The Donmar Warehouse's all-female production of Julius Caesar encloses the story into a women’s prison to bring to light contemporary commentary on freedom and betrayal.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Thursday 17 October 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1)
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Thursdya 10 October 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1)
Dramatists Guild of America presented DG Conservatory: Behind the Music-al presents MuTube—The role of New Media in Contemporary Musical Theatre livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 8 October 2013 at 3 p.m. PDT (Los Angeles) / 5 p.m. CDT (Chicago) / 6 p.m. EDT (New York).
Holly L. Derr writes about different all-female productions of Shakespeare's plays and how this opens up further opportunities for discussion about gender, relationships, and the timelessness of the stories.
British Council USA Arts presented The Illusion of Power and the Power of Illusion: Viewing Media Through an Artistic Lens, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Thursday 3 October 2013 at 3 p.m. PDT / 5 p.m. CDT / 6 p.m. EDT / 22:00 GMT / 11 p.m. BST.
The Dramatists Guild of America presented the Dramatists Guild Academy Seminar An Evening With the O’Neill livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 24 September 2013 at 2:30 p.m.-4 p.m. PDT (San Francisco) / 4:30 p.m.-6 p.m. CDT (Chicago) / 5:30 p.m.-7 p.m. EDT (New York).
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Thursday 19 September 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1)
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Thursday 12 September 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Bertie Ferdman writes about the use of immersion in Roadskill and La Ruta, and how this trend in storytelling can help us create political theater that creates empathy and action.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 21 August 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 7 August at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 31 July 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 26 June 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Jonathan Mandell writes about the inclusion of off-Broadway theaters in the Regional Theater Tony Award, and why we should end the rhetoric of us vs. New York.
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 17 July at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1)
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 10 July at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
New Dramatists in New York City presented Resident Playwrights Admissions Town Hall Meeting livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 2 July 2013 at 1 p.m. PDT (San Francisco) / 3 p.m. CDT (Austin) / 4 p.m. EDT (New York).
2g presentsSixteen Going on Seventeen at Joe’s Pub celebrating the 2012-13 season and introducing its commissioned writers, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 24 June 2013 at 4 p.m. PDT (San Francisco) / 6 p.m. CDT (Chicago) / 7 p.m. EDT (New York).
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 19 June 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1).
Working Theater randomly selects seven directors to direct seven commissioned plays in a week, for their Directors Salon as an opportunity to help directors "break into the business"
W.M. Akers examines immortality in Lucas Hnath's A Public Reading Of an Unproduced Screenplay About the Death of Walt Disney, questioning can our creations keep us here after we have past?
Suzan-Lori Parks livestreamed Watch Me Work from The Public Theater in New York City on the global, commons-based peer produced HowlRound TVnetwork at howlround.tv on Wednesday 5 June 2013 at 2 p.m. PST (Vancouver, UTC -8) / 4 p.m. CST (Austin, UTC -6) / 5 p.m. EST (Montréal, UTC -5) / 10 p.m. GMT (London, UTC +0) / 23:00 CET (Berlin, UTC +1)
