Dance

Marcina Zaccaria looks at The Bolshoi Theatre production of Don Quixote performed at the 2014 Lincoln Center Festival.

Nothing stirs my blood quite like the soft knock of toe shoes on a wood floor during a piqué. And so I admit, I may have exhibited a little too much enthusiasm when Laura, four, expressed a passing interest in taking a ballet class this summer.

Matt McGeachy writes about Modern Times Stage Company's Forgiveness: A Theatrical Poem, an intense movement piece exploring the dialetic between forgiveness and forgetting. 

Allison Vanouse writes about the work of Shen Wei, and the modern semiotics of the lift in dance.

Allison Vanouse writes about Pavement, an adaptation of the 1991 film, Boyz N the Hood at Jacob's Pillow Dance.

Andrew Alexander offers tools for appreciating the art and value of live performance while reflecting on gloATL's 2013 public art project, Liquid Culture.

Allison Vanouse writes about Boston Ballet's 2013 triple-bill of George Balanchine’s Serenade and Symphony in C, and Wayne McGregor’s Chroma