Today is the first part of a two part interview with three members of the PigPen Theatre Co. (Ryan Melia, Arya Shahi and Dan Weschler). We discuss actual Rat Kings, the ‘tiering’ of Drama Schools and finding your own identity in the actor training process.
Thom Dunn makes a case for union protection for the marketers and fundraisers and other theatre administrators who all play important roles, working long hours for little pay or glory.
Matthew Gray interviews performer Kristolyn Lloyd about choosing ethics and principles over panic when building your career, the importance of shaping your own education, and developing new work.
Independent producer Natalie Gershtein considers the playwright-producer relationship. Where she once thought that playwrights were waiting and hoping for a first production, she now comes across playwrights who want to hold out for a larger company.
An Interview with Morgen Stevens-Garmon, Theatre Archivist at the Museum of the City of New York
11 November 2015
In the fourth installment, Michael Lueger interviews Archivist Morgen Stevens-Garmon about the intersection of theatre and museum archives in her career.
Today I talk with Kara Lindsay, currently playing Glinda in Wicked on Broadway. We talk Broadway dreams, audition nightmares and coming to terms with the ebbs and flow of the business.
Gretchen Egolf and I talk about the cultural differences between the business in the USA and the UK, the difference between acting for cameras and acting onstage and nursing an ongoing displeasure of auditioning…
Bob Fosse is the only theatre artist who has won eight Tony Awards for choreography and one for direction, an Academy Award, and an Emmy. Dan Friedman considers Fosse’s impressive although spare film legacy.
Bethany Caputo is a prolific stage and commercial actor, as well as an extraordinary teacher. Today we talk Michael Chekhov, the need to love auditioning, and how “falling off the beam” can sometimes be the very best thing for your career.
In this podcast series, Matthew Gray interviews all kinds of actors to share why they act and how they act, in a world of diminished residuals, rising student loan interest rates, reduced network pick-ups, and a dying regional theatre circuit. Find it in iTunes.
