MENA cultures are deeply familial with a strong connection to home, defined geographically and through close family bonds. With fraught political and religious opinions about queerness throughout the region, making queer art can threaten those deep connections. How do queer MENA artists consider those complications when making theatre? How do individuals change culture in the face of possible exile? Multi-hyphenate artists Zeyn Joukhadar and Raphaël Aimé Khouri interrogate these questions.
Film reaches a larger public than theatre due to the way it is produced and disseminated. In this way, it has a large and lasting cultural impact. In this episode with Mike Mossalem and Amin El Gamal, we discuss the ways the film and theatre fields influence each other as they both contribute to culture change and performance methodologies.
Activism and storytelling often go hand in hand. What does it mean for queer art and activism to take center stage? How can we look to the future while honoring the places and people from where we all came? In this episode, Sivan Battat talks about their ancestral storytelling workshops within queer and Middle Eastern communities and how they see the relationship between art and activism.
Is art inherently political? Must artists consider sociopolitics in the development of their work? Hamed Sinno’s art has been constantly and publicly politicized. In this episode, we hear about Sinno’s own artistic process and how they approach their art in light of this politicization and their perspective on the role of art in politics in the MENA region and beyond.
Theatre professor John Michael DiResta reflects on teaching queer theatre history to students who have had very different lived queer experiences than he had growing up. By investigating queer theatrical history from a contemporary lens and with an invitation to engage and make something new, his students were able to find the joy in history where they previously only saw trauma.
Queer SWANA theatremakers are constantly breaking out of boxes. Even within queer and/or SWANA spheres, some artists are pushing boundaries and redefining broad identity categories. Join two such artists, Bazeed and Pooya Mohseni, in a discussion on the present and future of SWANA theatremaking.
In this episode, playwright and dramaturg Adam Ashraf Elsayigh joins co-hosts Nabra Nelson and Marina Johnson to unpack what it means to put queer SWANA characters on stage and discuss the future of representation in the United States.
Dr. H. May joins host Nicolas Shannon Savard, who introduces the Queer-Trans Performance Family Tree Project, an interactive, open-access digital exhibit visually connecting trans artists across the United States to the collectives and communities who have sustained our work. This episode explores the role of mentorship in both the research for the project and in their own work as gender nonconforming theatremakers.
With Guests David Silvernail, Janet Werther, Victoria Lafave, Jordan Ealey, and Kelli Crump
6 September 2023
What role does white supremacy play in the creation of the queer theatre canon? What power and what responsibility do we—as queer theatremakers, historians, and educators—have to challenge canons and archives that define “queer” almost exclusively as white and cisgender? Artist-scholars Janet Werther, Victoria LaFave, Jordan Ealey, David Silvernail, and Kelli Crump join host Nicolas Shannon Savard to tackle these questions and to queer the archive.
As writer-performer Dante Fuoco and director Clara Wiest came together to rework Dante’s autobiographical solo show SEAL, they developed a process that centered intentional care and trauma-informed practices. In this interview with Rachel Pottern Nunn, Clara and Dante reflect upon the production, discuss the relationship between writer/performer and director, and share insights from their generative process.
Austin’s pop princess, p1nkstar, shares the story of her evolution from performance artist creating a pop star persona for Instagram to real life pop star to community leader creating spaces for fellow trans artists to showcase their work in Texas. This episode also features guest co-host Melissa Lin Sturges, coordinator of the annual Doric Wilson Panel for the Association for Theatre in Higher Education (ATHE) LGBTQ+ Focus Group.
Host Nicolas Shannon Savard, Dr. H. May, and Dr. Liz Thomson discuss the creative and collaborative possibilities that emerge when audio description (AD) is made an integral part of the artistic process, as opposed to solely an accommodation for individual audience members. They critique traditional models of AD that demand objectivity and propose alternative approaches that embrace self-determination, specificity of lived experience, and universal design.
J.C. Pankratz returns to the podcast to reflect on the first full production of their play Seahorse, directed by Nicolas Shannon Savard, starring Emmett Podgorski. Nicolas, J.C., and Emmett discuss how the collaborative process, from auditions through closing night, was informed by queer community building, access intimacy, and consent-based practice. They offer behind-the-scenes perspectives and concrete examples of how tools and ideas discussed in previous episodes played out in practice.
Robert Hubbard reviews Larissa FastHorse’s Wicoun, a transformative story of a teen finding power through gender and cultural identity—with the support of some Lakota superheroes.
Nicolas Shannon asks Joy Brooke Fairfield and Raja Benz how their intimacy work is informed by queer theory and critical theory. Their conversation bounces between queer of color theory, decolonial theory, disability theory, and the dim glow of the night club; between past, present, and future; between the ideas they’re sure of and the ones they’re working out in real time. Bonus! It comes with dozens of recommended readings.
Genevieve Simon reflects on the process of writing Bloom Bloom Pow, a play that makes space for collective grief by staging small-town chaos against a backdrop of the harmful algal bloom crisis in the Great Lakes region.
Host Nicolas Shannon Savard and playwright Leanna Keyes discuss her play Doctor Voynich and Her Children. What does it mean to stage trans stories about queer motherhood, abortion, intimacy, choice, and power in the wake of the Supreme Court’s overturning of Roe v. Wade and the ongoing legislative attacks on reproductive rights and the trans community?
With Guests Dr. Joy Brooke Fairfield and Raja Benz
21 June 2023
In the first part of a two-part conversation on queer-trans intimacy direction and choreography, Nicolas talks with Theatrical Intimacy Education faculty members Dr. Joy Brooke Fairfield and Raja Benz about their courses Working with Trans & Non-Binary Artists and Staging Intimacy Beyond the Binary. They discuss crafting courses that are less Trans-101 and more cracking gender open, resisting patriarchal and colonialist scripts, and bringing queer culture into the rehearsal room.
Host Nicolas Shannon Savard interviews playwright J.C. Pankratz about their play Seahorse, a poetic, stream-of-consciousness one-person show about a trans man’s attempts at artificial insemination following his husband’s unexpected death. The conversation will dive into the play’s approach to the “messiness” of imagining futures you can’t yet see and its use of magical realism to invite audiences to sit inside that mess as witnesses and confidants.
Munroe Shearer discusses the problem of white queer men’s positionality excusing them from anti-racism and anti-misogyny practices in theatre leadership.
Host Nicolas Shannon Savard talks with Dr. Jesse O’Rear about applied theatre with LGBTQ students on college campuses. Jesse describes some alternatives to traditional models of bystander intervention and diversity trainings to create embodied learning opportunities for LGBTQ students to step into positions of leadership and for audience-participants to practice “kinesthetic allyship.”
Hari Somaskantha and Gitanjali exchange letters discussing their work with Teardrop Collective, a Toronto-based group that centers stories of queer, trans, Deaf, and hearing people of Tamil, Sri Lankan, and South Asian descent.
Morgan Davis and Jules Vodarek Hunter discuss the process of creating Fat Fables, a theatre program for fat LGBT2SQ+ artists who are twenty-nine and under.
Join playwright Martin Yousif Zebari and director Sivan Battat for an online conversation moderated by co–executive artistic director of Silk Road Rising Jamil Khoury about the intersections of SWANA and queer identities. This event will have live, human-written captions.
