Tiffany Vega-Gibson shares information she gleaned from seven theatre companies around the United State about how to best work with young artists who may be struggling in their personal lives.

Clare Hennessy discusses the challenges of developing a play that sheds light on eating disorders—depicting them accurately, avoiding triggers—and offers suggestions for other writers in a similar position.

Alex Ates reflects on the Toddler Takeover at Atlanta, Georgia’s Alliance Theatre and shares what the growing field of theatre for the very young can teach adult theatremakers about their craft.

Roxanna Myhrum looks at the history of the iconic puppet show Punch and Judy and Sarah Nolen’s feminist adaptation of it, Judy Save the Day.

Kim Peter Kovac looks at the way the theatre for young audiences field has changed over the last few years, where it’s at today, and what his hopes are for the future.

Alex Ates examines the recent production of Christina Ham’s Four Little Girls at the Alabama Shakespeare Festival.

Marci R. McMahon reports on the 2019 Latinx Theatre Commons Theatre for Young Audiences Festival and Convening, which took place in January 2019 in Austin, Texas. 

Playwright Jenny Kokai talks about co-writing a piece of theatre for young audiences with her now twelve-year-old son.

Maximilian Kempf discusses climate change theatre through the lens of the Anthropoligists’ show This Sinking Island.

Bebê de Soares talks about her organization, Amazonas Network, and the work they’re doing to internationalize Latin American theatre for young audiences. 

Ramón Esquivel looks at the recent history of Latinx theatre for young audiences, who is creating the work, and how the sector can grow.

Marco Novelo explores the little-known history of theatre for young audiences in Mexico. / Marco Novelo explora una historia poco conocida del teatro para niños en México.

Kicking off the Latinx theatre for young audiences series, Roxanne Schroeder-Arce talks about the upcoming LTC Sin Fronteras Festival and Convening, the importance of creating theatre for children and families, and more.

Tim Collingwood talks about the importance of creating “ability-positive” theatre so that people with different ability statuses have the chance to see themselves represented on stage.

Elizabeth Brendel Horn writes about Cartography at the Kennedy Center's New Visions/New Voices festival.