Jessica Litwak, artistic director of the H.E.A.T Collective, explores the growing field of artist rights and safety, and talks about her dedication to “art of service,” the work that serves communities by facilitating creative personal and social change.

Arts educator Hannah Sachs talks about how introducing Theatre of the Oppressed to her students in the Czech Republic helped address xenophobia in the classroom, and slowly began to change the culture of the school for the better.

In the fourth installment of this series, Brendan McCall discusses the work of Czech-born, Norway-based artist Nela H. Kornetová , and her performance collective T.I.T.S. 

Robert Stanton for #FairWageOnstage considers the recent success of negotiations for salary increases for Off-Broadway actors and how theatre can support and lead the resistance to oppressive political administrations.

Edward Einhorn discusses the relevance of absurdist theatre.

Eva Kyselová writes about trends in independent theatre in the Czech Republic.

Edward Einhorn, artistic director of Untitled Theater #61, reflects on the Czech playwright and president Václav Havel’s contribution to theatre.

Tamás Jászay explores independent theatre in Hungary and provides historical context about the state of the art form. 

Iulia Popovici examines the state of independent work in Hungary during dunaPart, an organized showcase of mostly theatre and dance.

Patricia Davis reviews Ambassador Theater's production of Protest, written by the Czech Republic's first president Vaclav Havel, directed by Gail Humphries Mardirosian.