France

Writer and performer Oscar Lozano reports on the artistic and labor movement in France among theatre professionals and in doing so considers the public theatre, social performance, and the role of intermittents (contract and short-term creative professionals) in the global Occupy protests.

Catherine M. Young on Théâtre des Bouffes du Nord’s production of Molière and Lully’s Le Bourgeois Gentilhomme, directed by Denis Podalydès’at the Lincoln Center Festival in New York.

Anđela Vidović on the reception of Bella Figura by French Playwright Yasmina Reza in Zagreb, Croatia.

Playwright Miranda Rose Hall considers how writing a play is like living in a foreign country.

On Albert Camus’s birthday, scholar Amy Brady reviews an article that was published in Theatre Arts Magazine in 1960 reflecting Camus’s reasons why he worked in theatre.

In his third installment, Michael Lueger discusses the trajectory of theatre audiences from the ancient Greeks to the contemporary moment.

Daniel Sack continues his reflection on the 2013 Avignon Festival with a look at South African director Brett Bailey's installation-performance on colonial injusticies.

Daniel Sack writes through the one-night-only performance of Romeo Catellucci's Schwanengesang D744 at the 2013 Avignon Festival, and how it turned its gaze back on the spectator.