Pax Ressler looks at both the successes and challenges for non-binary theatre artists in Philadelphia.

Playwright Caridad Svich reflects on the economic reality of working in theatre.

Amelia Parenteau explores the value of bringing theatre and the humanities into the medical field through the collaboration between Philadelphia’s Lantern Theater Company and the Sidney Kimmel Medical College.

Gab Cody reflects on the birth of The Monologue Project, an initiative that started in Pittsburgh, USA and Dallas, USA to increase the canon of audition-length monologues for women of African Descent.

Rachel Spencer Hewitt, PAAL founder, kicks off the parent advocacy in the arts series with an overview of the history of PAAL and a rationale for family-friendly practices in the theatre.

What can we learn about audience engagement and how and why audiences make meaning out of experimental theatre from a twenty-four-year performance experiment?

Henrik Eger interviews Tina Brock about how her company is responding to the current political climate in the US, and what she feels that absurdist theatre has to offer.

Rick Shiomi discusses the Philadelphia Asian Theater Project, sharing his process working with local theatre companies and organizations to promote Asian American theatre artists.

Rosa Schneider reflects on history plays, history, and pedagogy in Undergound Railroad Game created by Jennifer Kidwell and Scott Sheppard with Lightning Rod Special playing at Ars Nova in New York City.

Karen Hartman describes the process of immersing herself in a community in order to tell their story on stage, in this installment of the Triply Play series.

Dramaturg and Physicist Lina Pulgarin-Duque shares her experience working with Attack Theatre, and their approach to teaching science and math to young students in Pittsburgh, PA.

Chicagoan Aaron Hunt visits Philadelphia and reflects on some of its theatrical offerings, including He Who Gets Slapped, Peter and the Starcatcher, The Nether, An Octoroon, and Sex With Strangers.

Izzi D’Esposito talks with Matt Pelfrey, head of the low-residency MFA program at Point Park University.

Isabella D’Esposito kicks off a new series by discussing the common myths she’s heard repeated while she works toward an Master of Fine Arts degree in playwriting.

Henrik Eger looks at a musical about Alzheimer’s in Philadelphia with actors with speech impediments.

In this last installment, Producing Artistic Director Tami Dixon reflects on the role of the actor’s relationship with audience members in immersive theatre. 

In this installment, Hannah Nielsen-Jones shares her process for stage managing OjO in Pittsburgh and San Diego.

In this installment, Gab Cody discusses her writing process for both iterations of OjO in Pittsburgh and San Diego.

In this third installment, Sam Turich discusses the question of identity and its relationship to audiences in Pittsburgh and San Diego.

Henrik Eger interviews Robb Hutter about his work with Philly Senior Stage. 

Playwright Joseph D’Ambrosi advocates the need for Christian theatre artists to reevaluate censoring plays for the sake of faith-based themes.

Henrik Eger reports on the trajectory of the Catholic docudrama Full of Grace from vision of the late Bishop Joseph Sullivan of Brooklyn to the stage in Philadelphia.

In this first installment, Artistic Director Jeffrey Carpenter discusses the origins of Bricolage’s OjO: The Next Generation of Travel performance.