The Martin E. Segal Theatre Center presented SEGAL TALKS: Émilie Monnet and Greg Hill livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Tuesday 7 July 2020 at 9 a.m. PDT (San Francisco, UTC -7) / 11 a.m. CDT (Chicago, UTC -5) / 12 p.m. EDT (New York, UTC -4) / 17:00 BST (London, UTC +1) / 18:00 CEST (Berlin, UTC +2).

two people standing infront of a large projection
Shuffling Performance Discourse
Essay

Shuffling Performance Discourse

22 June 2020

Milton Lim and Patrick Blenkarn talk about culturecapital, their arts trading card game that offers a window into the complex relationships artists have with public funding, being socially relevant, and navigating a rapidly changing landscape of ethics, politics, and economics within the arts.

Trees and leaves, a 360 degree camera amongst them, with the Toaster Lab logo overlain
The Toasterlab Mixed Reality Performance Hack (tMoRPH) Final Presentations
woman in park looking at cell phone
Toasterlab
Canada Council for the Arts
Video

The Toasterlab Mixed Reality Performance Hack (tMoRPH) Final Presentations

Toasterlab’s Mixed Reality Performance Atelier is a two-year deep dive into the current mixed reality methods used by theatre and performance makers

Friday 19 June 2020
Toronto, Canada

ToasterLab presented a Mixed Reality Performance Hack (tMoRPH) Final Presentations livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Friday 19 June 2020 at 9 a.m. AKDT (Juneau, UTC-8) / 10 a.m. PDT (San Francisco, UTC-7) / 12 p.m. CDT (Chicago, UTC-5) / 1 p.m. EDT (New York, UTC-4) / 18:00 BST (London, UTC+1) / 19:00 CEST (Berlin, UTC+2).

Orange shimmer on a turquoise background with the text Festival of live digital art.
FOLDA — Festival of Live Digital Art 2020
spider web show logo.
SpiderWebShow
Video

FOLDA — Festival of Live Digital Art 2020

Bringing you to the forefront of Canada’s most innovative live performances

Tuesday 2 June and Wednesday 10 June through Saturday 13 June 2020
Canada

SpiderWebShow Performance presented FOLDA - The Festival of Live Digital Art 2020 livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 2 June and Wednesday 10 June to Saturday 13 June 2020.

Person on a mountain by water, overlaid with the Toaster Lab logo
The Toasterlab Mixed Reality Performance Hack (tMoRPH) Kickoff
woman in park looking at cell phone
Toasterlab
Canada Council for the Arts
Video

The Toasterlab Mixed Reality Performance Hack (tMoRPH) Kickoff

Toasterlab’s Mixed Reality Performance Atelier is a two-year deep dive into the current mixed reality methods used by theatre and performance makers

Saturday 13 June 2020
Toronto, Canada

ToasterLab presented a Mixed Reality Performance Hack (tMoRPH) Kickoff livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Saturday 13 June 2020 at 9 a.m. PDT (San Francisco, UTC-7) / 11 a.m. CDT (Chicago, UTC-5) / 12 p.m. EDT (New York, UTC-4) / 17:00 BST (London, UTC+1) / 18:00 CEST (Berlin, UTC+2).

A theatre stage door, open to a sunset. The words The Green Rooms on the brick wall.
The Green Rooms: The Earth is Watching…Let’s Act
FOLDA logo.
FoldA
NAC English Theatre logo.
NAC English Theatre
Canada Council for the Arts
Video

The Green Rooms: The Earth is Watching…Let’s Act

A deep dive into the most urgent question of our time: How do we engage with the climate crisis and can theatre be part of the solution?

Wednesday 10 June to Friday 12 June 2020
Canada

NAC English Theatre in partnership with The Canada Council for the Arts, and FOLDA presented The Green Rooms: The Earth is Watching…Let’s Act livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv from Wednesday 10 June to Saturday 13 June 2020.

Toaster Lab logo overlaid a camera on a tripod by water.
Toasterlab Mixed Reality Performance Atelier AGM
woman in park looking at cell phone
Toasterlab
FOLDA logo.
FoldA
Canada Council for the Arts
Video

Toasterlab Mixed Reality Performance Atelier AGM

Toasterlab’s Mixed Reality Performance Atelier is a two-year deep dive into the current mixed reality methods used by theatre and performance makers

Thursday 4 June 2020
Toronto, Canada

ToasterLab presented a Mixed Reality Performance Atelier AGM livestreamed on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Thursday 4 June 2020 at 9 a.m. AKDT (Juneau, UTC-8) / 10 a.m. PDT (San Francisco, UTC-7) / 12 p.m. CDT (Chicago, UTC-5) / 1 p.m. EDT (New York, UTC-4) / 18:00 BST (London, UTC+1) / 19:00 CEST (Berlin, UTC+2).

Photo of a white German man pouring whiskey for a Black Nigerian man.
I am Wole, I am Heiner
Essay

I am Wole, I am Heiner

For a Fully Realized Representation of Brown Artists on Stage

27 May 2020

In this last installment of the Beyond the Western Canon series, Sadie Berlin questions how marginalized voices are represented on stage and calls for more experimental work by artists of color on Canadian stages.

multiple people posing for a photo next to the stratford festival sign
Toward a Trans Canon
Essay

Toward a Trans Canon

26 May 2020

In the penultimate installment of the series, Emma Frankland details her experience staging a trans takeover of the canon with a cohort of trans, Two-Spirit, and non-binary artists. The article includes a set of recommendations for creating trans-affirming theatre spaces created by Emma and her collaborators.

hands with cards at a playing table
culturecapital:online
playing card with text culturecapital
culturecapital
primary color blocks
National Theatre School of Canada
Video

culturecapital:online

Two players compete online for sweet art money in culturecapital, the arts economy trading card game

Wednesday 20 May 2020
Canada

National Theatre School of Canada presented the first ever culturecapital:online livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Wednesday 20 May 2020 at 6 p.m. PDT (Vancouver, UTC-7) / 8 p.m. CDT (Chicago, UTC-5) / 9 p.m. EDT (Toronto, UTC-4) / Thursday 21 May 10:00 KST (Seoul, UTC+9) / 13:00 NZST (Auckland, UTC+12).

four actors onstage
This is Not a Rhetorical Question
Essay

This is Not a Rhetorical Question

Neoliberal Identity Politics in Current Casting Practices

21 May 2020

Carmen Aguirre talks identity politics and the casting of Latinx plays in Canada.

four actors onstage
Navigating Indigenous Storytelling with Mixed Company
Essay

Navigating Indigenous Storytelling with Mixed Company

20 May 2020

Keith Barker and Lindsay Lachance talk about the challenges and rewards of working in mixed company with Indigenous and non-Indigenous artists, including what it’s like to navigate work with sensitive subject matter, including Indigenous histories and colonization.