New Play Development

Cris Eli Blak is an emerging Black playwright whose work has garnered him recognition from The Negro Ensemble Company, Kairos Italy Theater, Austin Film Festival, Barrington Stage Company, TEDxBroadway, and Ignition Arts. Here he sits down to share how his dream of writing and premiering Sons of Liberty became a reality.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

In The Astronaut, a father receives a visit from his son. Complications in their relationship quickly become clear: the son, who wears a full astronaut suit, never replies to his father. The Astronaut is a touching variation on a one-man show, with the father speaking a series of monologues to his silent son.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

Dramaturg Gwendolyn Alker engages in a post-show conversation with Donald Eastman and Gabriel Berry—two members of María Irene Fornés’s design team—about the various shows they designed for Fornés, as well as their current work on the first-ever revival of Evelyn Brown (A Diary). Peter Littlefield, the stage manager for the original 1980 production, will also join.

This pre-show discussion was facilitated by Michele Seymour of Project Butterfly New Orleans, Playwright, Philana Omorotionmwan, and Producing Artistic Director of No Dream Deferred, Lauren Turner Hines. They address important themes and takeaways that were present in The Defiance of Dandelions.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

Join us for a talk with award-winning Ukrainian playwright and director Sasha Denisova (Ukraine) and artistic director Igor Golyak (US/Ukraine) of Arlekin Players Theatre to discuss their production of Sasha’s The Gaaga (The Hague). Sasha has been living in Poland, where she has collected stories from refugees who have fled their homes due to the war, and traveled to interview many officials and everyday people in her quest to create a futuristic trail of Putin in the form of this new play.

Join South Coast Repertory for the Playwrights Panel, part of the 2023 Pacific Playwrights Festival. Festival playwrights include Charlie Oh (Coleman ’72); Michael Shayan (avaaz); Anika Johnson, Britta Johnson, and Nick Green (Dr. Silver); Clarence Coo (Chapters of a Floating Life); Noa Gardner (The Staircase); Bleu Beckford-Burrell (Crasiss); and Eleanor Burgess (Galilee, 34).

Philana Imade Omorotionmwan is writing to save her body and spirit from a world that seems hell-bent on destroying them. She sits down to share how her dream of premiering The Defiance of Dandelions became a reality.

The AfroLatine Superfriends Playwriting Hour is an incredible opportunity to learn from AfroLatine-led playwrights and theatremakers from all corners of the United States. With a wealth of experience, they will share their writing practices, experiences, and insightful anecdotes on the process, inspiration, and practices of dramatic writing. Live human-edited captions and American Sign Language (ASL) will be available for all live sessions, and human-edited closed captions will available on the archival video.

Join us for a conversation celebrating the unique anthology and latest Segal Center Publication, New Plays from the Caribbean, a most significant and lasting part of the 2019 Caribbean Theater Project ACT (Actions Caribéennes Théâtrales)—initiated and co-organized by the Martin E. Segal Theatre Center in New York City, the theatre company SIYAJ from Guadeloupe, and Stéphanie Bérard.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Join us for an evening celebrating the work of Linda Chapman and James C. Nicola at the legendary New York Theatre Workshop. In their thirty-four-year run, Linda and James, at the 199-seat East Village theatre, gave birth to hundreds of important theatre works including Tony-winning best musicals Rent, Once, and Hadestown, as well as What the Constitution Means to Me and Slave Play.

Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project. Traditionally hosted on the mezzanine of the Public Theater Lobby, this version will bring the program to your home via Zoom sessions and HowlRound livestreams.

Playwright Brian Egland, sits down to share how his dream of premiering Where The Suga Still Sweet became a reality.