Massachusetts

Michael Elyanow sheds light on the financial constraints of being a playwright and why it may still be worth it.

Akiba Abaka discusses her experience at the Model the Movement conference in Boston.

James J. Hodge examins our societys relation to the future through the lens of the new musical Futurity by the Lisps.

Playwright Kirsten Greenidge reflects on her impulses to rewrite, and how she learned to stay connected to her work.

Taline Vokeritchian muses on the lingering, invigorating power of first loves.

Steven Sapp writes about his relationship with ArtsEmerson, and how his friendship with Rob Orchard has helped him to create his best work.

P. Carl and David Dower outline thier plan for what HowlRound will look and function like moving forward.

Melia Bensussen examines how the arrival of The Commons will intersect with the theater professionals that populate Emerson College's faculty.

Student Nick Medvescek writes about the synergy of HowlRound and Emerson College's student-led theatre community.

Rob Orchard reflects on his professional career at the Yale Repertory Theatre and the American Repertory Theatre, leading to his new position and excitment for Emerson's Office of the Arts.

President Lee Pelton welcomes The Commons to Emerson College!

A welcome to the new HowlRound.com, another step forward in turning the conversation around theater from "me" to "we."

Molly Smith reflects on the transformations of Areana Stage at the Mead Center for American Theater over the past year.