Community-Engaged Theatre

Marta Keil and Grzegorz Reske share letters from the past and the future, from June 2020 to June 2029, detailing the changes to the theatrical landscape in their hometown of Warsaw, Poland.

Deborah Cullinan reflects on the path that enabled us to arrive in a future of shared resources and collective power.

Caroline Sprague reflects on Shey Rivera Ríos’s recent piece, Fire Flowers and a Time Machine, transformative justice, the nonprofit industrial complex, and more.

Blair Nodelman discusses why theatremakers are well suited to deeply understanding the political machine and work toward dismantling the status quo, creating a more equitable and community-based iteration of governing.

In the last conversation of the Performing the Internet series, curator Kate Bergstrom sits down with three members of the Detroit-based artist-activist collective Complex Movements—Sage Crump, ill weaver, Wes Taylor—to talk about intentional engagement in a virtual world.

Kar Eleggua Luna Olokun Laverde talks about the relationship between state, culture, and art in Colombia; the effects of COVID-19 on resistance communities; cultural organizations that empower marginalized communities through art; and more. / Kar Eleggua Luna Olokun Laverde Sanjuan habla sobre la relación entre estado, cultura y arte en Colombia; los efectos del COVID-19 sobre las comunidades en resistencia; organizaciones culturales que empoderan comunidades marginadas a través del arte; y más.

Cris Tengono talks about how, thanks to the pandemic, a virtual artistic world has begun to develop in Colombia—one of infinite possibilities and without borders, where nationalities do not matter—and shares some of the work that has come out of it.

Janice Rabian shares the discoveries she made during her summer research project about the effects of the COVID-19 pandemic on the theatre field and how leaders are pivoting after the murder of George Floyd.

Sayda Trujillo talks about white supremacy’s prevalence in clown pedagogy and shares how the invincible spirit of the clown has shaped her, “seeping through every tiny crack possible to make itself present to speak, to laugh, to sing, to bounce, to witness, and to encounter.”

Tamilla Woodard, co–artistic director of Working Theater in New York, talks about why she makes theatre and offers several “what if” thoughts about how the field should move forward.

Michael Rohd shares an edited version of a recent talk he gave at the Clarke Forum, Dickinson College, on the role of art and artists today.

Parvathi Ramanathan talks about the community-based, cross-cultural theatre project, d.r.i.f.t., in India’s Dharamshala region.

Teresa Coleman Wash reflects on how the current state of affairs has fueled an urgency to interrogate all systems of oppression and argues that it’s past time to stop holding Eurocentric theatres up as the pinnacle of success.