Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
An Anthology of Eight New Plays from Trans Playwrights
Sunday 14 December 2025
New York City
Hear directly from the creators about what inspired them to write the plays, the creative process in bringing them to life, how they fit into the contemporary play landscape, and what we love about them.
Iranian Girlfriend explores the complex relationship between fact and fiction—a dynamic that played out in its journey from autobiographical essay to autofictional play. Creator SB Tennent discusses the play’s origins, process, and ambitions with Georgia Evans.
Ash Marinaccio and the 2024-2025 Civilians R&D Group discuss investigative theatre, how artists blend research, interviews, and emotional truth to create new work. They discuss new play development, ethics, community, and why “live bodies in a room” still matter.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
Playwright Tomi Endter imagines a future fifty years from now when American theatre has finally centered Native voices. She looks back at how the industry transformed from exclusion to the celebration of Native stories and artists.
Madeline Easley details an experience working with the Wyandots of Kansas while writing a new play for Kansas City Repertory Theatre that touched on deep, nuanced, multi-governmental politics—and how that experience contrasts with her other experiences in the American theatre.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
Murielle Borst-Tarrant asks herself why she’s still creating. Amid loss and chaos and life’s ongoing minor dramas, she returns over and over again to the work.
The 2025 Edwin Booth Award honors a person, company, or organization whose work bridges professional and academic theatre. We seek to foreground the emerging/emergent as a product of resilience, reclamation, and urgency under contemporary and contemporaneous constraints.
Pub theatres bring theatre to communities in the United Kingdom through the combined business model of a performance venue and pub. Sophie Pell, who both makes and watches pub theatre, details the considerable benefits of this performance model.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
Several characters are played by one performer in I’m Assuming You Know David Greenspan. In an analysis that spans from ancient Greece to contemporary Russia, Arseniy Fariatiev argues that the play does the opposite for the director, splitting directorial labor across several production roles.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
To Tell a Story About the Earth is part scripted play, part guided introduction to devising. The creative team reflects on their development process, which took them to Georgetown University for joyful, interdisciplinary co-creation at the crossroads of new play development, environmental studies, and local activism.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Hosted by the Public Theater, these Zoom and HowlRound livestream sessions are accessible worldwide, allowing participants to join from home, school, or anywhere with internet access.
In this episode, hosts Jordan Ealey and Leticia Ridley interview director and playwright Robert O’Hara about his approach to his craft, his experience as a Black artist in the theatre industry, and how he leans into discomfort.
