New York

Ash Marinaccio shares her experience working with seniors through a four-month residency with the Queens Theatre in New York City.

David Dudley talks with Maria Striar and Michael Bulger of Clubbed Thumb about how they curated a program directly after the election.

Jonathan Mandell writes about Theater of War’s production of Antigone in Ferguson in Brownsville, Brooklyn.

MJ Kaufman writes about the decision not to see To the End of the Land ​at Lincoln Center. 

Maelsha Taylor talks with Ise Lyfe and Gill Sotu about their spoken-word opera Ordinary Magic. 

The Feath3r Theory post-ballet theatre musical about the influence of pop culture on how we live.

In his latest installment, Tom Block explores how Dietrich Bonhoeffer's work could impact theatre. 

In the final installment of the series, Donald Sanborn III talks with composer Jenny Giering about her experience and creative process.

Brett Aresco looks at personal comedy theatre and recent shows by Neal Brennan and Mike Birbiglia.

A fairy tale for our modern age? A consideration of Anastasia by Amanda Prahl.

What happens to Nora after she slams that door? Cristina Sanza considers A Doll’s House, Part 2.

Jonathan Mandell compares the countrywide reaction to the anti-Trump play Building the Wall with its reception in New York, where it's closing a month early.

Thomas Dolan discusses the need for Middle Eastern and Islamic theatre artists and decision-makers to be involved in the creation and production of work about their communities.

Director and dramaturg Linda Lombardi discusses Lindsey Ferrentino’s Ugly Lies the Bone, and examines how changes to our political climate effect audience reaction.

Sarah Ruhl on The Lilly Awards, criticism, and the power of mothers.

Holly L. Derr looks at ethnodrama and Her Opponent, a restaging of excerpts of the 2016 presidential debates with gender-reversed casting.

Director Andrew Watkins writes about getting to the heart of Strindberg's problematic classic.