The middle of winter and you're in Indianapolis. You are indoors with a crowd of people and it is not a basketball game. This week features a wide array of artists and companies making work in the heartland. This series on Indianapolis, Indiana is curated by Courtney Sale, the Associate Artistic Director for Indiana Repertory Theatre.
We have all heard it said that there is truly nothing brand new, that all the stories have already been told, that all the plots can be traced back to a starting point or mathematics equation that make them all somehow equal: an ancient Greek tragedy or a Shakespearean comedy. And this is probably true.
If it's new to a single member of an audience, if it opens the mind of any one individual who sees it or if it prompts questions, upsets, uplifts, enrages a person then that moment is new, that feeling is new, and that is art. Art is subjective. It's relative. It springs forth from the heart and imagination of one soul to reach out and touch another. Art’s variability is its only constant and its standards are designed to be periodically ignored.
There are few things more intriguing, therapeutic, and cathartic than an honest conversation. We often discuss originality at Q Artistry, an Indianapolis based new works theater organization. We debate it and comb over it with dirty, bloody brushes or pluck at it with a solitary virgin pick. And we always come up with different answers. As one of the only arts organizations in Indiana that dedicate their stages entirely to new and original works, we have some experience dialoguing on this subject and demonstrating it. We've created what we've considered brand new works many times. From talking bowling pins to singing bunnies, we've presented ideas in theater form that were brand new or re-imagined. We've set Edgar Allan Poe to theatrical music in Cabaret Poe and turned the villain from the oldest poem known to man into an experience for audiences in Grendel.
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