Commons-Based Approaches

Carl(os) Roa and Rula(s) A. Muñoz share a multi-vocal, non-linear account of their group’s work at the Latinx Theatre Commons (LTC) Designer and Director Colaboratorio. Through both text and images, they document their group’s explorations of non-hierarchical generative process, as well as the challenges they faced.

Mateo Hernandez acknowledges collaboration and artmaking as two distinct processes that inform each other in the theatrical process, an observation rooted in their group’s experience of intentionally reexamining the collaborative process at the Latinx Theatre Commons Director and Designer Colaboratorio.

The Latinx Theatre Commons Designer and Director Colaboratorio gathered dozens of Latinx theatremakers to approach collaboration from a place of inquiry, play, and exploration. Carla Della Gatta writes about this event as an alternate story of what is happening—and what could be happening—in US theatre right now.

Designer and Latinx Theatre Commons (LTC) steering committee member Tara Houston reflects on the transformation that the LTC inspired in her own career, and how the interventions at LTC convenings are helping Latinx theatremakers transform the theatre field.

As part of the Black and Indigenous Futures series, Amber Starks and Kyle Mays discuss the siloing of Afro-Indigenous identity, the opportunities and challenges of developing Black and Indigenous solidarity, and the potential to build a future more deeply rooted in kinship.

David Howse and Ronee Penoi, co-leaders of ArtsEmerson, introduce the Black and Indigenous Futures Series with an essay that discusses their commitment to a shared leadership approach that foregrounds solidarity between Black and Indigenous communities.

Lauren Halvorsen reports on the origins, development, and learnings of the Artistic Caucus, a collaborative initiative between four regional theatres. By employing a racially and geographically diverse collective of freelance artists to identify new work, scout projects, and facilitate relationships on behalf of all four theatres, the Artistic Caucus seeks to disrupt traditional curatorial practices.

Tiziana Penna and Anna Rispoli talk about the Common Wallet, an initiative in which everyone involved commits to living out of the same bank account. Together, the group aims to develop more radical forms of solidarity, kinship, and trust, as well as a thorough questioning of and experimenting with different possible relationships to money.

The Latinx Theatre Commons announces the cohort of six directors, twenty-four designers, and seven scholars/documentarians selected for the Designer and Director Colaboratorio in Portland, Oregon this summer.

Latinx Theatre Commons producer Jacqueline Flores introduces the Latinx Leaders at the Forefront Series, which amplifies the history and work of Latinx teatros through conversations between established theatremakers with future leaders of the field.

Communications manager Ramona Rose King chats with Abigail Vega on her last day as HowlRound’s creative producer to reflect on her work with HowlRound and the Latinx Theatre Commons, producing using commons-based practices, and advice she’d give to aspiring producers.

Julia Hune-Brown and Keira Loughran discuss crafting Then Is Now, a concept album/video playlist they created through conversations with Chinese Canadian women who grew up in Toronto’s Chinatown during the era of the Chinese Exclusion Act.

The International Presenting Now convening brought a collective of US-based presenters of international work together in physical space in January 2023, following almost three years of virtual conversations and events. Janice Paran details the conversations that arose around the convening’s key question: how might international presenters want to work differently?