Peacebuilding, Conflict Transformation, and Conflict Zones

Slovo. Theater Group uses theatre as a tool to fight against cultural oppression by promoting Ukrainian culture abroad. Audrey Rose, the group’s producer, discusses the process of making theatre during active war as a way of resisting oppression and violence.

Theatremaker Viktor Vilisov examines the important role theatre can play in supporting migrants and refugees.

In part two of his essay, Russian theatremaker Viktor Vilisov delves deeper into the performative nature of war itself and how art can create spaces for collective remembrance and grief.

Russian theatremaker Viktor Vilisov analyzes the power performance protest holds in opposing war, oppressive governments, and state violence.

In 2021, Nigerian director Josephine Awele Odunze directed a powerful production of Wedlock of the Gods by Zulu Sofola. Odunze sits down with Eseovwe Emakunu to discuss the play’s connections to issues Nigerian women face today, as well as her hopes that theatre can contribute to attaining true gender parity in Nigeria.

Russian theatremaker Viktor Vilisov details the rapidly dwindling infrastructure for free expression in Russian culture in a time of war. As theatres and theatre workers navigate the deterioration of their sector, elements of performance persist in anti-war protests and state political messaging alike.

Jen Marlowe shares how her documentary play There Is A Field became a framework for exploring Black-Palestinian solidarity.

Sarah Plummer discusses how puppets aid socially engaged groups during protests in three key ways: amplifying tension, creating accessible messaging, and evoking solidarity.

verity healey, who spent time in Kosovo for its Theatre Showcase last October, discusses the precarious nature of Kosovo’s independent theatre sector and shares her thoughts about the plays she saw while visiting.

Sayda Trujillo talks about white supremacy’s prevalence in clown pedagogy and shares how the invincible spirit of the clown has shaped her, “seeping through every tiny crack possible to make itself present to speak, to laugh, to sing, to bounce, to witness, and to encounter.”

Lama El Homaïssi reflects on her experience working with American Repertory Theater on their musical We Live in Cairo, diving into representation in storytelling, the oral Hakawati tradition, and more.

ArtsEmerson Artistic Director David Dower speaks with Chilean playwright Guillermo Calderón about the ongoing protests in Chile.

verity healey looks at Teatr.doc’s latest show, Torture, and the vital need for “truth-telling” theatre.

Farai Mabeza offers an overview of theatre in Zimbabwe, from the major theatre in the capital city, to smaller community theatres, to the country’s festivals.

Karen Malpede sits down to talk with Kosovar playwright and provocateur Jeton Neziraj about freedom and theatre.

With the bombing of Gaza’s last-remaining arts space—the Al Mishal Cultural Centre—in August 2018, Jessica Litwak and a group of international theatremakers are calling for justice.

Maximilian Kempf discusses climate change theatre through the lens of the Anthropoligists’ show This Sinking Island.