Process

The Latest

Anticolonial Creative Collaboration and the Development of Mirror Butterfly
Essay

Anticolonial Creative Collaboration and the Development of Mirror Butterfly

by Benjamin Barson, Gizelxanath Rodriguez
15 August 2019
Finding Creative Freedom Through Commitment
Essay

Finding Creative Freedom Through Commitment

Reflections on a Six-Year Residency

by Peter Sinn Nachtrieb, Lisa Steindler
8 August 2019
Participatory Theatre
Essay

Participatory Theatre

Europe’s Game Changer

by verity healey
4 August 2019
actors onstage
Anticolonial Creative Collaboration and the Development of Mirror Butterfly
Essay

Anticolonial Creative Collaboration and the Development of Mirror Butterfly

15 August 2019

Ben Barson and Gizelxanath Rodriguez, part of the Afro Yaqui Music Collective, talk about artivism—what it means, what it can look like—in relation to building a jazz opera with various communities around the world.

two people posing together
Finding Creative Freedom Through Commitment
Essay

Finding Creative Freedom Through Commitment

Reflections on a Six-Year Residency

8 August 2019

Playwright Peter Nachtrieb and artistic director of San Francisco’s Z Space, Lisa Steindler, talk about the National Playwright Residency Program, getting out of your comfort zone, making a living as a writer, and more.

exterior of a theatre space
Participatory Theatre
Essay

Participatory Theatre

Europe’s Game Changer

4 August 2019

verity healey does a deep-dive into the Our Stage – 4th European Bürgerbühne Festival, which took place in Dresden, Germany, in May 2019.

three actors onstage
Beyond the Bathrooms
Essay

Beyond the Bathrooms

Cultivating Meaningful Trans Inclusion in Theatrical Spaces

28 July 2019

John Meredith and M Sloth Levine, of StageSource’s Gender Explosion Initiative, discuss ways theatremakers can dismantle stigmas against trans people and continue creating an inclusive theatre scene.

two actors onstage
Confessions of a Sexist Playwright
Essay

Confessions of a Sexist Playwright

25 July 2019

Jerrod Bogard talks about sexism, theatre, and unpacking his invisible knapsack.

two actors onstage
Activating the Audience
Essay

Activating the Audience

How Directors Can Intentionally Craft Spectatorship

24 July 2019

Dani Wieder looks at the objectification inherent in theatre and the importance of artists crafting engaged performer-spectator relationships.

two actors onstage
Provoked and Triggered
Essay

Provoked and Triggered

Content Warnings and Student Spectators

21 July 2019

Professor Christin Essin talks about problematic staging of gendered violence at a production she recently brought her students to and the importance of content warnings and taking care of survivors in theatrical works.

a lone dancer against a black background
A Manifesto for Staging Gendered Violence
Essay

A Manifesto for Staging Gendered Violence

11 July 2019

Sharanya shares her thoughts on restaging gendered violence, including how the representation of sexual violence has the power to be scripted and also to script, the importance of de-spectacling violence, and more.

actors onstage
Staging Sexual Assault Responsibly
Essay

Staging Sexual Assault Responsibly

Lessons from The Changeling

10 July 2019

Charlene V. Smith talks about asking hard questions around the interpretation of early modern English classics, Brave Spirits Theatre’s production of The Changeling, and five tips for dealing with sexual assault in art responsibly.

two acting books
#MeToo and the Method
Essay

#MeToo and the Method

13 June 2019

Holly L. Derr looks at the history of the Method, where it deviates from Stanislavsky’s System, and the connection between the Method and the behavior called out by #MeToo.

four actors onstage
Directing and Embracing Open Texts
Essay

Directing and Embracing Open Texts

11 June 2019

Kate Bergstrom investigates the open text, looking at how theatremakers approach the form, the balance between respect for the script and unique interpretation, and more.

an actor against a projection of rain
Modes of Media in Digital Performance
Essay

Modes of Media in Digital Performance

5 June 2019

David Z. Saltz—director, installation artist, and teacher of digital performance—talks about the early days of digital media in theatre and the six main roles it plays in live performance.

performer dances in front of chairs onstage
Responsible Theatremaking
Essay

Responsible Theatremaking

Content Warnings and Beyond

13 May 2019

Sydney Isabelle Mayer discusses the importance of terminology when it comes to “trigger” warnings, how artists can best offer warnings for their shows, and what it means to create a responsible theatremaking process.

eight actors surrounding another
TILTing Perspectives
Essay

TILTing Perspectives

Approaches to Devising New Work Alongside Actors with Disabilities

11 April 2019

Adam Roberts talks about the devising process used at TILT, a performance company in Austin, Texas, that celebrates the creative work of adult actors with disabilities.

group in a circle
Harm Reduction in the Storefront Theatre Community
Essay

Harm Reduction in the Storefront Theatre Community

27 February 2019

Tara Branham talks about the importance of harm reduction in the rehearsal hall and shares tools she uses in her practice to reduce risk and manage it if it arises.

audience in darkness, except for flashlights
Making Light
Essay

Making Light

22 January 2019

Daniel Jackson talks about creating an interactive DIY lighting system—that the audience partially controlled—for a recent production that took place almost entirely in the dark.

performer in white dress sits in the fiction section of the library
Making Theatre in Non-Traditional Venues
Essay

Making Theatre in Non-Traditional Venues

10 December 2018

Theatremaker Callie Nestleroth discusses devising a show for a library space and shares the process she developed when approaching new site-specific projects.  

 

Economic Precarity and Resiliency in Theatre
Essay

Economic Precarity and Resiliency in Theatre

an American Psalm

29 August 2018

Playwright Caridad Svich reflects on the economic reality of working in theatre.

Twenty-five Meditations on SITI Company’s Theater Piece No. 1
Essay

Twenty-five Meditations on SITI Company’s Theater Piece No. 1

29 July 2018

David Dudley explores the story behind John Cage’s Theater Piece No. 1 and discuses SITI Company’s recent production of it, which was conceived and directed by Anne Bogart.

Seventeen Thoughts (in Random Order) about Neo-Futurism and Experimental Theatre
Essay

Seventeen Thoughts (in Random Order) about Neo-Futurism and Experimental Theatre

23 July 2018

Rob Neill, founding ensemble member of the New York Neo-Futurists, shares his thoughts on the company’s process, devising work, and creating rituals in theatre.

Puerto Rico, Politics, and the Diaspora in Magdalena Gomez's Dancing in My Cockroach Killers
Essay

Puerto Rico, Politics, and the Diaspora in Magdalena Gomez's Dancing in My Cockroach Killers

22 July 2018

Noe Montez interviews ensemble members from New York's Pregones Theatre on Dancing in My Cockroach Killers, which ran from 7 June to 1 July 2018 at the GALA Theatre in Washington, DC.

Dramaturgical Work with College-Aged Artists around Race and Whiteness
Essay

Dramaturgical Work with College-Aged Artists around Race and Whiteness

2 July 2018

Dramaturg Gaven D. Trinidad reflects on workshopping Snowflakes, or Rare White People by Dustin Chinn as a part of UMass Amherst's New Play Lab in December 2017.

Seven Lessons Learned from Creating an Immersive Theatrical Whodunit 

Essay

Seven Lessons Learned from Creating an Immersive Theatrical Whodunit 


25 June 2018

Georgia-based theatremaker Corey Bradberry reflects on lessons learned after creating an immersive murder mystery play in a four-story historical theatre, and muses on how large institutions sharing resources with smaller companies can lead to new and innovative creative partnerships.

Mad-Lib Theatre
Essay

Mad-Lib Theatre

Making Plays with Audience Stories

24 June 2018

Director Meggan Gomez reflects on working with her youth ensemble based in New Mexico to create _____ Historias, a play that is created in real-time in response to stories shared by the audience.

Sustaining a Career as a Female Playwright in Ireland
Essay

Sustaining a Career as a Female Playwright in Ireland

10 May 2018

Pamela McQueen talks to Irish playwright Deirdre Kinahan about the political nature of her work, her creative process, and how she's sustained a prolific career as a female playwright.