Jason King Jones interviews Karen Evans, President and Founder of The Black Women Playwrights’ Group, about the why she found it necessary to start producing.
As part of the 36th Annual Humana Festival of New American Plays at the Actors Theatre of Louisville, this fourth of four panel discussions waslivestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 30 March 2012 at 7:30 a.m. (Los Angeles) / 9:30 a.m. (Chicago) / 10:30 a.m. (New York) / 14:30 GMT / 15:30 (London-BST) / 16:30 (Berlin-CEST) / 20:00 (Mumbai).
Dramatists Guild's DuoLogue with Michael Weller and Richard Nelson waslivestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 27 March 2012 at 2:30 p.m. - 4 p.m. (Los Angeles) / 4:30 p.m. - 6 p.m. (Chicago) / 5:30 p.m. - 7:00 p.m. (New York) / 22:30 (London).
As part of the 36th Annual Humana Festival of New American Plays at the Actors Theatre of Louisville, the third of four panel discussions was livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Sunday 25 March 2012 at 8:30 a.m. (Los Angeles) / 10:30 a.m. (Chicago) / 11:30 a.m. (New York) / 15:30 UTC / 16:30 (London-BST) / 17:30 (Berlin-CEST) / 21:00 (Mumbai).
A discussion about Counting New Beans: Intrinsic Impact and the Value of Art, livestreamed on the global, commons-based peer-produced HowlRound TV network on Thursday 22 March 2012 at 10 a.m. EDT (Washington, DC) / 9 a.m. CDT (Chicago) / 7 a.m. PDT (San Francisco) / 2 p.m. GMT (London) / 3 p.m. CET (Berlin).
The Dramatists Guild is proud to present two of the most respected and honored lyricists in musical theatre, Sheldon Harnick and Lynn Ahrens, sitting down to discuss the ups and downs of being a theatrical lyricist livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Tuesday 13 March 2012 at 2:30 p.m. (San Francisco) / 4:30 p.m. (Chicago) / 5:30 p.m. (New York) / 9:30 p.m. (London) / 10:30 p.m. (Berlin).
Arena Stage's Student Playwrights Project presented performances of the eight winning plays livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Monday 12 March 2012 at 12 p.m. EST/ 11 a.m. CST/ 9 a.m. PST.
As part of the 36th Annual Humana Festival of New American Plays, the Actors Theatre of Louisville presented the first of four panel discussions livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Saturday 10 March 2012 at 11 a.m. EST / 10 a.m. CST.
Riverrun Theatre Company presented Seeing Red by David J. Loehr, livestreamed on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Friday 9 March 2012 at 7:30 p.m. EST / 6:30 p.m. CST / 4:30 p.m. PST.
Jamie Gahlon has asked theatre artists from around the country to talk about their personal search for an artistic home. Tony Taccone continues this series.
This interview is adapted from the version that appears in Counting New Beans: Intrinsic Impact and the Value of Art. Jack Reuler of Mixed Blood Theatre talks about the new metrics of measuring the impact of theatre.
In this excerpt from Counting New Beans: Intrinsic Impact and the Value of Art, Rebecca Novick talks with Diane Paulus about programming, audience engagement, and the role of dialogue in a theatre's relationship with its patrons.
In this excerpt from Counting New Beans: Instrinsic Impact and the Value of Art, Dudley Cocke talks to Clayton Lord about Roadside Theater and its mission of encouraging conversation through theater in Appalacian communities.
The convening 21st Century Literary Office: Exploring the Literary Practice of Tomorrow brought approximately forty theatremakers to Washington, DC to discuss their professions as literary managers, dramaturgs, artistic producers and other professionals involved in supporting, developing and/or producing new work.
Playwright Anna Ziegler continues our series on the search for an artistic home, and talks about how sometimes home is not a place, but a group of people.
Woolly Mammoth's Miriam Weisfield introduces us to The Carnegie Mellon Entertainment Technology Center, an exciting new iniative where technology and playwriting team up to engage audiences in ways never before seen.
Kira Oblenskey talks to Michelle Hensley, the founding artistic director of Ten Thousand Things in Minnesota, about the necessity of big stories, and the joys of bringing theater to audiences who have very little experience with it.
