Director Meggan Gomez reflects on working with her youth ensemble based in New Mexico to create _____ Historias, a play that is created in real-time in response to stories shared by the audience.

Irma Mayorga and Olga Sanchez introduce a new initiative from the Latina/o Theatre Commons championing scholarship around new Latinx plays.

The third installment of the Café Onda series on Regional Alliances focuses on Colectivo Teatral Nuevo México.

Georgina Escobar talks to Juli Hendren of Tricklock Company about Revolutions, an international festival held each year in Albuquerque, and the exciting symposium this year brings.

Albuquerque, New Mexico: We have a varied company, and we’re always looking to put on kick ass plays. It’s pretty cool that we have a company where any of our actresses could play Hamlet. And not like, “Female Hamlet”, but you know, Hamlet. Or where people of different races play siblings, without comment or explanation, and our audiences don’t bat an eye.

Georgina Escobar writes about traveling from New York to New Mexico to see Cascarones at Teatro Paraguas, and the affirmation this production brought after she waited to see it staged.

Many of us can attribute our path to the theater to a dynamic teacher in school: the teacher that inspired us or showed us a new side of ourselves. This series is a snapshot of today's high school theater educators across the country sharing about what they do and how and why they do this work.

With such a long history of Latina/o theatre, Linda López McAlister looks at the current picture by highlighting some current companies and history.