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Anti-Racist Theatre

As political activist and author Angela Davis said, “In a racist society, it is not enough to be non-racist, we must be anti-racist.” Content in this section is about moving our field away from harmful white supremacist power structures and ways of working, and into a just and equitable future. Start with essays on anti-racist stage management practices, combatting white supremacy culture in training programs and intimacy direction, and supporting parent-artists through an anti-racist lens.

The Latest

Decentered Playwriting: Alternative Techniques for the Stage, Book Launch Panel
Video
Decentered Playwriting: Alternative Techniques for the Stage, Book Launch Panel
Presented by The Drama Book Shop, in association with Jay Michaels Global Communications and the Dramatists Guild of America.
Tuesday 5 March 2024
New York City
Completing the Unfinished Sentences of Our Ancestors with Jonathan McCrory
Podcast
Completing the Unfinished Sentences of Our Ancestors with Jonathan McCrory
by Leticia Ridley, Jordan Ealey, Jonathan McCrory
7 February 2024
The Sum of Us One-Act Festival: Talk Back with Heather McGhee
Video
The Sum of Us One-Act Festival: Talk Back with Heather McGhee
This talkback commenced after the theatre performance for The Sum of Us One-Act Festival, which was inspired by McGhee's book
Friday 15 March 2024
United States
lauren e. turner seated at a table
The American Theatre Was Killing Me
Essay

The American Theatre Was Killing Me

Healing from Racialized Trauma in an Art Workspace

18 November 2019

Amelia Parenteau speaks with Lauren E. Turner about racialized trauma in American theatre, Lauren’s experience with it, and healing.

an actor onstage
We Have Suffered Enough
Essay

We Have Suffered Enough

The Cost of Performing Trauma for Women of Color

12 September 2019

Melisa Pereyra talks about how suffering goes hand in hand with being a woman of color actor, how trauma is held in the body, and how audiences react when stories lack grief.

a slide comparing the number of white directors versus directors of color from 2007-2017
Playwrights of Color, White Directors, and Exposing Racist Policy
Essay

Playwrights of Color, White Directors, and Exposing Racist Policy

29 August 2019

Nicole Brewer examines a prominent racist policy in theatre—when plays written by people of color are staged by white directors—through the lens of actors, theatregoers, and playwrights themselves.

two Black actresses sit on a couch
The Gift
Essay

The Gift

The Importance of Difficult Conversations Between Collaborators

12 May 2019

Playwright Pearl Cleage reflects on the power of truth-telling to find common ground and discusses how Alliance Theatre in Atlanta, GA is working to confront the legacy of Southern racism.

Decolonizing Theatre/La Descolonización del Teatro
Essay

Decolonizing Theatre/La Descolonización del Teatro

an Introduction/Introducción

27 May 2018

Annalisa Dias and Madeline Sayet introduce the Decolonizing Theatre series by exploring the ways the American theatre has been and still is complicit in the legacy of colonialism.

The Ugly Truth About Arts Institutions Led by Women of Color
Essay

The Ugly Truth About Arts Institutions Led by Women of Color

9 May 2018

Founder and executive artistic director of Dallas’s Bishop Arts Theatre Center Teresa Coleman Wash looks at the realities of running a theatre company as a woman of color.

Conversation Claudia Rankine: On Whiteness
Video

Conversation Claudia Rankine: On Whiteness

Friday 24 March 2017
Boston, MA, United States

ArtsEmerson in Boston presented the conversation Claudia Rankine: On Whiteness livestreamed on the global, commons-based peer produced HowlRound TV network at howlround.tv Friday 24 March at 3:00 p.m. PDT (Los Angeles) / 6:00 p.m. EDT (New York) / 22:00 GMT-UTC (London) / 23:00 CET (Berlin). On Twitter, follow @ArtsEmerson and #howlround.

Rage in Context
Essay

Rage in Context

23 July 2016

Play recommendations from playwright Pearl Cleage for contextualizing the current anger felt by many Americans.

Parallel Tracks 2.0 Teaser image.
Parallel Tracks 2.0
Series

Parallel Tracks 2.0

Parallel Tracks 2.0 gathers diverse voices of Canadian theatre artists and producers to explore the ways in which anti-oppressive approaches are part of our creative work, in live spaces as well as digital ones. Originally commissioned by and presented in partnership with Toronto's Undercurrent Creations, conversations about care, community engagement, and consent take centre stage in this series. From navigating ethics in contracting, to intergenerational storytelling, this series reflects on ways of gathering and collaborating in online creative spaces. This series is in part supported by the Canada Council for the Arts.

two female performers standing in the middle of a rehearsal room holding hands
Rebuilding for the Future: A Convergence of Thought Leaders in Intimacy Practice
Series

Rebuilding for the Future: A Convergence of Thought Leaders in Intimacy Practice

The intimacy industry is under pressure. While many creatives and artistic leaders see the benefits of intimacy direction and coordination as specific care and technical support for actors, the industry itself has not yet created an equitable and inclusive training process for marginalized people. In this series, Ann James, founder of Intimacy Coordinators of Color (ICOC), interviews eight queer and global majority intimacy specialists about the joys and challenges they face in the industry. What emerges from this series of interviews is a complex, multifaceted range of approaches, training models, and innovations for the future of intimacy that actively decenter whiteness, colonization, and appropriation.

black and white poster of historical figures' faces
LA Writers Center's "Breathe"
Series

LA Writers Center's "Breathe"

An online play reading series designed to advance BIPOC and LGBTQIA+ stories

The LA Writers Center is proud to be a diverse organization. We have developed new work that has amplified BIPOC and LGBTQIA+ stories for almost two decades. But we can do better. We think instead of speaking, it would be better to listen. Instead of making promises, it would be best to take action. With that in mind, LAWC is partnering with HowlRound to present “Breathe” an online play reading series designed to advance these stories.