Massachusetts

Jonathan Mastro responds Don Aucoin’s recent Boston Globe article about audible audience responses.

Erin Butcher writes about the difficult experiences she faced producing a show in a public park with an all-female cast and crew. 

Emerson College student Andrew Siañez-De La O writes about RareWork’s Theatre Company’s production of Caridad Svich’s Alchemy of Desire/Dead Man’s Blues.

Commons Producer Miranda Craigwell interviews Melinda Lopez about her experience as Playwright-in Residence at Huntington Theatre Company. 

Michael Lueger on Gordon Edelstein’s production of A Moon for the Misbegotten at the Williamstown Theatre Festival in Massachusetts.

Melissa Bergstrom discusses her journey toward accepting a personal definition of success as a theatre artist.

ArtsEmerson Artistic Director David Dower shares the process behind programming the company’s 2015/2016 season.

In this installment, David Dudley interviews four members of Double Edge Theatre Company about the company’s unique approach to training and living.

Liane Tomasetti shares some words of wisdom following the performances of the site-specific, immersive piece Animating the James and Ann Whithall House at Red Bank Battlefield.

Tiffany Antone reconsiders the decision to include a trigger warning on playwright Jennie Webb’s “little rape comedy.”

Spencer Shannon on the critical reception of A. Rey Pamatmat’s after all the terrible things I do and Edith Can Shoot Things and Hit Them in Boston.

Bertie Ferdman interviews Ilan Bachrach, founder and Artistic Director of Mass Live Arts, a festival of contemporary and experimental performance in Great Barrington, MA.

Playwright and co-founder of Boston Public Works Theater Company John Greiner-Ferris discusses the rewards and challenges that have come with self-producing.

Welcome the new HowlRound Fellow, Adewunmi Oke! Adewunmi joins us in July, and will play an integral role in the HowlRound team.

Gloucester Stage’s Executive Managing Director Jon Wojciechowski discusses the process and philosophy behind the company’s new playwriting apprenticeship.

Patrick Gabridge gives a run down of the results of the New England New Play Alliance's study on new play development and attendance in the Greater Boston region.