One-act plays by Amiri Baraka, Harold Pinter, and Salah Abdul-Saboor
Monday 30 April 2018
New York City, NY, United States
The Martin E. Segal Theatre Center presented Re-Reading Oppression: One-act plays by Amiri Baraka, Harold Pinter, and Salah Abdul-Saboor livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 30 April at 7:30 p.m. EDT (New York) / 6:30 p.m. CDT (Chicago) / 4:30 p.m. PDT (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
The Martin E. Segal Theatre Center presents Two Days with Hans-Thies Lehmann livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 23 and Tuesday 24 April.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 16 April at 2 p.m. PDT (Vancouver, UTC -8) / 4 p.m. CDT (Austin, UTC -6) / 5 p.m. EDT (Montréal, UTC -5) / 9 p.m. GMT (London, UTC +0) / 22:00 CET (Berlin, UTC +1).
The Martin E. Segal Theatre Center presented World Voices: International Play Festival 2018 livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 16, Tuesday 17, and Saturday 21 April.
New York University’s Tisch School of the Arts presented the panel Women Directors on Fornés as a Director at the Colloquium on María Irene Fornés in New York livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 15 April at 4 p.m. EDT (New York) / 3 p.m. CDT (Chicago) / 1 p.m. EDT (San Francisco).
The Martin E. Segal Theatre Center presented Etel Adnan: At a Certain Hour of the Night with Klaudia Ruschkowski & Bonnie Marranca livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 9 April at 6:30 p.m. EDT (New York) / 5:30 p.m. CDT (Chicago) / 1:30 p.m. PDT (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
The Martin E. Segal Theatre Center presented A Day with Meredith Monk livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 2 April at 5:30 p.m. EDT (New York) / 4:30 p.m. CDT (Chicago) / 2:30 p.m. PDT (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 2 April at 2 p.m. PDT (Vancouver, UTC -8) / 4 p.m. CDT (Austin, UTC -6) / 5 p.m. EDT (Montréal, UTC -5) / 9 p.m. GMT (London, UTC +0) / 22:00 CET (Berlin, UTC +1).
Kitty Drexel writes about the failure of Andrew Lloyd Webber's Love Never Dies to accurately represent the performers with disabilities that made New York City's Coney Island famous.
The Martin E. Segal Theatre Center presented the the 2018 Edwin Booth Award: Young Jean Lee on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 23 March at 6:30 p.m. EDT (New York) / 5:30 p.m. CDT (Chicago) / 3:30 p.m. PDT (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 19 March at 2 p.m. PDT (Vancouver, UTC -8) / 4 p.m. CDT (Austin, UTC -6) / 5 p.m. EDT (Montréal, UTC -5) / 9 p.m. GMT (London, UTC +0) / 22:00 CET (Berlin, UTC +1).
The League of Professional Theatre Women presented the 2018 Theatre Women Awards livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 16 March at 6:30 p.m. EDT (New York) / 5:30 p.m. CDT (Chicago) / 3:30 p.m. PDT (San Francisco).
The Martin E. Segal Theatre Center presented the The Written World with Martin Puchner livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 12 March at 6:00 p.m. EST (New York) / 5:00 p.m. CST (Chicago) / 3:00 p.m. PST (San Francisco). Follow @HowlRound on Twitter for updates, and use #howlround.
Artistic Director Kristin Marting discusses how developmental programs can better meet the needs of artists and shares best practices from HERE’s multi-year artist residency program in New York City.
Jonathan Mandell looks at several current plays that depict violence by or against African Americans, including LeKethia Dalcoe's A Small Oak Tree Runs Red, Gabriel Jason Dean's Terminus, and Althea Harris's Is God Is.
Suzan-Lori Parks livestreams Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Monday 26 February at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Scholar Emily Garside looks at the significance of the revival of Tony Kushner’s Angels in America and asks how a play about 1980s America and the AIDS epidemic fits in our current theatre scene.
An Interview with Elise Vigier / Retour de Baldwin en France : Une interview avec Elise Vigier
18 February 2018
An interview with Elise Vigier who staged her adaptation of James Baldwin’s 1979 novel, Just Above My Head at the Maison des Arts de Creteil near Paris. / Une interview avec Elise Vigier, qui a monté son adaptation d’un roman de 1979 de James Baldwin, Harlem Quartet, à la Maison des Arts de Creteil, près de Paris.
Zach Donovan addresses the shortcomings of nonprofit theatre, the glut of self production, and considers Pop Theatre as an alternative theatrical vehicle.
Jonathan Mandell reports on the accessibility panel at BroadwayCon, which explained the forthcoming changes aiming toward a future theatre seamlessly accessible for everyone, all the time.
