Pamela McQueen talks to Irish playwright Deirdre Kinahan about the political nature of her work, her creative process, and how she's sustained a prolific career as a female playwright.

Educator and actor Gary Sloan on teaching theatrical techniques to incarcerated adults and young men to provoke and inspire change.

Jen Gushue reflects on the visceral work of Irish playwright Enda Walsh. 

Rachel Spencer Hewitt, PAAL founder, kicks off the parent advocacy in the arts series with an overview of the history of PAAL and a rationale for family-friendly practices in the theatre.

Laura Marriott considers The Eurydice Project in Dublin in the context of Ireland’s Repeal the Eighth movement.

The World Theatre Map beta project has engaged its first cohort of twenty-eight World Theatre Map Ambassadors from twenty-four countries to direct community organizing, outreach, and feedback gathering.

Laura Marriott explores Daniel Wade’s The Collector and Mark Richardson’s Anonymous, two recent productions in Dublin that explore contemporary social issues.

Daniel Coelho discusses Druid Theatre Company’s revival of The Beauty Queen of Leenane, making parallels to the women of Grey Gardens and Tennessee Williams’ character Blanche DuBois.

Ramona Ostrowski speaks with director Gary Hynes about Druid Theatre Company, revisiting Beauty Queen of Leenane twenty years after its first production, and new political movements within Irish theatre.

Naomi Elster discusses gender imbalances in theatre programming in the UK and Ireland.

Rachel Spencer Hewitt talks to members of Mothers Artists Makers, a collective of feminist mothers in Irish theatre with children.

Talya Kingston on These Rooms, devised and directed by David Bolger and Louise Lowe, at the Dublin Theatre Festival.

Scholar Caroline Heafey reports on Fordham University’s Waking the Feminists symposium and the quest for gender parity in Irish theatre.

Naomi Elster considers the difference and value of curated and open access fringe festivals.

Author and playwright Catherine Barry reflects on her transition from writing novels to plays and gives advice for emerging author-playwrights.

The author on The Kitchen's production of The Evening by Richard Maxwell. 

Alex Ates heads to Ireland, where he encounters the kindness and charm of many theatregoers and students, and remembers what theatre is about for him.