Rural Theatre

In the belief that rural artists need to be represented, Double Edged Theatre Company headed a conversation with fellow rural artists about action steps for the communities to take.

Patrick Overton on the history of cultural development in Rural/Small communites across the United States, and the nessisety of that development to the health of the community.

Scott Walters discusses the necessity of creating independant and interdisciplinary Rural Arts programs.

Nikiko Masumoto blurs the line between farming and performance, and what that can mean for communication between farmers and consumers.

Donna Neuwirth describes the integration of culture and agriculture at the Wormfarm Institute in Wisconsin.

Dudley Cocke, the director of Roadside Theater, on Rural Theater, its specific gifts, and the necessity of its inclusion in American Theater.