Process

The Latest

The Classical Theatre of the Oppressed
Essay

The Classical Theatre of the Oppressed

Adapting The Vagina Monologues in Malawi

by Fumbani Innot Phiri
13 April 2021
Puppets in Space
Essay

Puppets in Space

Dramaturgical Thinking and the Mosaic Scale for Puppetry

by Emily LeQuesne
9 April 2021
Spaces of Puppetry in Lübeck
Essay

Spaces of Puppetry in Lübeck

by Antonia Napp, Sonja Riehn, Silke Technau, Stephan Schlafke
7 April 2021
An image of six actors forming a semi circle around and actor standing on actors block , The actor on the block, is lifting food to their mouth with pained expression.
The Classical Theatre of the Oppressed
Essay

The Classical Theatre of the Oppressed

Adapting The Vagina Monologues in Malawi

13 April 2021

Fumbani Innot Phiri Jr. details the creative process of the production of The Vagina Monologues that took place during 16 Days of Activism in Malawi and offers his thoughts, as an audience member, on the show’s big impact.

Puppet is standing behind a desk made to scale with tiny lamp and white phone. Newspaper clippings compose the backdrop.
Puppets in Space
Essay

Puppets in Space

Dramaturgical Thinking and the Mosaic Scale for Puppetry

9 April 2021

Emily LeQuesne discusses space as it relates to puppetry and shares a practical, five-step dramaturgy system for puppet theatre, which she developed, called the Mosaic Scale.

Image of two puppeteers on stage using puppets in front of a digital created forest backdrop.
Spaces of Puppetry in Lübeck
Essay

Spaces of Puppetry in Lübeck

7 April 2021

Antonia Napp, Sonja Riehn, Silke Technau, and Stephan Schlafke share learnings about running KOLK 17, a cultural institution in Lübeck, Germany that combines a puppetry theatre company and puppetry museum, and where the goal is to redefine exhibiting the art form.

zoom video chat of several people
Using Critical Fabulation for History-Based Playwriting
Essay

Using Critical Fabulation for History-Based Playwriting

3 March 2021

Holly Derr and Calley N. Anderson sit down to talk about how Calley adopted historian Saidiya Hartman’s theory of critical fabulation when writing her new play The Story and the Teller about the effect of the Memphis yellow fever epidemic of 1878 on African Americans and immigrants.

a colorful illustration
The Technological Theatre Experimenters
Essay

The Technological Theatre Experimenters

18 February 2021

In envisioning of the future, Jared Mezzocchi begins by questioning: “What if theatre’s identity is not lost in the digital, but instead is enhanced in it?”

an actor laying onstage
The 4 Rs
Essay

The 4 Rs

Exploring Trauma-Responsivity and Self-Care

21 January 2021

Claire K. Redfield shares why it’s important for theatremakers to create trauma-responsive rehearsal spaces and offers four Rs—realizing, recognizing, responding, and resisting—as a way to approach the process.

a group onstage
Sometimes the Best Technology is Relationships
Essay

Sometimes the Best Technology is Relationships

A Conversation with Complex Movements

15 January 2021

In the last conversation of the Performing the Internet series, curator Kate Bergstrom sits down with three members of the Detroit-based artist-activist collective Complex Movements—Sage Crump, ill weaver, Wes Taylor—to talk about intentional engagement in a virtual world.

digital theatre screenshot
Reverse-Engineering Zoom with Isadora
Essay

Reverse-Engineering Zoom with Isadora

Site-Specific Performance for the Internet

4 January 2021

Barbara Fuchs chats with director and designer Jared Mezzocchi about his digital theatre production Russian Troll Farm, how to reverse-engineer Zoom, Isadora as the way forward, and more.

Indecipherable handwritten text
Thirteen Ways of Looking at a Play
Essay

Thirteen Ways of Looking at a Play

14 December 2020

E. M. Lewis shares thirteen ways writers can think about the plays they’re writing, including the stakes, the world, and the music.

zoom video chat of several people
Seven Performers Living in Bogotá / Siete artistas viviendo en Bogotá
Essay

Seven Performers Living in Bogotá / Siete artistas viviendo en Bogotá

Actions and Reflections to Cope with the “New Normal” / Acciones y Reflexiones para Afrontar la "Nueva Normalidad"

1 December 2020

Michelle Yemayá notes that while Colombian theatre artists have found ways to face the unexpected changes this year, artists are still struggling to stay afloat. She talks about how she has adapted her practice under the circumstances and shares the stories of three other artists living and working as artists in Colombia right now. / Michelle Yemayá ha notado que, si bien los artistas del teatro colombiano han encontrado formas de enfrentar los cambios inesperados de este año, la lucha por mantenerse a flote es constante. Habla sobre cómo ha adaptado su práctica a las circunstancias y comparte las historias de otras tres personas que en este momento viven y trabajan como artistas en Colombia.

a photograph laying on an open notebook
Unearthing Your Languages
Essay

Unearthing Your Languages

27 October 2020

Amanda L. Andrei discusses learning Romanian—her father’s native tongue—for her play Lena Passes By and shares methodology for dealing with translations, identifies unique issues of heritage language learners who are also writers, and reflects on the pain of being separated from language.

green tinted performer stills
There is (No) Time
Video

There is (No) Time

With Performing Borders Live 2020 residency recipient and led by Adelaide Bannerman (Never Done)

Sunday 25 October 2020
United Kingdom

performingbordersLIVE20 and Live Art Development Agency presented a conversation: There is (No) Time livestreamed on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Sunday 25 October 2020 at 10:30 a.m. EDT (New York, UTC -4) / 2:30 p.m. GMT (London, UTC +0) / 15:30 CET (UTC +1).

three people sitting on a stage with a projection behind them
What Is the Role of the Artist Today?
Essay

What Is the Role of the Artist Today?

13 October 2020

Michael Rohd shares an edited version of a recent talk he gave at the Clarke Forum, Dickinson College, on the role of art and artists today.

screenshot of two tweets
Theatre of the Mind
Essay

Theatre of the Mind

A Dramaturgical Perspective on Tabletop Role-Playing Games

29 September 2020

Todd Brian Backus, Percival Hornak and Nicholas Orvis—three dramaturgs and gamers—talk about what theatremakers can learn from the collaborative storytelling techniques employed in tabletop role-playing games.

zoom video chat of several people
Melted Snow on Virtual Stages
Essay

Melted Snow on Virtual Stages

26 August 2020

Seattle-based Jasmine Mahmoud talks to New York–based Autumn Knight about Knight’s recent performance Our Water is Melted Snow, geography and audiences, and staging and presence across screens.

a clown nose on a laptop
Theatre, Clown, and Physical Comedy… Online?
Essay

Theatre, Clown, and Physical Comedy… Online?

17 August 2020

Charlie Peters, who has spent the early days of the pandemic thinking about and experimenting with how physical comedy can (and can’t) live online, shares what he’s learned.

two actors onstage
Creating Authentic Stories Through Collaboration
Essay

Creating Authentic Stories Through Collaboration

On Devised Theatre in the US

23 July 2020

Holly Holsinger, India Nicole Burton, Olivia Lilley, and Stefan Brün talk about devising in the United States, how each artist works differently, the future of American theatre, and more.

What I Learned from Making an Opera on Zoom
Essay

What I Learned from Making an Opera on Zoom

7 July 2020

Kamala Sankaram talks about the process of developing an opera on Zoom and shares advice based on what she and her team learned.

four actors onstage
Navigating Indigenous Storytelling with Mixed Company
Essay

Navigating Indigenous Storytelling with Mixed Company

20 May 2020

Keith Barker and Lindsay Lachance talk about the challenges and rewards of working in mixed company with Indigenous and non-Indigenous artists, including what it’s like to navigate work with sensitive subject matter, including Indigenous histories and colonization.

two actors onstage
The Power of Transcripts
Essay

The Power of Transcripts

Waterwell and Immigration

22 April 2020

Lee Sunday Evans, the artistic director of New York City’s Waterwell, discusses the power of transcripts in performance, the topics of immigration and deportation, and the urgent attention that needs to be paid to the United States border right now.

zoom screenshot
Performance Despite the Pandemic
Essay

Performance Despite the Pandemic

Continuing to Create at the Intersection of Coronavirus, Crisis, and Care

9 April 2020

Theatremaker Asif Majid talks about adapting his show, Snapshots, for a digital space after COVID-19 shut down theatres across the country.

Kaja Dunn holding one of her sons
Taking A Pause in Response to a COVID-19 World
Essay

Taking A Pause in Response to a COVID-19 World

8 April 2020

Kaja Dunn reflects on how quickly the world turned upside down with COVID-19 and offers a simple idea before rushing into to creating new work: take a breath and allow for a moment to process all that is happening.

four actors onstage
Lumbering Toward the New
Essay

Lumbering Toward the New

17 March 2020

In this virtual keynote, Todd London reflects on the nature of new work and the social cooperation inherent to making theatre.

two actors onstage
A Playwright’s Guide to Self-Producing: Part II
Essay

A Playwright’s Guide to Self-Producing: Part II

3 March 2020

In the second half of this two-part deep dive, playwright John J King continues his exploration into self-producing, looking at the production phase and marketing.

an actor onstage
A Playwright’s Guide to Self-Producing: Part I
Essay

A Playwright’s Guide to Self-Producing: Part I

2 March 2020

In the first half of this two-part deep dive, playwright John J King looks at the world of self-producing, touching on building a mission statement, budget concerns, and the script development process.