Using an Old Story Form to Ask New Questions in the Theater
Tuesday 23 August 2022
United States
E. M. Lewis (Mellon Foundation Playwright in Residence at Artists Repertory Theatre) and Saymoukda Duangphouxay Vongsay (Mellon Foundation Playwright in Residence at Theater Mu) presented the conversation It's a Mystery! livestreaming on the commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 23 August 2022 at 3 p.m. PDT (San Francisco, UTC -7)/ 5 p.m. CDT (Chicago, UTC -5)/6 p.m. EDT (New York, UTC -4).
In this episode, Jordan Ealey and Leticia Ridley interview artist/scholar Lisa B. Thompson. They discuss navigating life as a Black feminist artist/scholar, putting some respect on Black theatre, and why Black theatre is an integral part of Black Studies.
Livestreaming a Conversation: Suzan-Lori Parks' Watch Me Work
Monday 15 August 2022
United States
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network on Monday 15 August 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Jordan Ealey and Leticia Ridley interview award-winning and acclaimed playwright Dominique Morisseau about her recent Broadway productions of Ain’t Too Proud: The Life and Times of The Temptations and Skeleton Crew; the future of Detroit theatre and performance; and reckoning with American history. Ealey and Ridley discuss Morisseau’s practice of reparative creativity and the ability for theatre to serve as a rehearsal for true change.
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network on Monday 8 August 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Theatremaker Latrice Richardson addresses the ongoing misogynoir in storytelling by detailing one of her past experiences and advocates for better representation of Black women in theatre.
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network on Monday 1 August 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Literary Managers and Dramaturgs From the United States, Mexico, and Canada Share Twelve Playwrights and Play-Makers Whose Work You Should Know
Thursday 28 July 2022
United States, Mexico, Canada
Literary Managers and Dramaturgs of the Americas presented the conversation Playwrights Under the Radar livestreaming on the commons-based peer-produced HowlRound TV network at howlround.tv on Thursday 28 July 2022 at 9 a.m. PDT (San Francisco, UTC -7) / 11 a.m. CDT (Chicago, UTC -5) / 12 p.m. EDT (New York, UTC -4).
In this episode, Jordan and Leticia interview playwright Pearl Cleage. They discuss the way she has navigated her career as a Black feminist/womanist playwright often working in Black spaces; how she found her home in Atlanta, Georgia; and her most recent play, Angry, Raucous, and Shamelessly Gorgeous.
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network on Monday 25 July 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network on Monday 18 July 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network on Monday 11 July 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
This episode honors the life and work of composer, writer, and performer Micki Grant, who passed away in August 2021. Grant was the first Black woman to write and compose a musical that made it to Broadway, and she is also the subject of Jordan's dissertation.
This episode is an interview with Addae Moon, the associate artistic director at Theatrical Outfit in Atlanta, Georgia. We discuss his journey as a theatre artist; his playwright development lab, Hush Harbor Lab; and his own artistry and creativity.
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network on Monday 27 June 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
As politicized ethnic groups, playwriting comes with a sense of responsibility and history for many MENA and SWANA writers. Balancing drama and comedy in plays that deal with MENA politics, identity, and history can be difficult, but is also crucial for inviting audiences into our stories and addressing stereotypes and historical harm. Join two prominent playwrights and pillars of the MENA community, Yussef El-Guindi and Leila Buck, as we have an open conversation about how they approach their writing and reflect on what their work means in a greater societal context.
Artistic identities can be complicated, and many theatremakers work equally within two or more disciplines simultaneously. The most interesting work is rarely created in a vacuum. These multidisciplinary artists create diverse projects in all senses of the word, broadening our idea of what theatre can and should be. Today, two such multihyphenate artists, Denmo Ibrahim and Sarah Fahmy, converse about their multiple identities, how they reconcile and manage their myriad expertise, and the role of multihyphenate artists in today’s theatre landscape.
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network on Monday 23 May 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer-produced HowlRound TV network on Monday 16 May 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Public Theater in New York City presents Suzan-Lori Parks' Watch Me Work—a playwriting masterclass—livestreaming on the global, commons-based, peer produced HowlRound TV network on Monday 9 May 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work — a playwrighting masterclass — livestreaming on the global, commons-based, peer produced HowlRound TV network on Monday 2 May 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work — a playwrighting masterclass — livestreaming on the global, commons-based, peer produced HowlRound TV network on Monday 25 April 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Theatre is a powerful tool for political and community advocacy efforts. From the stage to the streets, theatre can illuminate underheard narratives, reveal different perspectives on political events, and humanize the struggles of groups. There is a long history of theatre as a tool for advocacy in the Palestinian community in the US and abroad. In this episode, we talk to two Palestinian writers and theatremakers who have been using the art form as a way to bring awareness to the conflict in Palestine, give audiences with concrete tools for change, and provide direct relief to Palestinians internationally.
The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work — a playwrighting masterclass — livestreaming on the global, commons-based, peer produced HowlRound TV network on Monday 11 April 2022 at 12 p.m. HST (Honolulu, UTC -10) / 1 p.m. AKST (Juneau, UTC -9) / 2 p.m. PDT (San Francisco, UTC -7) / 4 p.m. CDT (Chicago, UTC -5) / 5 p.m. EDT (New York, UTC -4) / 22:00 GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
