Process

In this episode, co-hosts Bíborka and Zsófi are joined by visual and performance artist and environmental activist, Éva Bubla; dancer, choreographer, researcher, and founder of the performance research group SVUNG, Kinga Szemessy; and culture manager, event organizer, curator, founder of the PLACCC Festival, and the Hungarian liaison for the IN SITU Network, Fanni Nánay. Drawing from their individual experiences, they discuss the current climate crisis and how different artists engage with this complex issue.

In this episode, hosts Zsófi and Bíborka take apart autobiographical theatre with stage director Panni Néder, actress Judit Tarr, actor and director László Göndör, and director and dramaturg Kristóf Kelemen. Together they delve into their approach to autobiographical material, playing themselves versus acting, their lives after creating a highly personal show, and the nuances of someone else playing them onstage.

In this week’s episode, hosts Bíborka and Zsófi focus on different abilities and handicapped people in the performing arts. Translating their guests’ responses into English, the co-hosts sit down with independent theatremaker, poet, and dramaturg Ádám Fekete; and the core members of the ArtMan Association, Dorka Farkas, Kata Kopeczny, and Ferenc Kálmán, who work with integrated dance and movement practices to produce amazing contemporary dance shows.

In this episode, co-hosts Zsófi and Bíborka talk about the practice and art of improvisation with three outstanding figures from the Hungarian contemporary dance and jazz scene: Zoltán Grecsó, a dancer, choreographer, and founder of Budapest’s improvised dance evening series Willany Leó; Viola Lévai, a dancer and teacher of contact improvisation; and Ernő Zoltán Rubik, a musician, composer, dancer, and an active member of the Hungarian free jazz and contact improvisation scene.

In the third episode of PUHA podcast, co-hosts Zsófi and Bíborka talk to the interdisciplinary collective Hollow, the experimental scenographer Eszter Kálmán, and dancer-choreographer Beatrix Simkó. Together, they discuss how their work features across different media and mixes visual and digital art with performativity. Get ready for a journey across household noise choreographies, moving bodies in Vienna’s Leopold Museum, underground queer communities in Tbilisi, and stories of friendship and pregnancy in performance art!

In the first episode of PUHA (Performative Unity in the Hungarian Arts) podcast, co-hosts Zsófi and Bíborka, along with their guests, search for the meaning of the notion of “public space.” Through the experiences and experiments of interdisciplinary sound artist Dávid Somló; choreographer Flóra Eszter Sarlós; dancer and choreographer Gyula Cserepes; and theatremaker and performer Sarah Günther, this episode will take you on a tour of spaces, from Budapest to Denmark to London and more!

Jordan Ealey and Leticia Ridley interview award-winning and acclaimed playwright Dominique Morisseau about her recent Broadway productions of Ain’t Too Proud: The Life and Times of The Temptations and Skeleton Crew; the future of Detroit theatre and performance; and reckoning with American history. Ealey and Ridley discuss Morisseau’s practice of reparative creativity and the ability for theatre to serve as a rehearsal for true change.

In this episode, Jordan and Leticia interview playwright Pearl Cleage. They discuss the way she has navigated her career as a Black feminist/womanist playwright often working in Black spaces; how she found her home in Atlanta, Georgia; and her most recent play, Angry, Raucous, and Shamelessly Gorgeous.