Process

The Latest

Making Theatre in Non-Traditional Venues
Essay

Making Theatre in Non-Traditional Venues

by Callie Nestleroth
10 December 2018
Economic Precarity and Resiliency in Theatre
Essay

Economic Precarity and Resiliency in Theatre

an American Psalm

by Caridad Svich
29 August 2018
Twenty-five Meditations on SITI Company’s Theater Piece No. 1
Essay

Twenty-five Meditations on SITI Company’s Theater Piece No. 1

by David Dudley
29 July 2018
performer in white dress sits in the fiction section of the library
Making Theatre in Non-Traditional Venues
Essay

Making Theatre in Non-Traditional Venues

10 December 2018

Theatremaker Callie Nestleroth discusses devising a show for a library space and shares the process she developed when approaching new site-specific projects.  

 

Economic Precarity and Resiliency in Theatre
Essay

Economic Precarity and Resiliency in Theatre

an American Psalm

29 August 2018

Playwright Caridad Svich reflects on the economic reality of working in theatre.

Twenty-five Meditations on SITI Company’s Theater Piece No. 1
Essay

Twenty-five Meditations on SITI Company’s Theater Piece No. 1

29 July 2018

David Dudley explores the story behind John Cage’s Theater Piece No. 1 and discuses SITI Company’s recent production of it, which was conceived and directed by Anne Bogart.

Seventeen Thoughts (in Random Order) about Neo-Futurism and Experimental Theatre
Essay

Seventeen Thoughts (in Random Order) about Neo-Futurism and Experimental Theatre

23 July 2018

Rob Neill, founding ensemble member of the New York Neo-Futurists, shares his thoughts on the company’s process, devising work, and creating rituals in theatre.

Puerto Rico, Politics, and the Diaspora in Magdalena Gomez's Dancing in My Cockroach Killers
Essay

Puerto Rico, Politics, and the Diaspora in Magdalena Gomez's Dancing in My Cockroach Killers

22 July 2018

Noe Montez interviews ensemble members from New York's Pregones Theatre on Dancing in My Cockroach Killers, which ran from 7 June to 1 July 2018 at the GALA Theatre in Washington, DC.

Dramaturgical Work with College-Aged Artists around Race and Whiteness
Essay

Dramaturgical Work with College-Aged Artists around Race and Whiteness

2 July 2018

Dramaturg Gaven D. Trinidad reflects on workshopping Snowflakes, or Rare White People by Dustin Chinn as a part of UMass Amherst's New Play Lab in December 2017.

Seven Lessons Learned from Creating an Immersive Theatrical Whodunit 

Essay

Seven Lessons Learned from Creating an Immersive Theatrical Whodunit 


25 June 2018

Georgia-based theatremaker Corey Bradberry reflects on lessons learned after creating an immersive murder mystery play in a four-story historical theatre, and muses on how large institutions sharing resources with smaller companies can lead to new and innovative creative partnerships.

Mad-Lib Theatre
Essay

Mad-Lib Theatre

Making Plays with Audience Stories

24 June 2018

Director Meggan Gomez reflects on working with her youth ensemble based in New Mexico to create _____ Historias, a play that is created in real-time in response to stories shared by the audience.

Sustaining a Career as a Female Playwright in Ireland
Essay

Sustaining a Career as a Female Playwright in Ireland

10 May 2018

Pamela McQueen talks to Irish playwright Deirdre Kinahan about the political nature of her work, her creative process, and how she's sustained a prolific career as a female playwright.

"Positation" in Action
Essay

"Positation" in Action

Director Erin Ortman’s Multi-Year Journey with the Arabian Nights

2 May 2018

Director Erin Ortman loves musical theatre, new plays, theatre families, and William Ball’s idea of “positation” that celebrates the “yes” in artistic collaborations. The development process for One Thousand Nights and One Day produced by Prospect Theater Company in New York City provides a view of Ball’s philosophy in action.

The Care and Feeding of Playwrights in Nashville
Essay

The Care and Feeding of Playwrights in Nashville

23 April 2018

Nate Eppler shares how Ingram New Works Lab in Tennessee is helping playwrights build a creative home that both feeds the soul and the stomach.

The Role Theatre Can Play in the Emergence of “Places of Listening”
Essay

The Role Theatre Can Play in the Emergence of “Places of Listening”

12 April 2018

Ana Dinger explores theatre as a “place of listening” through the work of Mónica Calle and Rui Catalão.

Manahatta's Gender Flip
Essay

Manahatta's Gender Flip

Equity in Action

2 April 2018

Holly Derr discusses the dramaturgical implications of playwright Mary Kathryn Nagle changing one of her characters to a woman in her newest play Manahatta, which premiered at Oregon Shakespeare Festival in March 2018.

Five Grounding Techniques to Cultivate Resilient Ensembles
Essay

Five Grounding Techniques to Cultivate Resilient Ensembles

28 March 2018

US director and health and wellness educator Molly Schenck describes five useful rehearsal techniques for ensembles to adapt when creating work around difficult topics. 

Making Theatre Out of Slam Poetry
Essay

Making Theatre Out of Slam Poetry

25 March 2018

Yan Chen talks with poet, performer, and playwright Kit Yan about the intersections of genre and intersections of identity in his work.

Does Laughter Have a Place Here?
Essay

Does Laughter Have a Place Here?

19 March 2018

Aysan Celik talks about the ways she’s found laughter to be a catalyst for honest conversations with her students about Climate Change.

Aligning Artistic Practice with “Healthstyle”
Essay

Aligning Artistic Practice with “Healthstyle”

14 March 2018

For the fourth installment of the Chronic Theatremaker series, Sara Brookner interviews playwright Lisa Kenner Grissom about living with lupus and learning to balance her health practice with her writing practice. 

A Blueprint for Risk-Taking
Essay

A Blueprint for Risk-Taking

8 March 2018

Artistic Director Kristin Marting discusses how developmental programs can better meet the needs of artists and shares best practices from HERE’s multi-year artist residency program in New York City.

Opening Space for Collaboration and Change
Essay

Opening Space for Collaboration and Change

5 March 2018

Director Amy Clare Tasker on how the organizing practice of Open Space has revolutionized her work.

Networks and New Works
Essay

Networks and New Works

NNPN Turns Twenty

16 January 2018

On the twentieth anniversary of its founding, Nan Barnett reflects on the National New Play Network’s growth, and discusses the organization’s impact.

Harnessing the Heroic Narrative of Creative Motherhood
Essay

Harnessing the Heroic Narrative of Creative Motherhood

14 December 2017

Performer Stephanie Hayes reflects on how motherhood helped her reinvent her relationship to her own creativity.

Chronic Theatremakers
Essay

Chronic Theatremakers

Confronting Denial with Robbie McCauley

3 December 2017

Sara Brookner talks to playwright and performer Robbie McCauley about her one-woman show Sugar, and the power of sharing our stories.

Challenging the Narrative of Disability On Stage
Essay

Challenging the Narrative of Disability On Stage

27 November 2017

Playwright and actor Tim Collingwood reflects on the workshop production of his play Depth Perception, a piece based on his experiences with Aspergers, and why he thinks the theatre can be a safe space for people of all abilities.

Kill Climate Deniers
Essay

Kill Climate Deniers

What Happens When You Threaten Murder in the Title of Your Play?

20 September 2017

In the third installment of this series, Australian playwright David Finnigan discusses how he navigated the attacks of climate deniers on his provocatively titled play. 

IN KINSHIP
Essay

IN KINSHIP

A River and Recovery in Many Acts

19 September 2017

Maine artist Jennie Hahn explores environmental stewardship in Maine’s Penobscot River Watershed with the performance project IN KINSHIP and shares her three guiding principles for making art in a time of climate change.