As a small-ish theatre company, we had our own moment of expanding leadership styles over a decade ago when it became clear that simply copy-and-pasting traditional structures was not working. Through a yearlong process with a strategic planner, we developed the Producing Artistic Leadership Team, a shared title that encompasses artistic director, executive director, marketing director and every other theatrical department . Over the last fourteen years, we’ve picked up a thing or two about what shared leadership actually looks like and what makes it successful. Inspired by the early aughts Discovery Channel hit MythBusters, we thought we’d “bust" a few shared leadership myths of our own.
Before we dive in: Yes, we could point fingers and scold large institutions that are wading into shared leadership because it’s ”in” right now. But we’ll stick to sharing examples from our lived experience, because regardless of institutional size, shared leadership is not for the faint of heart.
Myth One: Oooh, Shared/Collaborative Leadership, So New and Shiny
It may be en vogue now, but it is certainly not new. Many organizations, especially Black, Indigenous, people of color (BIPOC) organizations and those run by and serving marginalized communities, have been using collaborative leadership models for ages. This often isn’t because it’s chic, meets the demands of a published statement, or breaks down hierarchy, but out of necessity and probably an ancestral propensity for collaboration to survive. Shoutout to our fellow contributors in this series: UrbanTheater Company in Chicago and No Dream Deferred in New Orleans.
Fourteen years ago, The Movement had no paid staff. The members of the leadership team had a variety of full-time, part-time, and gig work to meet basic needs. We also had traditional titles within the organization. Whenever a grant was due or an e-blast needed to go out while folks were on their shifts at the Apple Store, Amy’s Bread, or the Bryant Park Hotel, having strict lanes did not spell success. In practice, those siloed roles were quickly thrown out the window. We learned that just because someone was the executive director didn’t mean that the artistic director couldn’t jump in and draft the budget or that the administrative director couldn’t weigh in on choosing our next projects. This breaking down of hierarchy and sharing of responsibility simply occurred because it had to. The e-blast needed to get built, the artists needed to be supported, and all that mattered was who could step off the floor at their day job to get it done.
In the early days, we collaborated because that was the only option. This bucked up against our traditional titles, which were admittedly steeped in an unhealthy hierarchy, and caused a lot of tension within our organization. People didn’t feel heard or appreciated for the work they were putting in, because it was in relation to titles and a structure that were incongruous with how we were operating. Creating the Producing Artistic Leadership Team embraced the way we were already working. Shared leadership wasn’t something shiny and new but came from within, and it certainly wasn’t glamorous.
Myth: busted.
Shared and collaborative leadership can certainly support breaking down toxic power dynamics and unhealthy hierarchy, but it’s not a magic bullet.
Myth Two: We’ve Got Shared Leadership, So Our Toxic Power Dynamics and Hierarchy Issues Have Been Solved!
Now, embracing the co-leadership model that was in our bones didn’t mean we automatically vanquished toxic power dynamics. These dynamics have been stewing in our field for years and often show up as micro-managing, lack of appreciation for boots on the ground staff, and a dismissing of said staffs members’ expertise and experience in decision-making. Shared and collaborative leadership can certainly support breaking down toxic power dynamics and unhealthy hierarchy, but it’s not a magic bullet. Tackling these takes intentionality and practice.
In the early days, we had our share of screaming matches. We were shaking off those traditional titles and the power they held in the industry at large. Those who had the artistic and executive director titles before had to put their egos aside, and those with the administrative and marketing director titles had to shake off insecurity about their status and stand in their power as full-fledged members of the leadership team. We had to find new ways of communicating, making decisions, and even disagreeing in order to fully embrace this structure for ourselves and demonstrate to the field what it looks like to be at the table equally. We embraced longer meetings so each leader could have an equal opportunity to chime in on each topic. We carved out time to learn what each person needed to fully participate and uplifted team members when their voices weren’t heard. When potential producing partners reached out, we made sure at least two of us could take each meeting and included every leader on the email. Adopting the shared leadership model wasn’t the magic bullet that broke down toxic power dynamics and unhealthy hierarchy; it was hard work and a commitment to uplifting the full humanity of each leader on the team.
Myth: busted.
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