two headshots
The Only Thing Black Writers Really Have is Their Relationships
Essay

The Only Thing Black Writers Really Have is Their Relationships

9 October 2019

Producer Tobi Kyeremateng and poet/writer Roger Robinson talk about Black writers in the UK, creative citizenship, activism in the arts, and more.

an actress with a styrofoam cup
How Object Puppetry Confronts Climate Change
Essay

How Object Puppetry Confronts Climate Change

3 October 2019

Caroline Reck, artistic director of Glass Half Full Theatre in Austin, Texas, talks about how her company uses clown and object theatre to engage people in the battle against climate change.

a group of actors onstage
Apollo Meets the Climate Youth Movement on Indigenous Ground
Essay

Apollo Meets the Climate Youth Movement on Indigenous Ground

2 October 2019

Playwright and professor Theresa May talks about creating a show about the planet, Sky Woman, and the Youth Climate Movement, and how collaborating with students enhanced the development process.

two actors onstage
The Factory of the Future
Essay

The Factory of the Future

A Collaborative Project for Imagining Otherwise

30 September 2019

Zoë Svendsen discusses working with fellow theatremakers to build and present imagined realities of London and Oslo in post-capitalist and post-fossil-fuel cultures.

two actors onstage
Gravity and Responsibility in Film, TV, and Choreography
Essay

Gravity and Responsibility in Film, TV, and Choreography

25 September 2019

Choreographer Malik Nashad Sharpe and film & TV director Liza Johnson talk gravity, abstraction and risk, ethics, and more.

three actors onstage
You Must Kick Up a Fuss
Essay

You Must Kick Up a Fuss

24 September 2019

Black British writers Matilda Ibini and Oladipo (Dipo) Agboluaje talk about choosing to study theatre at school, crowdfunding, Afrofuturism, and more.

a person with a large bean bag over their head standing alone in the desert
Bring the Conversation
Essay

Bring the Conversation

On Twitter, What We Leave Behind, and Processing Trauma

23 September 2019

Demi Nandhra and Rajni Shah talk about their performance practices, social media, mental health, ego, and more.

four actors onstage
"We’ve Got to Protect Our Art"
Essay

"We’ve Got to Protect Our Art"

Celebrating the Artistic Journeys of Two Latino Playwrights

18 September 2019

Luis Alfaro and Herbert Sigüenza talk about their experience in the National Playwright Residency Program, learning about the inner workings of theatre companies, portraying Latinx people in a positive light, the importance of comedy, and more.

Three young actors in school uniforms onstage in front of a graffiti wall.
Caring for Ourselves So We Can Care for Each Other
Essay

Caring for Ourselves So We Can Care for Each Other

Michael J. Bobbitt and Raymond O. Caldwell in Conversation, Part II

16 September 2019

Part II of the conversation between Michael J. Bobbitt, the recently appointed artistic director of Boston’s New Repertory Theatre, and Raymond Caldwell, the new leader of Washington’s Theater Alliance, who talk about post-show conversations and self-care.

an actor onstage
We Have Suffered Enough
Essay

We Have Suffered Enough

The Cost of Performing Trauma for Women of Color

12 September 2019

Melisa Pereyra talks about how suffering goes hand in hand with being a woman of color actor, how trauma is held in the body, and how audiences react when stories lack grief.

four actors onstage
Bringing the Playwright's Perspective to the Table
Essay

Bringing the Playwright's Perspective to the Table

3 September 2019

Playwrights Kirsten Greenidge and Peter Nachtrieb talk about what it means to be an artist in residence, how theatres constantly work on their mission, connecting with the community, and more.   

four actors in rehearsal
We Didn’t Have Any Role Models
Essay

We Didn’t Have Any Role Models

An Interview with the Founders of Wry Crips Disabled Women’s Theatre Group

21 August 2019

Michaela Goldhaber, current artistic director of Wry Crips, talks to the founding and early members of the disabled women’s theatre group about their history.

actors onstage
Anticolonial Creative Collaboration and the Development of Mirror Butterfly
Essay

Anticolonial Creative Collaboration and the Development of Mirror Butterfly

15 August 2019

Ben Barson and Gizelxanath Rodriguez, part of the Afro Yaqui Music Collective, talk about artivism—what it means, what it can look like—in relation to building a jazz opera with various communities around the world.

two people posing together
Finding Creative Freedom Through Commitment
Essay

Finding Creative Freedom Through Commitment

Reflections on a Six-Year Residency

8 August 2019

Playwright Peter Nachtrieb and artistic director of San Francisco’s Z Space, Lisa Steindler, talk about the National Playwright Residency Program, getting out of your comfort zone, making a living as a writer, and more.

exterior of a theatre space
Participatory Theatre
Essay

Participatory Theatre

Europe’s Game Changer

4 August 2019

verity healey does a deep-dive into the Our Stage – 4th European Bürgerbühne Festival, which took place in Dresden, Germany, in May 2019.

three actors onstage
Beyond the Bathrooms
Essay

Beyond the Bathrooms

Cultivating Meaningful Trans Inclusion in Theatrical Spaces

28 July 2019

John Meredith and M Sloth Levine, of StageSource’s Gender Explosion Initiative, discuss ways theatremakers can dismantle stigmas against trans people and continue creating an inclusive theatre scene.

two actors onstage
Confessions of a Sexist Playwright
Essay

Confessions of a Sexist Playwright

25 July 2019

Jerrod Bogard talks about sexism, theatre, and unpacking his invisible knapsack.

two actors onstage
Activating the Audience
Essay

Activating the Audience

How Directors Can Intentionally Craft Spectatorship

24 July 2019

Dani Wieder looks at the objectification inherent in theatre and the importance of artists crafting engaged performer-spectator relationships.

two actors onstage
Provoked and Triggered
Essay

Provoked and Triggered

Content Warnings and Student Spectators

21 July 2019

Professor Christin Essin talks about problematic staging of gendered violence at a production she recently brought her students to and the importance of content warnings and taking care of survivors in theatrical works.

a lone dancer against a black background
A Manifesto for Staging Gendered Violence
Essay

A Manifesto for Staging Gendered Violence

11 July 2019

Sharanya shares her thoughts on restaging gendered violence, including how the representation of sexual violence has the power to be scripted and also to script, the importance of de-spectacling violence, and more.

actors onstage
Staging Sexual Assault Responsibly
Essay

Staging Sexual Assault Responsibly

Lessons from The Changeling

10 July 2019

Charlene V. Smith talks about asking hard questions around the interpretation of early modern English classics, Brave Spirits Theatre’s production of The Changeling, and five tips for dealing with sexual assault in art responsibly.

two acting books
#MeToo and the Method
Essay

#MeToo and the Method

13 June 2019

Holly L. Derr looks at the history of the Method, where it deviates from Stanislavsky’s System, and the connection between the Method and the behavior called out by #MeToo.

four actors onstage
Directing and Embracing Open Texts
Essay

Directing and Embracing Open Texts

11 June 2019

Kate Bergstrom investigates the open text, looking at how theatremakers approach the form, the balance between respect for the script and unique interpretation, and more.

an actor against a projection of rain
Modes of Media in Digital Performance
Essay

Modes of Media in Digital Performance

5 June 2019

David Z. Saltz—director, installation artist, and teacher of digital performance—talks about the early days of digital media in theatre and the six main roles it plays in live performance.

performer dances in front of chairs onstage
Responsible Theatremaking
Essay

Responsible Theatremaking

Content Warnings and Beyond

13 May 2019

Sydney Isabelle Mayer discusses the importance of terminology when it comes to “trigger” warnings, how artists can best offer warnings for their shows, and what it means to create a responsible theatremaking process.