In the fifth installment of this series, Brendan McCall reflects on the work of Norwegian American vocalist Kristin Norderval, and how her art transforms listening into a political act.

In the fourth installment of this series, Brendan McCall discusses the work of Czech-born, Norway-based artist Nela H. Kornetová , and her performance collective T.I.T.S. 

In the third installment of this series, Brendan McCall discusses the work of Norwegian artist Øystein Elle and his company Capto Musicae. Originally a classically trained opera singer, Elle now works in a hybrid performance field combining live and recorded music, with performances that border on vocal concerts or art installations.

In the second installment of this series, Brendan McCall discusses the work of Cliff Moustache and Nordic Black Theatre. 

In the first installment of this series, Brendan McCall discusses the work of Lars Øyno and his company Grusomhetens Teater.

The World Theatre Map beta project has engaged its first cohort of twenty-eight World Theatre Map Ambassadors from twenty-four countries to direct community organizing, outreach, and feedback gathering.

Playwright Damon Falke discusses his play Laura, or Scenes from a Common World and how “Apollo and Daphne” from Ovid’s Metamorphoses inspired his work.

Playwright Damon Falke discusses his process of listening when creating characters for his work.

Norwegian composer Marte Røyeng has created a musical exploring sustainability with children, hoping to help them think about big issues.